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View of the Gardens of the Villa Medici, Rome, with a Statue of Ariadne
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y
View of the Gardens of the Villa Medici, Rome, with a Statue of Ariadne
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y

In late 1629, the thirty-year-old Velázquez went to Italy for the first time, remaining there for more than a year. During this trip he executed various history paintings, some portraits and at [+]

Roman Gladiators with Wooden Swords
Oil on canvas. 1635 - 1639
Romanelli, Giovanni Francesco
Roman Gladiators with Wooden Swords
Oil on canvas. 1635 - 1639
Romanelli, Giovanni Francesco

Until 1956, this painting was attributed to Pietro da Cortona, an understandable mistake, given how close Romanelli’s style was to that of his teacher. In fact, it appears as such in Charles II’s will [+]

Vulcan's Forge
Oil on canvas. 1630
Velázquez, Diego Rodríguez de Silva y
Vulcan's Forge
Oil on canvas. 1630
Velázquez, Diego Rodríguez de Silva y

A figure suddenly appears on the left in a forge where various blacksmiths are working, dressed in an orange robe and wearing a laurel wreath, with rays of light emerging from his head. This is Apollo [+]

Saints Anthony Abbot and Paul the Hermit
Oil on canvas. Ca. 1634
Velázquez, Diego Rodríguez de Silva y
Saints Anthony Abbot and Paul the Hermit
Oil on canvas. Ca. 1634
Velázquez, Diego Rodríguez de Silva y

The subject is drawn from the narration in Jacobo de la Voragine`s 13th-century Golden Legend of Saint Anthony the Abbot`s voyage to the Egyptian desert to visit Saint Paul, the first Christian hermit [+]

The Nativity
Oil. Ca. 1656
Cortona, Pietro Da (Pietro Berrettini)
The Nativity
Oil. Ca. 1656
Cortona, Pietro Da (Pietro Berrettini)

The painting was given to Philip IV by Cardinal Francesco Barberini in 1656. It is unusual for being painted on a vitreous paste called aventurine, which acts as the background to the composition. It [+]

The Virgin and Child in Glory
Oil on canvas. Ca. 1680
Maratta, Carlo
The Virgin and Child in Glory
Oil on canvas. Ca. 1680
Maratta, Carlo

Turned to the left in a three-quarters view, the Virgin is depicted sitting on a throne of clouds resting on a crescent moon whose points face down. In her arms she holds the Christ child, who blesses [+]

Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)
Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)

This drawing depicts the story of the nymphs Florilla and Melissa, twin daughters of Heaven and the Earth, lovers of music (Florilla) and flowers (Melissa), the honeymaker. The young nymphs were respe [+]

The Pentecost
Red chalk on dark yellow paper. XVII century
Cerrini, Giovanni Domenico
The Pentecost
Red chalk on dark yellow paper. XVII century
Cerrini, Giovanni Domenico

Son pocos los dibujos seguros de Cerrini, pero éste, que lleva una inscripción antigua con el nombre del artista, se puede considerar de su mano por el parecido estilístico de la composición y de los [+]

The Prodigal Son receiving his Inheritance
Black chalk, Grey wash, White lead on grey paper. XVII century
Baldi, Lazzaro
The Prodigal Son receiving his Inheritance
Black chalk, Grey wash, White lead on grey paper. XVII century
Baldi, Lazzaro

La antigua atribución de este dibujo a Cortona es insostenible, pero la obra enlaza con el ámbito cortonesco y presenta analogías suficientes con la técnica y el estilo de Lazzaro Baldi, como para pod [+]

Solomon and the Queen of Sheba
Pencil, Grey-brown wash, Red wash on dark yellow paper. Ca. 1647
Fracanzano, Francesco
Solomon and the Queen of Sheba
Pencil, Grey-brown wash, Red wash on dark yellow paper. Ca. 1647
Fracanzano, Francesco

The attribution of this drawing has long been uncertain as can be judged from the old inscriptions, which variously ascribe it to Salvator Rosa and to an unspecified Bolognese draughtsman. In the mode [+]

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