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Fight till death between two stout men
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Fight till death between two stout men
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

It is difficult to say whether here we are viewing a scene of amusement or an allegory of violence, as both characters appear to be laughing stupidly while one pines down the other by force and prepar [+]

The butterfly bull. Fiesta in the air. They fly and fly
Black chalk, Lithographic crayon on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de
The butterfly bull. Fiesta in the air. They fly and fly
Black chalk, Lithographic crayon on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de

This drawing brings together several recurring themes found in his work: the impossible dream of flying, the duality of the bullfighting world between the festive and the tragic, and the scenes of abs [+]

Great folly
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Great folly
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

The title written by Goya indicates the absurd nature of the scene represented, which is hard to explain. The severed head is being fed by the body from which it has been separated. At the same time, [+]

Telegraph
Pencil on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de
Telegraph
Pencil on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de

Without the artist’s handwritten inscription reading Telegraph, it would have been impossible to decipher the theme of his image, and it may have been understood superficially merely as a scene depict [+]

They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Several drawings in these albums predominantly feature clergymen, all of which have a satirical tone. In this case, a friar laboriously prepares to relieve himself, consequentially, as Goya´s title su [+]

Monks in procession
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Monks in procession
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Processions are a frequent element in Goya´s last works, and are always depicted with a noticeably dark tone, such as I the The San Isidro Pilgrimage, one of his Black Paintings. Here the monks hide t [+]

Monk drawing with a compass
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Monk drawing with a compass
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

This drawing has rarely been exhibited and studied, but it is, nevertheless, one of the most beautiful due to its monumental and synthetic feel. Using only sharp crayon strokes, Goya defines the conto [+]

The Triumph of Bacchus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rodríguez, Cayetano; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Triumph of Bacchus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rodríguez, Cayetano; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Rodríguez (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Cornelis de Vos conservado en el Museo Nacional del Prado (P01860). Esta estampa se entregaba con [+]

Beatriz van Hemmema, Countess of Oxford
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Legrand, Luis Carlos; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Beatriz van Hemmema, Countess of Oxford
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Legrand, Luis Carlos; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el lienzo de Anton van Dyck conservado en el Museo Nacional del Prado (P01481). Esta estampa se entregaba co [+]

Prince Baltasar Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Prince Baltasar Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Juan Antonio López (activo en Madrid entre 1826 y 1840) que reproduce un lienzo obra del taller de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado ( [+]

The Famous American Mariano Ceballos
Crayon lithography, Scraper on wove paper. 1825
Goya y Lucientes, Francisco de
The Famous American Mariano Ceballos
Crayon lithography, Scraper on wove paper. 1825
Goya y Lucientes, Francisco de

Although Goya had already shown an interest in lithography while in Madrid, it was in Bordeaux tht he fully explored the expressive possibilities of this new medium. In November 1825, a year after his [+]

A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco que reproduce el lienzo de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado (P01197). En el inventario de las pinturas del palacio de [+]

Landscape with Ruins
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Alexis, Victor; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with Ruins
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Alexis, Victor; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Víctor Alexis que reproduce el lienzo de Nicolas Poussin conservado en el Museo Nacional del Prado (P2308). Esta estampa se entregaba con el cuadernillo LXXVII e iba acompañado de [+]

Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto; Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto; Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Giuglielmi que reproduce el lienzo de Parmigianino y su taller (P00280). La atribución de la pintura original a Bronzino que aparece en la firma de la estampa, es errónea. [+]

The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Parmigianino conservado en el Museo Nacional del Prado (P00279). Esta estampa se entregaba con el cuadernillo LXXXIII aco [+]

The Feast of Bacchus
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Feast of Bacchus
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco y Assensio, Alejandro; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

La litografía, realizada por Alejandro Blanco y Assensio, reproduce el lienzo de Velázquez (P01170) también conocido como El triunfo de Baco por su interpretación como una alegoría sobre el vino. Así [+]

Philip II
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip II
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi que reproduce el lienzo de Tiziano conservado en el Museo Nacional del Prado (P00411). Es la estampa LXXII que va acompañada de un texto explicativo de Jos [+]

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