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They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Several drawings in these albums predominantly feature clergymen, all of which have a satirical tone. In this case, a friar laboriously prepares to relieve himself, consequentially, as Goya´s title su [+]

The butterfly bull. Fiesta in the air. They fly and fly
Black chalk, Lithographic crayon on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de
The butterfly bull. Fiesta in the air. They fly and fly
Black chalk, Lithographic crayon on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de

This drawing brings together several recurring themes found in his work: the impossible dream of flying, the duality of the bullfighting world between the festive and the tragic, and the scenes of abs [+]

Fight till death between two stout men
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Fight till death between two stout men
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

It is difficult to say whether here we are viewing a scene of amusement or an allegory of violence, as both characters appear to be laughing stupidly while one pines down the other by force and prepar [+]

Telegraph
Pencil on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de
Telegraph
Pencil on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de

Without the artist’s handwritten inscription reading Telegraph, it would have been impossible to decipher the theme of his image, and it may have been understood superficially merely as a scene depict [+]

Great folly
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Great folly
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

The title written by Goya indicates the absurd nature of the scene represented, which is hard to explain. The severed head is being fed by the body from which it has been separated. At the same time, [+]

Monks in procession
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Monks in procession
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Processions are a frequent element in Goya´s last works, and are always depicted with a noticeably dark tone, such as I the The San Isidro Pilgrimage, one of his Black Paintings. Here the monks hide t [+]

Monk drawing with a compass
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Monk drawing with a compass
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

This drawing has rarely been exhibited and studied, but it is, nevertheless, one of the most beautiful due to its monumental and synthetic feel. Using only sharp crayon strokes, Goya defines the conto [+]

The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Francisco de Zurbarán conservado en el Museo Nacional del Prado (P01236). Esta estampa se entrega [+]

The Triumph of Bacchus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rodríguez, Cayetano -Lithographer- (After Vos, Cornelis de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Triumph of Bacchus
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rodríguez, Cayetano -Lithographer- (After Vos, Cornelis de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Rodríguez (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Cornelis de Vos conservado en el Museo Nacional del Prado (P01860). Esta estampa se entregaba con [+]

Beatriz van Hemmema, Countess of Oxford
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Legrand, Luis Carlos -Lithographer- (After Dyck, Anthony Van); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Beatriz van Hemmema, Countess of Oxford
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Legrand, Luis Carlos -Lithographer- (After Dyck, Anthony Van); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el lienzo de Anton van Dyck conservado en el Museo Nacional del Prado (P01481). Esta estampa se entregaba co [+]

Prince Baltasar Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Prince Baltasar Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Juan Antonio López (activo en Madrid entre 1826 y 1840) que reproduce un lienzo obra del taller de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado ( [+]

Saint John the Evangelist in Patmos
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guerrero, Antonio -Lithographer- (Attributed To Cano, Alonso); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint John the Evangelist in Patmos
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guerrero, Antonio -Lithographer- (Attributed To Cano, Alonso); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Antonio Guerrero (1777-?) que reproduce el lienzo atribuido a Alonso Cano conservado en el Museo Nacional del Prado (P00624). Esta estampa se entregaba con el cuadernillo CIX acom [+]

Landscape with Ruins
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Alexis, Victor -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with Ruins
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Alexis, Victor -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Víctor Alexis que reproduce el lienzo de Nicolas Poussin conservado en el Museo Nacional del Prado (P2308). Esta estampa se entregaba con el cuadernillo LXXVII e iba acompañado de [+]

Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Bronzino (Agnolo Di Cosimo)); Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Bronzino (Agnolo Di Cosimo)); Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Giuglielmi que reproduce el lienzo de Parmigianino y su taller (P00280). La atribución de la pintura original a Bronzino que aparece en la firma de la estampa, es errónea. [+]

The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Breda
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Decraene, Florentino -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Cleopatra
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Zöllner, Ludwid Theodor -Lithographer- (After Reni, Guido); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Cleopatra
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Zöllner, Ludwid Theodor -Lithographer- (After Reni, Guido); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Ludwid Theodor Zöllner (1796?-1860) que reproduce el lienzo de Guido Reni conservado en el Museo Nacional del Prado (P00209). Esta estampa se entregaba con el cuadernillo CVIII ac [+]

The Holy Family
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Rodríguez, Cayetano -Lithographer- (After Giordano, Luca); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Holy Family
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Rodríguez, Cayetano -Lithographer- (After Giordano, Luca); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Cayetano Rodríguez (activo en Madrid entre 1829 y 1837) que reproduce el lienzo de Luca Giordano conservado en el Museo Nacional del Prado (P00169). Esta estampa se entregaba con [+]

The Sacrifice of Isaac
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar -Lithographer- (After Sarto, Andrea del (Andrea D'agnolo)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Sacrifice of Isaac
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar -Lithographer- (After Sarto, Andrea del (Andrea D'agnolo)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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