The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
9 results
Will She Live Again?
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Will She Live Again?
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 80, Will She Live Again? This drawing presents the outcome of the previous one (D03983). The volume of prints that the artist gave to Ceán with the t [+]

Fierce Monster!
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Fierce Monster!
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 81, Fierce Monster!. This monster, whose morphology corresponds to no specific animal, is related to those from Disasters 71, 72, 73, 75 and 76, all of whic [+]

Strange Devotion!
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Strange Devotion!
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 66, Strange Devotion! In his novel, Rinconete and Cortadillo (1613), Miguel de Cervantes has his character, Monipodio, say the following about two old men i [+]

Truth has died
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Truth has died
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disaster 79, Truth has died. This scene, along with Disaster 80, Will she live again?, marks the end of the series of engravings that constitute the first edition of the Disa [+]

The Rope is Breaking
Red chalk on cream laid paper. Ca. 1817
Goya y Lucientes, Francisco de
The Rope is Breaking
Red chalk on cream laid paper. Ca. 1817
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 77, The Rope is Breaking. The title that appears on the print recalls the Spanish saying: “the rope always breaks at the weakest point.” Careful comparison [+]

Group of Women Fleeing from Soldiers
Red chalk on cream laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Group of Women Fleeing from Soldiers
Red chalk on cream laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was never engraved. Its composition -specifically, the central figure of a woman fleeing- led Gassier and Wilson to suggest that the drawing may [+]

This is the truth
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
This is the truth
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 82, This is What is True. The ruin of post-war Spain and the return to Fernando VII’s pre-constitutional tenets left no room at all for hope. All that Goya [+]

It always happens
Red chalk on cream laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
It always happens
Red chalk on cream laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

This preparatory drawing for Disasters of War, 8, It always happens, is one of the series known as the Emphatic Caprichos.In this series of prints executed between 1810 and 1814 Goya offers a critical [+]

Against the common good
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Against the common good
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing from Disasters of War, 71, Against the Common Weal. The interpretation of the Emphatic Caprices focuses on different aspects of the repression and the return to absolutism that f [+]

Up