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In this painting, following His crucifixion and descent from the Cross, the body of Christ lies upon a white cloth. On His left is a beam of the cross bearing the sign that identifies Him as King of t [+]
This painting entered the Museum`s holdings as Saint Francis in the Brambles by Jan Both. The scene is correctly classified in the catalogue of 1873. A decade later Valdivieso (1973) identifies it as [+]
This panel originally had an arched top and included a more open landscape with less leafy trees. At an unknown date the work must have suffered damage that affected the pictorial surface, resulting i [+]
The lively, somewhat childish character of Cayetana, the Duchess of Alba, is reflected in this little canvas. Her back is turned to the viewer, but she is recognizable by her abundantly curly black ha [+]
Like The Virgin and Child with a Spindle (P07864), this panel formed part of the altar of St Anne in Badajoz Cathedral, commissioned by the bishop of the time, Juan de Ribera (1532-1611). It is really [+]
Bosch thus shows how man, irrespective of his social class or place of origin, is so possessed by the desire to enjoy and acquire material possessions that he allows himself to be deceived or seduced [+]
The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]
The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]
The Descent from the Cross was painted for the Chapel of Our Lady Outside the Walls at Leuven, which was founded in the fourteenth century by the Great Crossbowmen`s Guild, sold in 1798 and demolished [+]
The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]
The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]
Goya depicts Saint John as an adolescent, holding his traditional attributes: a cross whose banner reads “Lamb of God.” The artist places him on a boulder, looking up and thinking about Christ´s [+]
Dressed in white with the Crown of Thorns, Jesus has fallen under the weight of the Cross, on the path to Calvary. Behind him are Simon of Cyrene, who helps him with the Cross, and the Holy Women, one [+]
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Representación del santo que dirige su mirada al crucifijo, mientras que distintos elementos iconográficos como la calavera y la trompeta aluden al final de los tiempos. [+]
Saint James the Elder is depicted as a pilgrim, with his customary crozier or staff, although here it lacks the customary calabash for water. He wears a cape and a hat with the scallop shell that symb [+]
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