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The Virgin and Child adored by Saint Louis, King of France
Oil on canvas. Ca. 1665
Coello, Claudio
The Virgin and Child adored by Saint Louis, King of France
Oil on canvas. Ca. 1665
Coello, Claudio

Surrounded by angels, the Holy Family, with Saint Elizabeth and the infant Saint John, receive Saint Louis, King of France. The background combines architecture and curtains. This work is organized li [+]

Infantas Isabel Clara Eugenia and Catalina Micaela
Oil on canvas. Ca. 1575
Sánchez Coello, Alonso
Infantas Isabel Clara Eugenia and Catalina Micaela
Oil on canvas. Ca. 1575
Sánchez Coello, Alonso

Philip II’s two daughters Isabel Clara Eugenia (1566-1633) and Catalina Micaela (1567-1597), were repeatedly portrayed from the time they were very small by Alonso Sánchez Coello, one of the ki [+]

Joseph in the Pharaoh’s Palace
Oil on canvas. 1748
Amigoni, Jacopo
Joseph in the Pharaoh’s Palace
Oil on canvas. 1748
Amigoni, Jacopo

Joseph, Jacob’s favourite son, was envied by his brothers, who sold him as a slave to the Egyptians. The Pharoah eventually made Jacob the governor of all of Egypt, the moment depicted here by Amigoni [+]

Bermudo I of Asturias
Oil on canvas. Ca. 1852
Lozano, Isidoro
Bermudo I of Asturias
Oil on canvas. Ca. 1852
Lozano, Isidoro

Bermudo I, called the Deacon or the Monk (c. 750-797), was the King of Asturias from 788 or 789 until his abdication in 791. The Chronological Series of the Kings of Spain was a museum project planned [+]

Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)
Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)

Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was re [+]

Witteric
Oil on canvas. Ca. 1859
Soriano Murillo, Benito
Witteric
Oil on canvas. Ca. 1859
Soriano Murillo, Benito

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), [+]

John II of Castile
Oil on canvas. 1848
Prats y Velasco, Francisco
John II of Castile
Oil on canvas. 1848
Prats y Velasco, Francisco

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), [+]

Reccared I
Oil on canvas. 1857
Puebla y Tolín, Dióscoro Teófilo
Reccared I
Oil on canvas. 1857
Puebla y Tolín, Dióscoro Teófilo

Reccared I (559-601) was Visigothic King of Hispania. The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at th [+]

Ferdinand IV, King of Naples
Oil on canvas. 1760
Mengs, Anton Raphael
Ferdinand IV, King of Naples
Oil on canvas. 1760
Mengs, Anton Raphael

Ferdinand IV (1751-1825) was the third son of Charles VII of Naples and his wife, Maria Amalia of Saxony. When his father acceded to the Spanish throne as Charles III in 1759, he became king of Naples [+]

The Triumph of David
Oil on canvas. Ca. 1630
Poussin, Nicolas
The Triumph of David
Oil on canvas. Ca. 1630
Poussin, Nicolas

In an architectural setting, a winged Victory crowns David with a laurel wreath. The latter holds his sword with one hand and looks directly at Goliath´s decapitated head, which rests on some pieces o [+]

Sancho Garcés IV of Sobrarbe
Oil on canvas. 1862
Miranda y Rendón, Manuel
Sancho Garcés IV of Sobrarbe
Oil on canvas. 1862
Miranda y Rendón, Manuel

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), [+]

King David
Oil on canvas. Ca. 1650
Ríes, Ignacio de
King David
Oil on canvas. Ca. 1650
Ríes, Ignacio de

De Ríes was Zurbarán’s assistant in the late 1630s and continued to follow his master’s style as an independent painter. One of his finest works from the latter period is this King David [+]

Henry III of Castile, the Mourne
Oil on canvas. 1848
Ortega Matamoros, Calixto
Henry III of Castile, the Mourne
Oil on canvas. 1848
Ortega Matamoros, Calixto

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), [+]

Sancho III of Castile
Oil on canvas. Ca. 1851
Castelaro y Perea, José
Sancho III of Castile
Oil on canvas. Ca. 1851
Castelaro y Perea, José

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), [+]

Charles IV and his Family honoured by the University of Valencia
Oil on canvas. 1802
López Portaña, Vicente
Charles IV and his Family honoured by the University of Valencia
Oil on canvas. 1802
López Portaña, Vicente

During his visit to Valencia in 1802, the Literary University of the city gave the King this painting which shows the university, personified as a young matron, introducing the royal family to the var [+]

Chindasuinth
Oil on canvas. 1854
Barroeta y Anguisolea, Juan de
Chindasuinth
Oil on canvas. 1854
Barroeta y Anguisolea, Juan de

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), [+]

The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco
The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco

Francesco Albani was a much favoured pupil of Annibale Carracci. His success was partially due to mythological paintings such as The toilet of Venus (P1) and The judgement of Paris (P2), whose refined [+]

Allegory of Fame
Oil on canvas. Ca. 1775
Castillo, José del
Allegory of Fame
Oil on canvas. Ca. 1775
Castillo, José del

This singular composition, which can be dated 1775, was painted at the height of the 18th century, although, in aesthetic terms, the Baroque was already in decline as it entered its final phase. Its d [+]

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