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En un bellísimo paisaje, pleno de luz y diferentes detalles, a cuál más refinado y auténtico, tomado del amplísimo repertorio que ofrece la naturaleza, en cuyos fondos se aprecian unas edificaciones, [+]
Saint John is presented in the foreground as a young man playing with a lamb -one of his identifying attributes as well as a reference to the Agnus Dei, which is how the Baptist referred to Christ. Th [+]
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The Virgin Mary, turned slightly to the right, has her hands clasped in an imploring attitude, her gaze absent and her eyes flooded with tears. She wears a bluish-green robe, a violet tunic and a whit [+]
This panel depicts the moment when the dead Christ’s body has been lowered from the cross and is attended at its foot by the Virgin, Saint John and Mary Magdalene. In the middle-ground are Joseph of A [+]
Perteneciente al retablo mayor de la iglesia del colegio de Agustinos Calzados de Madrigal junto con La Adoración de los Pastores (P2471), Aparición de santa Leocadia a san Ildefonso (P5412) y la Impo [+]
Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]
María Teresa de Bourbon y Vallabriga, Marchioness of Boadilla del Monte and Countess of Chichón, was the daughter of infante Luis Antonio de Bourbon by María Teresa Vallabriga y R [+]
Bosch thus shows how man, irrespective of his social class or place of origin, is so possessed by the desire to enjoy and acquire material possessions that he allows himself to be deceived or seduced [+]
Christ as the Man of Sorrows is depicted with the wounds of his Passion, resurrected and seated on his tomb. This was a widely disseminated image in northern and central Europe at this period, intende [+]
This painting is an example of Beruete´s paintings of scenes from around Madrid, many of which have the Manzanares river as their protagonist. While water occupies more than half of the canvas, the ci [+]
Under a sky filled with leaden-gray storm clouds, Saint Andrew and Saint Francis of Assisi stand next to each other in conversation. The apostle appears on the viewer’s left, wearing a cobalt blue tun [+]
The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]
The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]
The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]
The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]
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