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Saint Barbara
Oil on canvas. Ca. 1772
Goya y Lucientes, Francisco de
Saint Barbara
Oil on canvas. Ca. 1772
Goya y Lucientes, Francisco de

Saint Barbara was a third-century Christian martyr imprisoned in a tower and later decapitated by her father, Dioscoro, as punishment for not wanting to marry and refusing to profess paganism. Goya de [+]

Dance on the Banks of the Manzanares
Oil on canvas. 1776 - 1777
Goya y Lucientes, Francisco de
Dance on the Banks of the Manzanares
Oil on canvas. 1776 - 1777
Goya y Lucientes, Francisco de

This tapestry cartoon represents a popular scene of Majos and Majas dancing Seguidillas on the banks of Madrid´s Manzanares River. In the background, Goya painted the area around the Pontones Br [+]

The Victorious Hannibal seeing Italy from the Alps for the first Time
Oil on canvas. 1771
Goya y Lucientes, Francisco de
The Victorious Hannibal seeing Italy from the Alps for the first Time
Oil on canvas. 1771
Goya y Lucientes, Francisco de

The Victorious Hannibal is the first documented work by Goya. He painted it in Rome in 1771 in order to submit it that year to the competition held by the prestigious Academy of Fine Arts in Parma whe [+]

Italian Notebook
Black chalk, Pencil, Red chalk, Bistre, Grey-brown ink, Iron gall ink on laid paper. 1771 - 1788
Goya y Lucientes, Francisco de
Italian Notebook
Black chalk, Pencil, Red chalk, Bistre, Grey-brown ink, Iron gall ink on laid paper. 1771 - 1788
Goya y Lucientes, Francisco de

Goya bought this sketchbook during his two-year sojourn in Italy, between 1769 and 1771. A taccuino or aide-mémoire, it includes the earliest drawings made at the time, among them copies of pai [+]

Better to die
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Better to die
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

They Spend Their Life with Animals
Black chalk, Lithographic crayon on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
They Spend Their Life with Animals
Black chalk, Lithographic crayon on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Bordeaux Sketchbook G, sheet 30. In this precisely orchestrated composition, the principal figure, an apparently rational being judging by his gentlemanly garments, lives among animals. These have cle [+]

Head of a Dying Man
Black chalk on laid paper. 1818
Goya y Lucientes, Francisco de
Head of a Dying Man
Black chalk on laid paper. 1818
Goya y Lucientes, Francisco de

On the lower part of the drawing, in chalk, “Goya” on the left, and “1818” on the right. On the lower part of the sheet, in ink, by the hand of Felipe de Arrojo: “(hasta los numeros son echos de / man [+]

For discovering the motion of the earth
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
For discovering the motion of the earth
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

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