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Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta
Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta

By far the most prestigious commission of Trometta´s entire career was the fresco decoration of the ceiling of the choir of the church of S. Maria in Aracoeli, Rome. On 30 January 1565 he contracted t [+]

The Assumption of the Virgin
Pencil, Grey wash on grey paper. Before 1604
Lilio, Andrea
The Assumption of the Virgin
Pencil, Grey wash on grey paper. Before 1604
Lilio, Andrea

This impressive drawing is a finished preparatory study, squared for transfer, for Lilio´s altarpiece of the Assumption of the Virgin in the church of S. Giovanni Battista at Numana, a small town on t [+]

The Holy Family, with the Infant St. John the Baptist and St. Catherine
Black chalk, Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow laid paper. Ca. 1584
Calvaert, Denys
The Holy Family, with the Infant St. John the Baptist and St. Catherine
Black chalk, Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow laid paper. Ca. 1584
Calvaert, Denys

This is a preparatory study, with only some differences, for Calvaert´s painting of the Holy Family with St. Catherine and the Infant St. John the Baptist in the Gemäldegalerie, Oldenburg, [+]

The Apostle James
Black chalk, Red chalk, Squared-up on dark toned laid paper. Ca. 1629
Cajés, Eugenio
The Apostle James
Black chalk, Red chalk, Squared-up on dark toned laid paper. Ca. 1629
Cajés, Eugenio

Dibujo en el que se representa al apóstol de media figura, de frente, apoyado en el bordón, con la mirada alzada.Preparatorio para la figura correspondiente en la Asunción de la Virgen de la Iglesia d [+]

Saint Luke painting the Virgin
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. 1567 - 1572
Vasari, Giorgio
Saint Luke painting the Virgin
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. 1567 - 1572
Vasari, Giorgio

This is a preparatory drawing for Vasari´s fresco of St. Luke Painting the Virgin in the Cappella di San Luca in S. Annunziata, Florence. In 1560 the chapel, formerly the Cappella Benizzi, was granted [+]

The Immaculate Conception
Black chalk, Grey-brown wash, Squared-up, White lead on yellow paper. Ca. 1628
Cajés, Eugenio
The Immaculate Conception
Black chalk, Grey-brown wash, Squared-up, White lead on yellow paper. Ca. 1628
Cajés, Eugenio

La Virgen María, bajo la advocación de la Inmaculada Concepción, aparece representada de frente, situada sobre la luna, en actitud contemplativa. A ambos lados, en el rompimiento de gloria, se represe [+]

The Holy Family
Black chalk, Squared-up, White chalk on green paper. XVIII century
Bayeu, Francisco
The Holy Family
Black chalk, Squared-up, White chalk on green paper. XVIII century
Bayeu, Francisco

Estudio de una Sagrada Familia. A la izquierda, San José en pie, con la mano izquierda apoyada en el hombro del Niño. A la derecha, la Virgen también de pie con amplios ropajes y manto sobre la cabeza [+]

Head of a Woman
Black chalk, White chalk on green paper. 1781
Bayeu y Subías, Ramón
Head of a Woman
Black chalk, White chalk on green paper. 1781
Bayeu y Subías, Ramón

Dibujo, cuadriculado a lápiz, de tres cuartos a la derecha. Preparatorio para la figura correspondiente a una Santa Mártir en la parte central de la bóveda de Regina Virginum, pintada en 1781. Para la [+]

Saint Lawrence
Black chalk, Squared-up on yellow laid paper. Ca. 1598
Carducho, Vicente
Saint Lawrence
Black chalk, Squared-up on yellow laid paper. Ca. 1598
Carducho, Vicente

Aunque no hay constancia documental es muy probable que en 1598 Vicente Carducho ayudara a su hermano, Bartolomé, con las escenas de la Vida de San Lorenzo del Claustro Alto de El Escorial y las puert [+]

Charity
Black chalk, Squared-up, White chalk on green paper. Ca. 1770
Bayeu, Francisco
Charity
Black chalk, Squared-up, White chalk on green paper. Ca. 1770
Bayeu, Francisco

Dibujo preparatorio para la figura que representa La Caridad en el fresco de la Providencia presidiendo las Virtudes y Facultades del hombre en el Palacio Real de Madrid, que decora una de las bóvedas [+]

Justice
Black chalk, Squared-up, White chalk on green paper. Ca. 1770
Bayeu, Francisco
Justice
Black chalk, Squared-up, White chalk on green paper. Ca. 1770
Bayeu, Francisco

Dibujo preparatorio para la figura correspondiente en la parte central del fresco de la Providencia presidiendo las Virtudes y Facultades del hombre en el Palacio Real de Madrid, que decora una de las [+]

Scene from Inferno, with demons subduing the damned
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Il Bastianino (Attributed To)
Scene from Inferno, with demons subduing the damned
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Il Bastianino (Attributed To)

Classified as anonymous in the collections of Brun (?) and Fernández Durán. The figures correspond, with differences, to those in the bottom right of Bastianino´s fresco of the Last Judg [+]

The Annunciation
Red chalk, Grey-brown wash, Squared-up, Charcoal on yellow laid paper. Ca. 1620
Cajés, Eugenio
The Annunciation
Red chalk, Grey-brown wash, Squared-up, Charcoal on yellow laid paper. Ca. 1620
Cajés, Eugenio

A la izquierda, la Virgen María arrodillada de frente, junto al reclinatorio que en parte cubre el manto. A la derecha, casi de perfil, el ángel arrodillado con las manos cruzadas sobre el pecho.Prepa [+]

Design for the Decoration of the Front Wall of a Chapel
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Third quarter of the XVI century
Urbino, Carlo
Design for the Decoration of the Front Wall of a Chapel
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Third quarter of the XVI century
Urbino, Carlo

Although Parmigianinesque in style, the Prado drawing is clearly not of the same quality as Parmigianino´s undoubtedly authentic work. There are strong analogies in handling and technique with a numbe [+]

Scenes from a Last Judgement
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Last quarter of the XVI century
Boscoli, Andrea (Attributed To)
Scenes from a Last Judgement
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Last quarter of the XVI century
Boscoli, Andrea (Attributed To)

The composition of the Prado drawing requires some explanation because of the smallness of scale of the numerous figures in relation to the overall size of the paper. Above ground level, in the left-h [+]

Saint Gregory the Great
Black chalk, Grey-brown wash, Squared-up, White lead on grey paper. 1626 - 1634
Carducho, Vicente
Saint Gregory the Great
Black chalk, Grey-brown wash, Squared-up, White lead on grey paper. 1626 - 1634
Carducho, Vicente

Durante la Contrarreforma la figura de san Gregorio Magno cobró una singular importancia como ejemplo para el clero por su doble condición de pontífice y santo. Sólo en la obra de Carducho, entre pint [+]

The Adoration of the Magi
Red chalk, Grey-brown wash, Red wash, Squared-up on yellow laid paper. Ca. 1631
Cajés, Eugenio
The Adoration of the Magi
Red chalk, Grey-brown wash, Red wash, Squared-up on yellow laid paper. Ca. 1631
Cajés, Eugenio

Obra muy característica de Eugenio Cajés y probablemente de sus últimos años a juzgar por la rígida verticalidad de sus personajes y por los ángeles en vuelo, muy próximos a los de las Santa Engracia [+]

The Immaculate Conception
Pencil, Pencil ground, Ink, Squared-up on paper. 1719
Calleja, Manuel de la
The Immaculate Conception
Pencil, Pencil ground, Ink, Squared-up on paper. 1719
Calleja, Manuel de la

Nada se sabe del artista de este nombre que firma este dibujo en 1719. Se trata de un dibujo cuadriculado y sombreado a lápiz negro blando. La Virgen aparece erguida sobre el creciente de la luna, sob [+]

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