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Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

A boy trying to do his homework buries his face in his hands to protect himself from the threat of an old woman´s whip. The brutality of the punishment is decisively underlined by the authoritative pr [+]

The beds of death
Red chalk on dark yellow laid paper. Ca. 1813
Goya y Lucientes, Francisco de
The beds of death
Red chalk on dark yellow laid paper. Ca. 1813
Goya y Lucientes, Francisco de

If death has been explicit and omnipresent over the course of the numerous Hunger prints, its name has not appeared in their titles until now. This work may be one of the most expressive of all, as we [+]

The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro
The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro

Jesús, semiarrodillado en una piedra, aguarda el bautismo. San Juan agachado recoge el agua del río Jordán. Dos ángeles, tras Jesús, sostienen sus vestiduras; otros a la derecha dialogan. En el cielo [+]

What courage!
Red chalk on dark yellow laid paper. Ca. 1810
Goya y Lucientes, Francisco de
What courage!
Red chalk on dark yellow laid paper. Ca. 1810
Goya y Lucientes, Francisco de

In this drawing and the These, too (D04345), Goya presents one of his harshest criticisms. At first glance, both seem to depict village people picking up the war wounded and carrying them to the hospi [+]

Head of a Woman
Charcoal, Blurred / softened / rubbed on dark yellow laid paper. XVII century
Carreño de Miranda, Juan
Head of a Woman
Charcoal, Blurred / softened / rubbed on dark yellow laid paper. XVII century
Carreño de Miranda, Juan

[+]

Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

This work corresponds to Album E, one of seven albums or series of drawings that Goya created over the course of his life. This album is also known as the “black borders” album, due to the distinctive [+]

Not even this way
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Not even this way
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 11, Not even this way.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish [+]

Elijah visited by the angel
Pencil, Grey-brown ink, Pencil strokes, Wash on dark yellow laid paper. Second half of the XVI century
Calvaert, Denys (Attributed To)
Elijah visited by the angel
Pencil, Grey-brown ink, Pencil strokes, Wash on dark yellow laid paper. Second half of the XVI century
Calvaert, Denys (Attributed To)

The wall decoration for which this design was intended was presumably over an altar dedicated to the Eucharist. The Old Testament story of Elijah visited by an angel was a prolepsis for the Eucharist. [+]

The Holy Family, with the Infant St. John the Baptist and St. Catherine
Black chalk, Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow laid paper. Ca. 1584
Calvaert, Denys
The Holy Family, with the Infant St. John the Baptist and St. Catherine
Black chalk, Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow laid paper. Ca. 1584
Calvaert, Denys

This is a preparatory study, with only some differences, for Calvaert´s painting of the Holy Family with St. Catherine and the Infant St. John the Baptist in the Gemäldegalerie, Oldenburg, [+]

The Virgin and Child Appearing to St. John of Matha and St. Felix of Valois
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper, dark yellow laid paper. Ca. 1580
Calvaert, Denys
The Virgin and Child Appearing to St. John of Matha and St. Felix of Valois
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper, dark yellow laid paper. Ca. 1580
Calvaert, Denys

The two saints kneeling in the foreground are the little-known St. John of Matha, a native of Faucon in Provence, and St. Felix of Valois, who lived at the turn of the twelfth century. Both were found [+]

To the market
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de
To the market
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de

A good number of the drawings in this Sketchbook F portray scenes from the daily lives of humble country people. With intense strokes of washes applied with a brush, Goya created compositions depictin [+]

Duels. On guard!
Grey-brown wash on dark yellow laid paper. 1815 - 1820
Goya y Lucientes, Francisco de
Duels. On guard!
Grey-brown wash on dark yellow laid paper. 1815 - 1820
Goya y Lucientes, Francisco de

Because of its technique and theme, this Sketchbook F seems to have been produced around the same time as Album C, roughly between 1812 and 1820. The drawings were executed using a brush an iron gall [+]

Help
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de
Help
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de

The absence of a title written by Goya opnes up the possibilities of interpretation for his drawings, where three figures are arranged in different postures in front of a fence positioned in the backg [+]

Visit to the quack
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de
Visit to the quack
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de

This vaulted space, the site of what seems to be a visit to a quack, is a typical feature used in Goya´s composition when his intention is to create a dark atmosphere for symbolic purposes. The scene [+]

Street Performers
Grey-brown wash on dark yellow laid paper. 1812 - 1820
Goya y Lucientes, Francisco de
Street Performers
Grey-brown wash on dark yellow laid paper. 1812 - 1820
Goya y Lucientes, Francisco de

Sketchbook F, sheet 7. The earliest works in this sketchbook were drawn on reused paper. The circular mark near the top left of this sheet is an artifact of a stamp that guaranteed authenticity by an [+]

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