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Shameful Profit
Black chalk, Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Shameful Profit
Black chalk, Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for an unpublished plate from the Disasters of War, of which only two prints are known. The composition is framed in red chalk and the corners are emphasized with touches of the [+]

Elijah visited by the angel
Pencil, Grey-brown ink, Pencil strokes, Wash on dark yellow laid paper. Second half of the XVI century
Calvaert, Denys (Attributed To)
Elijah visited by the angel
Pencil, Grey-brown ink, Pencil strokes, Wash on dark yellow laid paper. Second half of the XVI century
Calvaert, Denys (Attributed To)

The wall decoration for which this design was intended was presumably over an altar dedicated to the Eucharist. The Old Testament story of Elijah visited by an angel was a prolepsis for the Eucharist. [+]

And this too
Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
And this too
Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 45, And this too.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsu [+]

The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro
The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro

Jesús, semiarrodillado en una piedra, aguarda el bautismo. San Juan agachado recoge el agua del río Jordán. Dos ángeles, tras Jesús, sostienen sus vestiduras; otros a la derecha dialogan. En el cielo [+]

It will be the same
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
It will be the same
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

This is one of the six strange ink drawings that has been included in the group of preparatory drawings for the Disasters of War, although they are very different in conception, composition, technique [+]

What courage!
Red chalk on dark yellow laid paper. Ca. 1810
Goya y Lucientes, Francisco de
What courage!
Red chalk on dark yellow laid paper. Ca. 1810
Goya y Lucientes, Francisco de

In this drawing and the These, too (D04345), Goya presents one of his harshest criticisms. At first glance, both seem to depict village people picking up the war wounded and carrying them to the hospi [+]

They already have a seat
Red chalk on dark yellow laid paper. Ca. 1797
Goya y Lucientes, Francisco de
They already have a seat
Red chalk on dark yellow laid paper. Ca. 1797
Goya y Lucientes, Francisco de

Preparatory drawing for Capricho 26. This drawing illustrates the Spanish expression sentar la cabeza, literally seating one’s head, or acquiring some sense and moderation. While the young women “alre [+]

Head of a Woman
Charcoal, Blurred / softened / rubbed on dark yellow laid paper. XVII century
Carreño de Miranda, Juan
Head of a Woman
Charcoal, Blurred / softened / rubbed on dark yellow laid paper. XVII century
Carreño de Miranda, Juan

[+]

They do not arrive in time
Red chalk on dark yellow laid paper. Ca. 1813
Goya y Lucientes, Francisco de
They do not arrive in time
Red chalk on dark yellow laid paper. Ca. 1813
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 52, They do not arrive in time.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the [+]

Not even this way
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Not even this way
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 11, Not even this way.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish [+]

The Holy Family, with the Infant St. John the Baptist and St. Catherine
Black chalk, Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow laid paper. Ca. 1584
Calvaert, Denys
The Holy Family, with the Infant St. John the Baptist and St. Catherine
Black chalk, Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow laid paper. Ca. 1584
Calvaert, Denys

This is a preparatory study, with only some differences, for Calvaert´s painting of the Holy Family with St. Catherine and the Infant St. John the Baptist in the Gemäldegalerie, Oldenburg, [+]

Taking the wounded to the hospital
Red chalk, Conté crayon on dark yellow laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Taking the wounded to the hospital
Red chalk, Conté crayon on dark yellow laid paper. Ca. 1812
Goya y Lucientes, Francisco de

This drawing related to one of the Disasters was neither engraved nor published. Its composition merges two groups of figures from drawing D03990. The postures and formal definition coincide in both d [+]

War Scene
Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
War Scene
Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

This drawing related to the Disasters was never engraved. It is technically and stylistically related to five other ink drawings included in the group of preparatory drawings for The Disasters of War [+]

The Virgin and Child Appearing to St. John of Matha and St. Felix of Valois
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper, dark yellow laid paper. Ca. 1580
Calvaert, Denys
The Virgin and Child Appearing to St. John of Matha and St. Felix of Valois
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper, dark yellow laid paper. Ca. 1580
Calvaert, Denys

The two saints kneeling in the foreground are the little-known St. John of Matha, a native of Faucon in Provence, and St. Felix of Valois, who lived at the turn of the twelfth century. Both were found [+]

Hush
Red chalk on dark yellow laid paper. Ca. 1797
Goya y Lucientes, Francisco de
Hush
Red chalk on dark yellow laid paper. Ca. 1797
Goya y Lucientes, Francisco de

Preparatory drawing for Capricho 28 (G02116) .The title, which is taken from the Caprichos, refers to the word used to impose silence, and in this case to the corrupt habits of aristocratic women who [+]

Visit to the quack
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de
Visit to the quack
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de

This vaulted space, the site of what seems to be a visit to a quack, is a typical feature used in Goya´s composition when his intention is to create a dark atmosphere for symbolic purposes. The scene [+]

Help
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de
Help
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de

The absence of a title written by Goya opnes up the possibilities of interpretation for his drawings, where three figures are arranged in different postures in front of a fence positioned in the backg [+]

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