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Shameful Profit
Black chalk, Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Shameful Profit
Black chalk, Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for an unpublished plate from the Disasters of War, of which only two prints are known. The composition is framed in red chalk and the corners are emphasized with touches of the [+]

I saw it
Red chalk, Conté crayon on dark yellow laid paper. 1810 - 1815
Goya y Lucientes, Francisco de
I saw it
Red chalk, Conté crayon on dark yellow laid paper. 1810 - 1815
Goya y Lucientes, Francisco de

The value of Goya’s war images is largely determined by their plausibility. This makes them visual referents for what happens in war. Neither their status as narrative nor the esteem in which they are [+]

Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

A boy trying to do his homework buries his face in his hands to protect himself from the threat of an old woman´s whip. The brutality of the punishment is decisively underlined by the authoritative pr [+]

And this too
Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
And this too
Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 45, And this too.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsu [+]

The beds of death
Red chalk on dark yellow laid paper. Ca. 1813
Goya y Lucientes, Francisco de
The beds of death
Red chalk on dark yellow laid paper. Ca. 1813
Goya y Lucientes, Francisco de

If death has been explicit and omnipresent over the course of the numerous Hunger prints, its name has not appeared in their titles until now. This work may be one of the most expressive of all, as we [+]

Dream of consummate witches
Pencil, Iron gall ink, Black chalk lines on dark yellow laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Dream of consummate witches
Pencil, Iron gall ink, Black chalk lines on dark yellow laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This is a preparatory drawing for the etching Blow (G02157), which is Capricho 69. Together, the twenty-six pen-and-ink drawings that constitute the basis for The Caprichos are known as The Dreams. Th [+]

Sad forebodings of what is to happen
Red chalk on dark yellow laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Sad forebodings of what is to happen
Red chalk on dark yellow laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This frontispiece from the Disasters of War was one of the emphatic Caprichos that Goya composed after 1815 as a sort of epilogue for the latter series of engravings. The image is set in a context of [+]

It will be the same
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
It will be the same
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

This is one of the six strange ink drawings that has been included in the group of preparatory drawings for the Disasters of War, although they are very different in conception, composition, technique [+]

What courage!
Red chalk on dark yellow laid paper. Ca. 1810
Goya y Lucientes, Francisco de
What courage!
Red chalk on dark yellow laid paper. Ca. 1810
Goya y Lucientes, Francisco de

In this drawing and the These, too (D04345), Goya presents one of his harshest criticisms. At first glance, both seem to depict village people picking up the war wounded and carrying them to the hospi [+]

They already have a seat
Red chalk on dark yellow laid paper. Ca. 1797
Goya y Lucientes, Francisco de
They already have a seat
Red chalk on dark yellow laid paper. Ca. 1797
Goya y Lucientes, Francisco de

Preparatory drawing for Capricho 26. This drawing illustrates the Spanish expression sentar la cabeza, literally seating one’s head, or acquiring some sense and moderation. While the young women “alre [+]

They do not arrive in time
Red chalk on dark yellow laid paper. Ca. 1813
Goya y Lucientes, Francisco de
They do not arrive in time
Red chalk on dark yellow laid paper. Ca. 1813
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 52, They do not arrive in time.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the [+]

Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

This work corresponds to Album E, one of seven albums or series of drawings that Goya created over the course of his life. This album is also known as the “black borders” album, due to the distinctive [+]

Not even this way
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Not even this way
Pencil, Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 11, Not even this way.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish [+]

Taking the wounded to the hospital
Red chalk, Conté crayon on dark yellow laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Taking the wounded to the hospital
Red chalk, Conté crayon on dark yellow laid paper. Ca. 1812
Goya y Lucientes, Francisco de

This drawing related to one of the Disasters was neither engraved nor published. Its composition merges two groups of figures from drawing D03990. The postures and formal definition coincide in both d [+]

War Scene
Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
War Scene
Red chalk, Grey-brown wash on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

This drawing related to the Disasters was never engraved. It is technically and stylistically related to five other ink drawings included in the group of preparatory drawings for The Disasters of War [+]

Hush
Red chalk on dark yellow laid paper. Ca. 1797
Goya y Lucientes, Francisco de
Hush
Red chalk on dark yellow laid paper. Ca. 1797
Goya y Lucientes, Francisco de

Preparatory drawing for Capricho 28 (G02116) .The title, which is taken from the Caprichos, refers to the word used to impose silence, and in this case to the corrupt habits of aristocratic women who [+]

Torture of the Dandy
Red chalk, Red wash on dark yellow laid paper. 1797 - 1798
Goya y Lucientes, Francisco de
Torture of the Dandy
Red chalk, Red wash on dark yellow laid paper. 1797 - 1798
Goya y Lucientes, Francisco de

Goya used red chalk washes to create shadows, atmospheres and volumes. The easiest way to do this was to mix red chalk powder with water. At times it would suffice to simply run a damp brush over mark [+]

To the market
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de
To the market
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de

A good number of the drawings in this Album portray scenes from the daily lives of humble country people. With intense strokes of washes applied with a brush, Goya created compositions depicting chara [+]

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