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Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

A boy trying to do his homework buries his face in his hands to protect himself from the threat of an old woman´s whip. The brutality of the punishment is decisively underlined by the authoritative presence of the old woman, with her legs and hands open, her dominant figure contras with the smallness of the child. The almost animal characters of the woman´s face correspond to the irrationality of

Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

This work corresponds to Album E, one of seven albums or series of drawings that Goya created over the course of his life. This album is also known as the “black borders” album, due to the distinctive thick lines that frame each scene. The style, solid compositions and figures, clothing and hairstyles, as well as allusions to the Penninsular War (1808-1814) in some scenes, date the drawings from A

Street Performers
Grey-brown wash on dark yellow laid paper, continuous red paper. 1812 - 1820
Goya y Lucientes, Francisco de
Street Performers
Grey-brown wash on dark yellow laid paper, continuous red paper. 1812 - 1820
Goya y Lucientes, Francisco de

Sketchbook F, sheet 7. The earliest works in this sketchbook were drawn on reused paper. The circular mark near the top left of this sheet is an artifact of a stamp that guaranteed authenticity by an expert or institution. The seal in blue ink at the top is that of the Museo Nacional de Pinturas or Museo de la Trinidad, where the drawing was previously housed. In a festive atmosphere, a dancer wit

Visit to the quack
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de
Visit to the quack
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de

This vaulted space, the site of what seems to be a visit to a quack, is a typical feature used in Goya´s composition when his intention is to create a dark atmosphere for symbolic purposes. The scene has a disturbing quality, due to the way the child is being held in the arms of a man or woman whose face we cannot see and whose intentions are unknown, although the mother in the background displays

Duels. On guard!
Grey-brown wash on ivory paper, dark yellow laid paper. 1815 - 1820
Goya y Lucientes, Francisco de
Duels. On guard!
Grey-brown wash on ivory paper, dark yellow laid paper. 1815 - 1820
Goya y Lucientes, Francisco de

Because of its technique and theme, this Sketchbook F seems to have been produced around the same time as Album C, roughly between 1812 and 1820. The drawings were executed using a brush an iron gall ink, the same ink as used for standard writing at that time. In this case, Goya reused an old notebook due to the shortage of paper at that time. Despite its thematic variety, the Sketchbook F present

Help
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de
Help
Grey-brown wash on dark yellow laid paper. 1812 - 1823
Goya y Lucientes, Francisco de

The absence of a title written by Goya opnes up the possibilities of interpretation for his drawings, where three figures are arranged in different postures in front of a fence positioned in the background. Two of them are trying to help a third one who has fallen to the ground. The austerity and elegance of the charitable young woman at the left, highlighted by the white of her dress, is a remini

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