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War (Album H, 15)
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
War (Album H, 15)
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

The last of the albums produced in Bordeaux offers a succession of untitled scenes in which an apparent representation of reality is combined with fantasy. This woman, covered with a mantle, armed wit [+]

These, too
Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de
These, too
Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de

In this drawing and the They can still serve (D04244), Goya presents one of his harshest criticisms. At first glance, both seem to depict village people picking up the war wounded and carrying them to [+]

I saw it
Red chalk, Conté crayon on dark yellow laid paper. 1810 - 1815
Goya y Lucientes, Francisco de
I saw it
Red chalk, Conté crayon on dark yellow laid paper. 1810 - 1815
Goya y Lucientes, Francisco de

The value of Goya’s war images is largely determined by their plausibility. This makes them visual referents for what happens in war. Neither their status as narrative nor the esteem in which they are [+]

Wounded being evacuated from the battlefield
Red chalk, Conté crayon on ivory laid paper. Ca. 1811
Goya y Lucientes, Francisco de
Wounded being evacuated from the battlefield
Red chalk, Conté crayon on ivory laid paper. Ca. 1811
Goya y Lucientes, Francisco de

This drawing related to one of the Disasters of War was neither engraved nor published.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequ [+]

Hunger scene
Red chalk on ivory laid paper. Ca. 1813
Goya y Lucientes, Francisco de
Hunger scene
Red chalk on ivory laid paper. Ca. 1813
Goya y Lucientes, Francisco de

This drawing related to one of the Disasters was neither engraved nor published. Gassier questioned its authorship due to its scant quality: “Certain details, such as the hand visible at the center, a [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

The manner in which tha ancient Spaniards hunted bulls on horseback in the countryside
Red chalk on ivory laid paper. 1814 - 1816
Goya y Lucientes, Francisco de
The manner in which tha ancient Spaniards hunted bulls on horseback in the countryside
Red chalk on ivory laid paper. 1814 - 1816
Goya y Lucientes, Francisco de

The series begins with a scene alluding to the mythical origins of tauromachy, in which Goya depicts the bullfighting practices of the first Spanish settlers in a natural landscape where herds of wild [+]

Charlatans’ show
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Charlatans’ show
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 75, Charlatans’ show.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish P [+]

And this too
Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
And this too
Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 45, And this too.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsu [+]

Appeals are in vain
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Appeals are in vain
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 54, Appeals are in vain. In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spani [+]

There is no one to help them
Red chalk on grey laid paper. Ca. 1813
Goya y Lucientes, Francisco de
There is no one to help them
Red chalk on grey laid paper. Ca. 1813
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 60, There is no one to help them.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the [+]

Shameful Profit
Black chalk, Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Shameful Profit
Black chalk, Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for an unpublished plate from the Disasters of War, of which only two prints are known. The composition is framed in red chalk and the corners are emphasized with touches of the [+]

He defends himself well
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
He defends himself well
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 78, He defends himself well.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Sp [+]

They escape through the flames
Red chalk, Conté crayon on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
They escape through the flames
Red chalk, Conté crayon on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 41, They escape through the flames.In this series Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) that [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

The beds of death
Red chalk on dark yellow laid paper. Ca. 1813
Goya y Lucientes, Francisco de
The beds of death
Red chalk on dark yellow laid paper. Ca. 1813
Goya y Lucientes, Francisco de

If death has been explicit and omnipresent over the course of the numerous Hunger prints, its name has not appeared in their titles until now. This work may be one of the most expressive of all, as we [+]

Will She Live Again?
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Will She Live Again?
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 80, Will She Live Again? This drawing presents the outcome of the previous one (D03983). The volume of prints that the artist gave to Ceán with the t [+]

He gets something out of it
Red chalk on ivory laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
He gets something out of it
Red chalk on ivory laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War,40, He gets something out of it.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the [+]

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