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Self-portrait
Oil on canvas. Early XVIII century
Anonymous
Self-portrait
Oil on canvas. Early XVIII century
Anonymous

Xavier de salas, en nota manuscrita conservada en el servicio de documentación del Museo del Prado, afirmaba: El retratado en el Prado sea quien fuese es indudablementeel que aparece en el ángulo infe [+]

The Betrothal of the Virgin
Oil on slate. XVII century
Anonymous
The Betrothal of the Virgin
Oil on slate. XVII century
Anonymous

[+]

The Betrothal of the Virgin
Shell work on panel. XVIII century
Anonymous
The Betrothal of the Virgin
Shell work on panel. XVIII century
Anonymous

Series of six scenes dedicated to the Life of the Virgin (P4781 a P4786). Enconchados, executed using a technique of Oriental origin, were very popular in New Spanish culture, and local artists develo [+]

The Betrothal of the Virgin
Oil on copperplate. XVII century
Anonymous
The Betrothal of the Virgin
Oil on copperplate. XVII century
Anonymous

[+]

Mystic Marriage of St. Catherine
Pencil, Pencil ground, Grey ink on paper. Second half of the XVI century
Anonymous
Mystic Marriage of St. Catherine
Pencil, Pencil ground, Grey ink on paper. Second half of the XVI century
Anonymous

As Sylvie Béguin pointed out in a note on the modern museum matte (1980), this is a copy of the painting in the Pinacoteca Nazionale, Bologna, once given to Pellegrino Tibaldi (1527-1596) and n [+]

St. Paul Raising Patroclus
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVIII century
Anonymous
St. Paul Raising Patroclus
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVIII century
Anonymous

This is a copy after the fresco by Antonio Campi, datable 1560-64, in S. Paolo Converso, Milán. The late eighteenth-century Italian copyist may have been the same as was responsible for the dra [+]

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