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View of Real Sitio de Aranjuez
Oil on canvas. Ca. 1636
Anonymous
View of Real Sitio de Aranjuez
Oil on canvas. Ca. 1636
Anonymous

El primer palacio que existió en Aran­juez, población cercana a Madrid, situada en un fértil paraje entre los ríos Tajo y Jarama, fue mandado construir en 1387 por don Lorenzo Suárez de Figueroa, Gran [+]

Christ the Saviour
Oil on panel. XVII century
Anonymous
Christ the Saviour
Oil on panel. XVII century
Anonymous

[+]

Adoration of the Shepherds
Oil on panel. Ca. 1647
Anonymous (Workshop Of Cuyp, Benjamin Gerritsz.)
Adoration of the Shepherds
Oil on panel. Ca. 1647
Anonymous (Workshop Of Cuyp, Benjamin Gerritsz.)

Infra-red reflectography conducted for this catalogue reveals no underdrawing, which could suggest that this painting is a copy, possibly a workshop replica of the signed original in the Musée [+]

The Way to Calvary
Oil on canvas. XVII century
Anonymous
The Way to Calvary
Oil on canvas. XVII century
Anonymous

Catalogada hasta 1965 como obra de escuela napolitana, Pérez Sánchez señaló que era obra boloñesa, de estilo muy próximo a Sisto Badalocchio (1585-c. 1647). Recuerda a un Camino del Calvario de este a [+]

Ecce Homo
Pencil, Grey-brown wash on grey paper. Ca. 1650
Anonymous
Ecce Homo
Pencil, Grey-brown wash on grey paper. Ca. 1650
Anonymous

Dibujo en el que se representan apoyadas en el alfeizar de una ventana tres figuras de medio cuerpo; Jesucristo de espaldas y a su lado de frente, dos soldados. Es tal vez napolitano de mediados del s [+]

Nude woman seen from behind, reclining in a landscape [the Magdalen (?)]
Pencil, Grey-brown ink, Wash on paper. Late XVI century
Anonymous
Nude woman seen from behind, reclining in a landscape [the Magdalen (?)]
Pencil, Grey-brown ink, Wash on paper. Late XVI century
Anonymous

When in Fernández Durán´s collection, the drawing was placed as Titian. The suggestion that the figure has a sixteenth-century Venetian origin has much to recommend it. As far as the act [+]

Saint Andrew
Pencil ground, Ink, Blue wash on dark yellow paper. XVII century
Anonymous
Saint Andrew
Pencil ground, Ink, Blue wash on dark yellow paper. XVII century
Anonymous

Copia de una estampa de Golzio, bien conocida y copiada infinidad de veces.En el reverso encontramos una serie de apuntes de desnudos.Es probable que, como dice la anotación, sea obra madrileña. No fi [+]

The Martyrdom of Saint Stephen
Red chalk on dark yellow paper. XVII century
Anonymous (Circle Of Domenichino (Domenico Zampieri))
The Martyrdom of Saint Stephen
Red chalk on dark yellow paper. XVII century
Anonymous (Circle Of Domenichino (Domenico Zampieri))

La obra presenta en el centro a San Esteban caído en tierra y muerto. Al fondo dos mujeres, una sentada con un niño y otra en pie con los brazos abiertos. En primer termino, a ambos lados, tres person [+]

Ethiopian Woman
Marble, Black limestone. Early XVII century
Anonymous
Ethiopian Woman
Marble, Black limestone. Early XVII century
Anonymous

The piece belongs to a group of four busts of Ethiopians purchased for the Buen Retiro Palace in 1678 by Charles II. Their inspiration comes from models by the French sculptor Nicolas Cordier, the cre [+]

The Muse Calliope
White marble. 130 - 150
Anonymous
The Muse Calliope
White marble. 130 - 150
Anonymous

This marble statue and other seven more (E000068, E000041, E000062, E000061, E000038, E000069, E000037) were unearthed in about 1500 in Hadrian´s Villa at Tivoli, where the decorated the stage of the [+]

Sumerian Head
Diorite. Ca. 2120 a.C.
Anonymous
Sumerian Head
Diorite. Ca. 2120 a.C.
Anonymous

This is one of the largest known Sumerian heads. It is quite similar to portraits of Gudea, the most famous and intelligent ruler of Lagasch. There is very little information about the origins of this [+]

The Muse Erato
White marble. 130 - 150
Anonymous
The Muse Erato
White marble. 130 - 150
Anonymous

This marble statue and other seven more (E000068, E000041, E000040, E000062, E000038, E000069, E000037) were unearthed in about 1500 in Hadrian´s Villa at Tivoli, where the decorated the stage of the [+]

Ethiopian Man
Marble, Black limestone, Jasper. Early XVII century
Anonymous
Ethiopian Man
Marble, Black limestone, Jasper. Early XVII century
Anonymous

A piece created under the influence of Nicolas Cordier (1567-1612), a French sculptor and restorer resident in Rome who specialised in combining alabaster and marbles of various colours, and is consid [+]

''Hispania''. Female bust
African marble, White marble. II century
Anonymous
''Hispania''. Female bust
African marble, White marble. II century
Anonymous

This female bust, identified by Hübner in the inventories of the Alcázar, represents Hispania, the personification of Spain, according to a type developed in the time of Philip II. Her hai [+]

Ethiopian Woman
Italian marble, Black limestone. Early XVII century
Anonymous
Ethiopian Woman
Italian marble, Black limestone. Early XVII century
Anonymous

A bust of a woman with cloak and turban, designed by combining materials of various colours. The holes in the earlobes and on the back of the turban suggest it may have worn a diadem or some adornment [+]

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