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The Fountain of the Tritons in the Island Garden, Aranjuez
Oil on canvas. 1657
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
The Fountain of the Tritons in the Island Garden, Aranjuez
Oil on canvas. 1657
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

[+]

Apostle’s Head
Oil on canvas. 1619 - 1620
Velázquez, Diego Rodríguez de Silva y
Apostle’s Head
Oil on canvas. 1619 - 1620
Velázquez, Diego Rodríguez de Silva y

Ever since this work was addressed by Velázquez’s bibliography, it has been considered a fragment from a larger painting that was part of an apostolate. That group would have included the apost [+]

Ferdinando Brandani
Oil on canvas. 1650
Velázquez, Diego Rodríguez de Silva y
Ferdinando Brandani
Oil on canvas. 1650
Velázquez, Diego Rodríguez de Silva y

This portrait dates from Velázquez`s second trip to Italy (1649-51). For many years the sitter`s identity was unknown but he has recently been identified as the banker Ferdinando Brandini (1603 [+]

Head of a Deer
Oil on canvas. 1626 - 1636
Velázquez, Diego Rodríguez de Silva y
Head of a Deer
Oil on canvas. 1626 - 1636
Velázquez, Diego Rodríguez de Silva y

While there is no documentation indicating this work was made for the Torre de la Parada, its subject suggests a relation to paintings intended for that hunting lodge. Unlike other painters, Vel&aacut [+]

The crucified Christ
Oil on canvas. 1631
Velázquez, Diego Rodríguez de Silva y
The crucified Christ
Oil on canvas. 1631
Velázquez, Diego Rodríguez de Silva y

Unlike the Christ Crucified (P1161) from the convent of San Plácido, whose authorship and extraordinary merits are uncontested, the present work has produced division of opinions among historia [+]

Prince Baltasar Carlos
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Prince Baltasar Carlos
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

Born to Philip IV and Elizabeth of Bourbon in 1629, Baltasar Carlos was crown prince until his death in 1646. As such, he was the subject of numerous paintings, most of which are related to Velá [+]

Portrait of a Man
Oil on canvas. Ca. 1623
Velázquez, Diego Rodríguez de Silva y
Portrait of a Man
Oil on canvas. Ca. 1623
Velázquez, Diego Rodríguez de Silva y

The pragmatic of January 1623 that dictated a new dress code and has since been used to date what is thought to be the portrait of Pacheco can also be used as a guide for the present work, as the mode [+]

Mariana de Austria in Prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Mariana de Austria in Prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

This pair of portraits (P01220 and P01222) combines several aspects of Spanish portraiture of the Baroque period. In principle, the figures of Philip IV and his second wife, Mariana of Austria, are a [+]

Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

This pair of portraits (P001220 and P001222) combines several aspects of Spanish portraiture of the Baroque period. In principle, the figures of Philip IV and his second wife, Mariana of Austria, are [+]

Philip IV in Armour, with a Lion at his Feet
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Philip IV in Armour, with a Lion at his Feet
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

In its present state the painting reveals two different phases of creation. The apparent age of the sitter and the notable similarities with his appearance in Velázquez`s portrait of the elderl [+]

View of the Gardens of the Villa Medici, Rome, with a Statue of Ariadne
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y
View of the Gardens of the Villa Medici, Rome, with a Statue of Ariadne
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y

In late 1629, the thirty-year-old Velázquez went to Italy for the first time, remaining there for more than a year. During this trip he executed various history paintings, some portraits and at [+]

View of the Gardens of the Villa Medici, Rome
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y
View of the Gardens of the Villa Medici, Rome
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y

A masterpiece in the history of Western landscape painting, in which Velázquez set out his idea of landscape without any narrative excuse to justify it, this Roman scene and its companion work [+]

Francisco Pacheco
Oil on canvas. Ca. 1620
Velázquez, Diego Rodríguez de Silva y
Francisco Pacheco
Oil on canvas. Ca. 1620
Velázquez, Diego Rodríguez de Silva y

The second half of the 16th century and the first decades of the 17th saw the rise in Spain of male bust portraits in which the model normally appears against a neutral background with no elements to [+]

Mars
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y
Mars
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y

The first documentation of Diego Velazquez´s Mars is from 1701-03, when it appeared in the inventory of paintings at the Torre de la Parada, the royal hunting pavilion on the outskirts of Madrid. The [+]

Menippus
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y
Menippus
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y

Aesop and Menippus are first listed in the inventory of the Torre de la Parada between 1701 and 1703. Among other works, this hunting lodge had a vast cycle of mythological paintings made by Rubens an [+]

Aesop
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y
Aesop
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y

Aesop and Menippus are first listed in the inventory of the Torre de la Parada between 1701 and 1703. Among other works, this hunting lodge had a vast cycle of mythological paintings made by Rubens an [+]

The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y
The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y

One of the most unique and distinctive areas within Velázquez`s oeuvre is that of his portraits of buffoons, dwarves and individuals collectively known as hombres de placer (men of pleasure). T [+]

The Boy from Vallecas (Francisco Lezcano)
Oil on canvas. 1635 - 1645
Velázquez, Diego Rodríguez de Silva y
The Boy from Vallecas (Francisco Lezcano)
Oil on canvas. 1635 - 1645
Velázquez, Diego Rodríguez de Silva y

In the foreground of this canvas, a figure dressed in green holds in his hands what appears to be a pack of cards and looks directly at the viewer, as if to invite us to participate in the game. He is [+]

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