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Palm Threes at Elche
Oil on cardboard. Ca. 1861
Haes, Carlos de
Palm Threes at Elche
Oil on cardboard. Ca. 1861
Haes, Carlos de

Sobre una explanada, arbustos cobijados por un pequeño promontorio. A la derecha, una construcción, semejante a un aljibe, y detrás, gran extensión de árboles frutales entre los que sobresalen los alt [+]

Mountains (Majorca)
Oil on panel. Ca. 1877
Haes, Carlos de
Mountains (Majorca)
Oil on panel. Ca. 1877
Haes, Carlos de

Un cercado, semi cubierto por matorrales y arbustos floridos, abre paso a un camino que se pierde por la izquierda. Al fondo, el desmonte de una pendiente iluminada fuertemente por el sol da paso a la [+]

Saturnina Canaleta de Girona
Oil on canvas. 1856
Madrazo y Kuntz, Federico de
Saturnina Canaleta de Girona
Oil on canvas. 1856
Madrazo y Kuntz, Federico de

In this skilfully painted portrait, Madrazo combines the model’s innate elegance and restraint with the naturalness of her gesture as she puts on her gloves. The principal light source emphasises the [+]

The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y
The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y

One of the most unique and distinctive areas within Velázquez`s oeuvre is that of his portraits of buffoons, dwarves and individuals collectively known as hombres de placer (men of pleasure). T [+]

Portrait of a Trinitarian Father
Oil on canvas. 1600 - 1650
el Greco (Domenikos Theotokopoulos) (Follower Of)
Portrait of a Trinitarian Father
Oil on canvas. 1600 - 1650
el Greco (Domenikos Theotokopoulos) (Follower Of)

The head of a young man wearing white sackcloth under a black cape -the colors of both Trinitarian and Dominican habits- his thin face and raw cheeks are presented in a three-quarters view, with an in [+]

The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)
The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)

The Virgin appears full length, standing on the crescent moon and held by three cherubs. Her hands are joined and her head is gently tilted to the right. Wethey does not consider this a work by Cano, [+]

The crucified Christ
Charcoal, White chalk on grey paper. First half of the XVIII century
Milani, Aureliano (Attributed To)
The crucified Christ
Charcoal, White chalk on grey paper. First half of the XVIII century
Milani, Aureliano (Attributed To)

Perteneciente a la escuela boloñesa este dibujo presenta una figura de medio cuerpo, con la cabeza apoyada sobre el hombro y la mirada baja. El dibujo enlaza, indudablemente, con el estilo de Giuseppe [+]

The Assumption of the Virgin
Pencil, Grey wash on grey paper. Before 1604
Lilio, Andrea
The Assumption of the Virgin
Pencil, Grey wash on grey paper. Before 1604
Lilio, Andrea

This impressive drawing is a finished preparatory study, squared for transfer, for Lilio´s altarpiece of the Assumption of the Virgin in the church of S. Giovanni Battista at Numana, a small town on t [+]

Sheet of Studies of Faces in Profile to the Left
Red chalk on yellow paper. First quarter of the XVI century
Anonymous (Workshop Of Michelangelo (Michelangelo Buonarroti))
Sheet of Studies of Faces in Profile to the Left
Red chalk on yellow paper. First quarter of the XVI century
Anonymous (Workshop Of Michelangelo (Michelangelo Buonarroti))

This is one of the drawings in the Prado carried out by one or more of Michelangelo’s associates, possibly copied from original studies by the master himself. Along with the two drawings by Michelange [+]

Head of a Woman
Charcoal, Blurred / softened / rubbed on dark yellow laid paper. XVII century
Carreño de Miranda, Juan
Head of a Woman
Charcoal, Blurred / softened / rubbed on dark yellow laid paper. XVII century
Carreño de Miranda, Juan

[+]

Sibyl
Pencil, Prepared with a stylus, Blurred / softened / rubbed on paper. 1525 - 1530
Romano, Giulio (Giovanni Francesco Penni)
Sibyl
Pencil, Prepared with a stylus, Blurred / softened / rubbed on paper. 1525 - 1530
Romano, Giulio (Giovanni Francesco Penni)

This is the most Raphaelesque of all the sixteenth-century Italian drawings in the Prado, the confident style of drawing in black chalk echoing that of Raphael´s own late drawings in the medium, above [+]

Portrait of a Boy
Charcoal on laid paper. 1893
Blay y Fábrega, Miguel
Portrait of a Boy
Charcoal on laid paper. 1893
Blay y Fábrega, Miguel

Estudio de cabeza infantil de un joven campesino olotense que lleva la característica barretina. Se trata de un dibujo de sombras intensas, de estilo austero y líneas claras y precisas. Muestra una gr [+]

The Virgin and Child
Black chalk, Blurred / softened / rubbed on laid paper. Second half of the XVIII century
Anonymous
The Virgin and Child
Black chalk, Blurred / softened / rubbed on laid paper. Second half of the XVIII century
Anonymous

Dibujo en el que se representa a la Virgen sentada, junto a la cuna, con el Niño Jesús en las rodillas, coge unas frutas de una mesita próxima. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálog [+]

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