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Gaspar Melchor de Jovellanos
Oil on canvas. 1798
Goya y Lucientes, Francisco de
Gaspar Melchor de Jovellanos
Oil on canvas. 1798
Goya y Lucientes, Francisco de

Gaspar Melchor de Jovellanos was one of the most illustrious representatives of the Spanish Enlightenment, a man of letters, writer and poet, as well as a statesman with advanced ideas. Born in Gij&oa [+]

One to another
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de
One to another
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de

The abuses committed by the nobility, the aristocracy and the Church on a powerless citizenry appear repeatedly in Goya’s work. The artist’s commentary, preserved in a document in the Prado, is modera [+]

They already have a seat
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de
They already have a seat
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de

Preparatory drawing for Capricho 26. This drawing illustrates the Spanish expression sentar la cabeza, literally seating one’s head, or acquiring some sense and moderation. While the young women “alre [+]

It is well pulled up
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de
It is well pulled up
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de

Among the Caprichos’ principal themes is a critique of prostitution. Goya’s comment on this drawing is preserved in a document now in the Prado’s collection, which includes his comments on the other d [+]

There is a lot to suck
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de
There is a lot to suck
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de

The subject of witchcraft occupies a large proportion of the Caprichos as for Goya it was the supreme expression of the ignorance and evils affecting society. Among its worst consequences was abuse, a [+]

Hush
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de
Hush
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de

Preparatory drawing for Capricho 28 (G02116) .The title, which is taken from the Caprichos, refers to the word used to impose silence, and in this case to the corrupt habits of aristocratic women who [+]

I saw it
Drypoint, Etching, Burin on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de
I saw it
Drypoint, Etching, Burin on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de

The value of Goya’s war images is largely determined by their plausibility. This makes them visual referents for what happens in war. Neither their status as narrative nor the esteem in which they are [+]

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