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The Hall of the Full College in Venice
Oil on canvas. 1606 - 1618
Malombra, Pietro
The Hall of the Full College in Venice
Oil on canvas. 1606 - 1618
Malombra, Pietro

Malombra, especialista en escenas de interiores, representó la recepción del dux Leonardo Donato al español Alonso de la Cueva, embajador en Venecia entre 1606 y 1618, y la ambientó en la Sala del Col [+]

Francesco Donato, Doge of Venice
Oil on panel. XVII century
Teniers The Younger, David
Francesco Donato, Doge of Venice
Oil on panel. XVII century
Teniers The Younger, David

Francesco Donato, embajador de España (1504), Inglaterra (1509) y Florencia (1512), mantuvo la neutralidad de Venecia en la guerra de Carlos V y Francisco I y contribuyó en el tratado de paz con Solim [+]

The seven Liberal Arts
Tempera on panel. Ca. 1435
Ponte, Giovanni Dal
The seven Liberal Arts
Tempera on panel. Ca. 1435
Ponte, Giovanni Dal

This decoration of the front of a chest depicts the seven Liberal Arts, accompanied by an equal number of figures that represent the most relevant personages in each discipline. All are being crowned [+]

The Flagellation
Oil on panel. 1500 - 1505
Fernández, Alejo
The Flagellation
Oil on panel. 1500 - 1505
Fernández, Alejo

The painter who, according to documents, was of German origin, made this work in Córdoba. In order to execute this scene, he used the so-called Prevedari Engraving, made after a drawing by the [+]

The Adoration of the Magi
Pencil on brown paper. Late XVII century
Creti, Donato
The Adoration of the Magi
Pencil on brown paper. Late XVII century
Creti, Donato

La composición, ligeramente apuntada, se desarrolla ante un fondo de arquitecturas monumentales. A la izquierda, sentada, la Virgen con el Niño y San José y en las gradas, arrodillados y en pie, los t [+]

The Incredulity of Saint Thomas
Black chalk, Touches of white chalk on brown paper. XVIII century
Bigari, Vittorio Maria
The Incredulity of Saint Thomas
Black chalk, Touches of white chalk on brown paper. XVIII century
Bigari, Vittorio Maria

A la derecha, Cristo, semidesnudo, muestra la herida del pecho; a su izquierda, inclinado, Santo Tomás introduce en ella su mano; los apóstoles aparecen al fondo en semicírculo. Presenta el estilo car [+]

The Virgin and Child
Red chalk, White chalk on brown paper. Ca. 1745
Bigari, Vittorio Maria
The Virgin and Child
Red chalk, White chalk on brown paper. Ca. 1745
Bigari, Vittorio Maria

La Virgen en pie, de frente, sostiene al Niño Jesús, que levanta su mano izquierda con una cruz, sentado sobre un pedestal a su izquierda.Delicado estudio con precisión de miniaturista, que enlaza en [+]

The Virgin and Child with Saints
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Bigari, Vittorio Maria
The Virgin and Child with Saints
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Bigari, Vittorio Maria

En el centro, la Virgen sentada con el Niño, sobre nubes, ofrece rosarios o escapularios a varios santos arrodillados sobre nubes a su alrededor. A su derecha, San José, Santo Domingo y San Luis Gonza [+]

The Adoration of the Shepherds
Pencil on white paper. Second quarter of the XVIII century
Creti, Donato
The Adoration of the Shepherds
Pencil on white paper. Second quarter of the XVIII century
Creti, Donato

This drawing is a more complete variant on the central part of a drawing by Creti at the Albertina in Vienna. The composition is quite similar to a canvas with Adoration of the Shepherds from around 1 [+]

The Virgin and Child with Saints
Pencil on dark yellow paper. Early XVIII century
Creti, Donato
The Virgin and Child with Saints
Pencil on dark yellow paper. Early XVIII century
Creti, Donato

A la derecha, sobre un podio, la Virgen sentada con el Niño, un angelito a sus espaldas corre un cortinaje. En la parte baja, en pie, San José, y a la izquierda, un obispo sentado, al que un angelito [+]

Male nude
Oil on paper. 1714 - 1722
Creti, Donato
Male nude
Oil on paper. 1714 - 1722
Creti, Donato

This drawing is linked to his Male nude and cherub, painted as part of a series of over-door paintings commissioned by his leading patron Marcantonio Collina Sbaraglia, who gave them to the Municipali [+]

The Prodigal Son
Pencil, Grey wash, Grey-brown wash on brown paper. XVIII century
Bigari, Vittorio Maria
The Prodigal Son
Pencil, Grey wash, Grey-brown wash on brown paper. XVIII century
Bigari, Vittorio Maria

En torno a una mesa se sienta un joven ricamente vestido, que alza su copa y varias damas lujosamente ataviadas; en primer término y al fondo los criados y sirvientes llevan los alimentos y bebidas.El [+]

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