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Three figures enjoy tobacco in an expressive manner in the foreground while an onlooker leans through the window. Around a table in the background, another group of figures drinks or plays cards. This [+]
The sitter, whose identity is not fully confirmed, is depicted in a fine interior, wearing an elegant frockcoat. He holds a print and a portfolio for prints. These objects, as well as the Greek amphor [+]
This is a singular example of David Teniers´ indoor scenes. The kitchen or tavern utensils so common in his other works are completed here with a magnificent show of diverse fruit and vegetables. This [+]
The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]
Spanish saint Dominic de Guzmán (1170-1221) founded the Dominican Order, which became one of the most powerful and influential religious groups in Catholic Europe, partially as a result of its [+]
These two paintings (P7804 and P7805) are part of a series on similar subjects, yet they stand out among Giandomenico`s work. These works are small depictions of everyday life in Venice, exquisitely r [+]
Having delivered the Bacchus and Ariadne in 1523 Titian then painted The Andrians, also inspired by Philostratus (Imagines I, 25). The scene is set on the island of Andros, a place so favoured by Bacc [+]
An angel appears to Saint Joseph in his sleep, pointing to the dove of the Holy Ghost as the heavens open in a luminous burst of glory. Under the dove, a group of angels carry a mirror and flowers all [+]
Practically unknown until now, the present canvas has only been mentioned and reproduced in an article by Matías Díaz Padrón, former curator at the Prado, that was published in Ar [+]
The Virgin’s facial type, the confident drawing and the forceful rendering of the spatial planes originally led this work to be attributed to Claudio Coello. But in 1986 more precise knowledge of the [+]
The plaza occupies the center of the image, surrounded by the fortifications and the camp. Amprosio Spínola appears in a carriage alongside a group of riders and footmen in the right foreground [+]
The sitter is seated in a landscape to which the artist has given a very prominent role. The artist, son of the painter Juan Antonio Ribera, along with his friend and rival, Federico de Madrazo, were [+]
The hero of Republican Rome, Lucius Quinctius Cinncinatus had abandoned public life and retired to farm work. This painting depicts the moment when various representatives of the Senate offer to name [+]
Cano lived in Madrid on two different occasions. The first (1638-1651), during which he was able to study the Royal Collection, absolutely transformed his concept of color and brushstrokes. Contact wi [+]
As on many other occasions, the painter´s sons are his model for this work. In a barely-furnished room, the two brothers have fun together. José, the elder, leans on the table, drawing, while I [+]
The panel has been trimmed on all four sides but little of the painted surface can have been lost. It is made from two boards of Baltic oak, both from the same tree; the last ring was formed in 1372. [+]
Inside a room, a young man is copying a classical bust by candlelight. Since 1910 this work appears in the Museo del Prado catalogues as signed and dated on the lower left angle (G. J. Palthe f. 1732) [+]
This is one of seven canvases (P00386, P00388, P00389, P00393, P00394, P00395, P00396) in a group linked by the same color scheme, a general accentuation of surface drawing and a rhythm of curved form [+]
