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The Saviour
Oil on panel. Late XV century
Anonymous (Workshop Of Bellini, Giovanni)
The Saviour
Oil on panel. Late XV century
Anonymous (Workshop Of Bellini, Giovanni)

A bust of Christ, dressed in purple and with the holy halo. He appears as the Savior of Humanity over a dark background. This is a replica of a work by the same name signed by Giovanni Bellini (“IOANN [+]

Noah after the Flood
Oil on canvas. Second half of the XVI century
Anonymous (Workshop Of Bassano)
Noah after the Flood
Oil on canvas. Second half of the XVI century
Anonymous (Workshop Of Bassano)

If we compare this painting with the Animals Entering the Ark (P22), we find that the iconographic elements which identify the subject have been shifted to a middle plane -Noah thanking God for bringi [+]

Altarpiece of Saint Christopher
Tempera on panel. Late XIII century
Anonymous
Altarpiece of Saint Christopher
Tempera on panel. Late XIII century
Anonymous

This small altarpiece, divided into three horizontal and three vertical rows, is dedicated to Saint Christopher, who protects against sudden death. His image occupies the central row, which is topped [+]

Portrait of a Gentleman
Albumen, Gouache / tempera, Photomechanical reproduction on photographic paper. Second half of the XIX century
Anonymous
Portrait of a Gentleman
Albumen, Gouache / tempera, Photomechanical reproduction on photographic paper. Second half of the XIX century
Anonymous

Esta fotografía se había identificado erróneamente como un autorretrato del pintor Carlos Luis de Ribera (1815-1891) a la acuarela y como tal fue publicado en 1983. Previamente, la obra había formado [+]

Head of a Woman
Black chalk, White chalk on grey paper. XVIII century
Anonymous
Head of a Woman
Black chalk, White chalk on grey paper. XVIII century
Anonymous

Estudio de una cabeza femenina; ésta se representa con el cabello recogido y la mirada en alto. Su estilo es muy próximo a González Ruíz. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Di [+]

The Assumption of the Virgin
White oil, Grey-brown wash on brown paper. XVIII century
Anonymous
The Assumption of the Virgin
White oil, Grey-brown wash on brown paper. XVIII century
Anonymous

Es dibujo de buena calidad y de escuela boloñesa de la primera mitad del siglo XVIII, relacionado con el estilo de Antonio Gionima.En él se representa en la parte baja a los apóstoles, arrodillados y [+]

The Battle of Milvian Bridge
Pencil, White lead, Wash on paper. XVI century
Anonymous (After Romano, Giulio (Giovanni Francesco Penni))
The Battle of Milvian Bridge
Pencil, White lead, Wash on paper. XVI century
Anonymous (After Romano, Giulio (Giovanni Francesco Penni))

Antonio Ponz, en su Viage a España (1782) describe en el Palacio del Buen Retiro un dibujo con este tema, que quizá fuese este: "36 Por un pasillo se va desde este Oratorio a la pieza, que llaman del [+]

St. Martin of Tours dividing his cloak with the beggar
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
St. Martin of Tours dividing his cloak with the beggar
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

The prototype by Cambiaso copied here is a drawing in the Art Museum, Princeton University (inv. no. 49-74). Another School version, evidently superior to the Prado copy, was formerly in the Köni [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

Saint Sebastian
Red chalk on laid paper. XVIII century
Anonymous (Copy Ribera, Jusepe de, lo Spagnoletto)
Saint Sebastian
Red chalk on laid paper. XVIII century
Anonymous (Copy Ribera, Jusepe de, lo Spagnoletto)

Copia del siglo XVIII de la obra de Ribera del lienzo San Sebastian curado por las Santas Mujeres (1621), en el Museo de Bilbao. El cuadro perteneció al marqués de Leganés y estuvo en la Sala Capitula [+]

Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous
Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous

The drawing has been detached from the Album page and the old numbering lost. Cupid is here represented as older than on the other composition of the subject from the Album group. That he is indeed Cu [+]

The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous
The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous

En pie, sobre el creciente de la luna, con las manos juntas y la cabeza ligeramente vuelta a la derecha. Tres ángeles niños le acompañan con la palma, el cetro y el espejo, símbolos de la letanía mari [+]

The Judgement of Paris
Pencil, Grey-brown wash on white paper. XVIII century
Anonymous (Circle Of Novelli, Pietro Antonio)
The Judgement of Paris
Pencil, Grey-brown wash on white paper. XVIII century
Anonymous (Circle Of Novelli, Pietro Antonio)

A la derecha sentado sobre unas rocas y vestido de pastor, Paris, en su mano ofrece la manzana de oro a Venus, en pie, entre Juno, sentada de espaldas, y Minerva.El dibujo lleva una atribución a Grazi [+]

The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)
The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)

Este dibujo representa el estilo gráfico de Giordano, y se relaciona con el lienzo Nacimiento de la Virgen de la iglesia veneciana de Santa Maria della Salute, fechado en 1667, ya que son idénticas al [+]

Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. The composition shows knowledge of the work of Agostino Carracci (1557-1602) and Pa [+]

The Virgin and Child with Saints
Black chalk, Pencil on dark yellow paper. XVIII century
Anonymous
The Virgin and Child with Saints
Black chalk, Pencil on dark yellow paper. XVIII century
Anonymous

En el centro, en pie, la Virgen sostiene al Niño en su brazo derecho; sobre ella varios ángeles, uno con un incensario. En la parte baja, varios santos, entre los que se distinguen a San José y la Mag [+]

Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villamena, though it lacks and old inscription giving it to him. There is perhaps some influence of Federico Zuccaro (1540/41-1609), detectable in the figure of Adam, as [+]

Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)
Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)

This is a good facsimile copy of a drawing formerly in the collection of Prof. Van Regteren Altena, Amsterdam. Another copy of the Amsterdam drawing is in the British Royal Collection, Windsor Castle. [+]

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