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Self-Portrait
Oil on unlined canvas. 1795
Goya y Lucientes, Francisco de
Self-Portrait
Oil on unlined canvas. 1795
Goya y Lucientes, Francisco de

This Self-Portrait’s small size indicates that it was intended for private and intimate use, as a gift to someone of interest to Goya. It came from the heirs of Tomás de Berganza, a butler to t [+]

Saint John the Baptist in the Desert
Oil on canvas. 1810 - 1812
Goya y Lucientes, Francisco de
Saint John the Baptist in the Desert
Oil on canvas. 1810 - 1812
Goya y Lucientes, Francisco de

Goya depicts Saint John as an adolescent, holding his traditional attributes: a cross whose banner reads “Lamb of God.” The artist places him on a boulder, looking up and thinking about Christ´s [+]

Two Old Men
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Two Old Men
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Gaspar Melchor de Jovellanos
Oil on canvas. 1798
Goya y Lucientes, Francisco de
Gaspar Melchor de Jovellanos
Oil on canvas. 1798
Goya y Lucientes, Francisco de

Gaspar Melchor de Jovellanos was one of the most illustrious representatives of the Spanish Enlightenment, a man of letters, writer and poet, as well as a statesman with advanced ideas. Born in Gij&oa [+]

Angel's head
Red chalk on laid paper, brown paper. 1772
Goya y Lucientes, Francisco de
Angel's head
Red chalk on laid paper, brown paper. 1772
Goya y Lucientes, Francisco de

This is one of Goya´s earliest preserved drawing and one of the few known to have been a preparatory work for a painting, in this case for a fresco on the dome over the choir loft in the Basilica of t [+]

¡Que Necedad! darles destinos en la niñez
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
¡Que Necedad! darles destinos en la niñez
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Another on the same night
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Another on the same night
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

War (Album H, 15)
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
War (Album H, 15)
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

The last of the albums produced in Bordeaux offers a succession of untitled scenes in which an apparent representation of reality is combined with fantasy. This woman, covered with a mantle, armed wit [+]

There they go plucked
Red wash on silk paper. Ca. 1797
Goya y Lucientes, Francisco de
There they go plucked
Red wash on silk paper. Ca. 1797
Goya y Lucientes, Francisco de

Goya used the drawing in Album A of a young woman sweeping to design this complex scene of a brothel, which is also preparatory work for an etching for the Caprichos. The first contemporary comments w [+]

The Duchess of Alba with María de la Luz on her arms
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
The Duchess of Alba with María de la Luz on her arms
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

The child Maria de la Luz, a daughter of slaves, was emancipated in January 1796 in the Duchess of Alba´s will as a gesture of generosity and grandeur. The drawing shows the affection shown for her by [+]

El Maricon de la tia Gila
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
El Maricon de la tia Gila
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

La huebera
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
La huebera
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Esta pretende el destino de rabanera
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Esta pretende el destino de rabanera
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Vision burlesca
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Vision burlesca
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Be Vd. que expresión, pues no lo cree el marido
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Be Vd. que expresión, pues no lo cree el marido
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Guilty misery
Brush, Bistre, Wash, Scraping out on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Guilty misery
Brush, Bistre, Wash, Scraping out on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Mejor fuera vino
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Mejor fuera vino
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Por no trabajar
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Por no trabajar
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

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