The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
5 results
Hunter by a Spring
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de
Hunter by a Spring
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de

A hunter rests beside a spring, his shotgun still on his lap. The figure´s solitude and his distracted gaze bring out the peace of life in Nature. The naturalism of the composition and its straightforward representation reveal Goya´s thoughts about the subject of life in the country. Like its companion, Shepherd playing the Dulzaina (P02895), this is a cartoon for a tapestry in the Pri

The Nativity
Oil on panel. 1514 - 1519
Rodrigo de Sojonia (Called Master Of Sigena)
The Nativity
Oil on panel. 1514 - 1519
Rodrigo de Sojonia (Called Master Of Sigena)

The scene comes from the main altarpiece of the monastery of Sijena (Huesca), a set formed by more than thirty panels that were dispersed in the 18th century. The composition, the figurative monumentality, the colouring and the architecture with Italian resonances point us towards Central European painting. The artist was recently identified as Rodrigo de Sajonia, who was living at the monastery w

Shepherd Playing a Pipe
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de
Shepherd Playing a Pipe
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de

A musician, traditionally identified with a shepherd by his clothing, leans back onto a hillock in the landscape and plays his dulzaina, a traditional Spanish double-reed instrument. Like its companion, Hunter beside a Spring (P02896), this is a cartoon for a tapestry in the Prince´s dining room at the El Pardo Palace. Both were designed to hang above windows, flanking the tapestry represent

The Wedding
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de
The Wedding
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de

A beautiful young woman has just married an ugly, fat man. From the side he looks like a pig, but he is clearly rich. Wearing a rather worn dress coat, the bride´s father follows the procession with an expression somewhere between resignation and complaisance. The young women, possibly friends of the bride, laugh, and the priest appears to be laughing at the father. This story, which is repe

Stilts
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de
Stilts
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de

Two young men on high stilts head toward a window out of which a young woman leans. They are accompanied by two other young men on foot, playing the dulzaina. Groups of men wrapped in their capes and with broad-brimmed hats completely covering their faces, as well as women and children, contemplate the festive scene. As in many other works from this period, a straightforward, everyday subject cont

Up