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The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)
Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)

Although for this first version Jacopo borrowed elements from early works such as the young man peeking his head round the column, which appears in the 1536 La fornace ardente (Bassano del Grappa, Mus [+]

Still Life with Oysters, Garlic, Eggs, Pot and Pan
Oil on canvas. 1772
Meléndez, Luis Egidio
Still Life with Oysters, Garlic, Eggs, Pot and Pan
Oil on canvas. 1772
Meléndez, Luis Egidio

This highly original still life presents various oysters in the fore and middle grounds—a relatively infrequent element in Meléndez’s paintings. The foreground is completed by some cloves of ga [+]

Table
Oil on canvas. 1636 - 1650
Benedetti, Andries
Table
Oil on canvas. 1636 - 1650
Benedetti, Andries

On a table partially covered by a green tablecloth, the painter has placed a white cloth, delicate gold-worked jars and glasses that reflect the light, a dish with ham, bread and a large basket of pea [+]

The Adoration of the Shepherds
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Adoration of the Shepherds
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

The shepherds gather around the Christ Child to adore him and offer him their gifts: a lamb, some hens and a basket of eggs, in a scene that is conceived as a humble counterpart to the Adoration of th [+]

Boy with Tree
Oil on canvas. 1780
Goya y Lucientes, Francisco de
Boy with Tree
Oil on canvas. 1780
Goya y Lucientes, Francisco de

Two boys are playing in front of a tree. One looks up as he grasps a branch as if about to shake it firmly while the other, in the background, has a basket, possibly for the fruit or birds’ eggs colle [+]

The Adoration of the Magi
Oil on canvas. 1619
Velázquez, Diego Rodríguez de Silva y
The Adoration of the Magi
Oil on canvas. 1619
Velázquez, Diego Rodríguez de Silva y

Painted in Seville in 1619, The Adoration of the Magi is the largest of Velázquez`s early works and, together with Saint Ildefonso receiving the Chasuble, the one with the most figures, making [+]

Still Life with Ham, Eggs and Vessels
Oil on canvas. Third quarter of the XVIII century
Meléndez, Luis Egidio
Still Life with Ham, Eggs and Vessels
Oil on canvas. Third quarter of the XVIII century
Meléndez, Luis Egidio

Forma parte de la serie de bodegones reunidos por el futuro Carlos IV de España y María Luisa de Borbón-Parma cuando aún eran príncipes de Asturias, para su Gabinete de Historia Natural del Palacio Re [+]

Winter Landscape with the Adoration of the Shepherds
Oil on canvas. 1630 - 1650
Collantes, Francisco
Winter Landscape with the Adoration of the Shepherds
Oil on canvas. 1630 - 1650
Collantes, Francisco

Domina la composición un gran paisaje de invierno, identificable tanto por lo inerte de la vegetación como por la nieve que cubre montes y valles o la que sigue cayendo. La acción en sí misma también [+]

Leda and the swan
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
Leda and the swan
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

The drawing of the central figure group is especially weak, and it is hardly possible to make out the form of the swan´s body. Only the presence of the bird´s head, with its bill pecking at Leda´s mou [+]

The Adoration of the Shepherds
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Murillo, Bartolomé Esteban); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Adoration of the Shepherds
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Murillo, Bartolomé Esteban); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Pierre Jacques Feillet (1794–1856) que reproduce el óleo de Bartolomé Esteban Murillo conservado en el Museo Nacional del Prado (P00961). Esta estampa se entregaba con el cuaderni [+]

La cocinera
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de; Murillo, Bartolomé Esteban
La cocinera
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de; Murillo, Bartolomé Esteban

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de un discípulo de Bartolomé Esteban Murillo del Museo Nacional del Prado (P01007), depositado en la [+]

The Adoration of the Shepherds
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Orrente, Pedro de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Adoration of the Shepherds
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Orrente, Pedro de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Pedro Orrente del Museo Nacional del Prado (P01015). Esta estampa se entregaba con el cuadernillo [+]

The Adoration of the Shepherds
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Adoration of the Shepherds
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Pierre Jacques Feillet (1794–1856) que reproduce el óleo de Bartolomé Esteban Murillo conservado en el Museo Nacional del Prado (P00961). Esta estampa se entregaba con el cuaderni [+]

The Adoration of the Shepherds
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Orrente, Pedro de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Adoration of the Shepherds
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Orrente, Pedro de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Pedro Orrente del Museo Nacional del Prado (P01015). Esta estampa se entregaba con el cuadernillo [+]

The Adoration of the Shepherds
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Orrente, Pedro de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Adoration of the Shepherds
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Orrente, Pedro de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Pedro Orrente del Museo Nacional del Prado (P01015). Esta estampa se entregaba con el cuadernillo [+]

The Adoration of the Shepherds
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Murillo, Bartolomé Esteban); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Adoration of the Shepherds
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Murillo, Bartolomé Esteban); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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