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Portrait of King Charles IV as Prince of Asturias
Oil on canvas. Ca. 1765
Mengs, Anton Raphael (Replica)
Portrait of King Charles IV as Prince of Asturias
Oil on canvas. Ca. 1765
Mengs, Anton Raphael (Replica)

Mengs had a profound influence on the younger generation of Spanish painters, notably on the Bayeus, Maella, Inza, Goya and Vicente López Portaña. His Neoclassical style was diametricall [+]

The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

The Cure of Folly, or the Extraction of the Stone of Madness
Oil on oak panel. 1501 - 1505
Bosch, Hieronymus
The Cure of Folly, or the Extraction of the Stone of Madness
Oil on oak panel. 1501 - 1505
Bosch, Hieronymus

In the centre of a rectangular surface Bosch incised a circle in which he depicted this scene of Extracting the stone of madness. The resulting image is a mirror that offers a reflection of folly and [+]

Portrait of Queen María Luisa as Princess of Asturias
Oil on canvas. Ca. 1765
Mengs, Anton Raphael (Replica)
Portrait of Queen María Luisa as Princess of Asturias
Oil on canvas. Ca. 1765
Mengs, Anton Raphael (Replica)

Mengs had a profound influence on the younger generation of Spanish painters, notably on the Bayeus, Maella, Inza, Goya and Vicente López Portaña. His Neoclassical style was diametricall [+]

Judith at the Banquet of Holofernes (previously known as Artemisia)
Oil on canvas. 1634
Rembrandt (Rembrandt Harmensz. Van Rijn)
Judith at the Banquet of Holofernes (previously known as Artemisia)
Oil on canvas. 1634
Rembrandt (Rembrandt Harmensz. Van Rijn)

In the past various authors have expressed their scepticism about the attribution of the painting to Rembrandt. However, the Rembrandt Research Project includes it in the Corpus of 1986 as an original [+]

Queen Elisabeth of Valois, third wife of Philip II
Oil on canvas. Ca. 1605
Pantoja de la Cruz, Juan (After Anguissola, Sofonisba)
Queen Elisabeth of Valois, third wife of Philip II
Oil on canvas. Ca. 1605
Pantoja de la Cruz, Juan (After Anguissola, Sofonisba)

In this three-quarter portrait Queen Isabel de Valois (1546-1568) wears a black velvet gown with round sleeves from which her slashed red silk undersleeves embroidered with gold and silver thread peep [+]

Isabel de Valois holding a Portrait of Philip II
Oil on canvas. 1561 - 1565
Anguissola, Sofonisba (Attributed To)
Isabel de Valois holding a Portrait of Philip II
Oil on canvas. 1561 - 1565
Anguissola, Sofonisba (Attributed To)

This portrait is a full-length likeness of Philip II’s third wife, Queen Isabel de Valois. She wears a black gown with pointed sleeves and a long train that is curled around her body and billows at th [+]

Tortoise boat
Gold, Rock crystal / hyaline quartz, Enamel. Ca. 1570
Fontana, Annibale (?)
Tortoise boat
Gold, Rock crystal / hyaline quartz, Enamel. Ca. 1570
Fontana, Annibale (?)

A tall-footed cup whose bowl has the form of a ship’s hull with a pointed prow and a slightly raised stern, while below are a balustroid stem and a tortoise for a foot, all formed by three pieces of r [+]

Jasper helmet-shaped ewer
Gold, Jasper, Enamel. Ca. 1600
Vermeyen, Jan (Workshop Of); Workshop Of The Miseroni
Jasper helmet-shaped ewer
Gold, Jasper, Enamel. Ca. 1600
Vermeyen, Jan (Workshop Of); Workshop Of The Miseroni

Vessel made up of two pieces of hardstone and three enamelled gold mounts. The larger piece forms the deep boat-shaped bowl, with the front raised, leaves on the rim, and a volute at the rear. A high [+]

Foot and stem fittings of a glass with several missing figures
Gold, Enamel, Epoxy. 1675 - 1700
Anonymous
Foot and stem fittings of a glass with several missing figures
Gold, Enamel, Epoxy. 1675 - 1700
Anonymous

According to Laurent’s photographs, the vessel, a high cup made in about 1530-40, consisted of four pieces and four enamelled gold mounts, of which two remain. On the cover, among leaves, spirals and [+]

Pocket tool case
Copper alloy. Third quarter of the XVIII century
Anonymous
Pocket tool case
Copper alloy. Third quarter of the XVIII century
Anonymous

This sort of English painted enamel object was first made around 1725, but little is known of the early production, in part because this was a very modest craft. It reached its zenith between 1753 and [+]

Cup with the Four Seasons
Gold, Rock crystal / hyaline quartz, Enamel. 1570 - 1600
Fontana, Annibale -Designer- (?); Workshop Of The Sarachi
Cup with the Four Seasons
Gold, Rock crystal / hyaline quartz, Enamel. 1570 - 1600
Fontana, Annibale -Designer- (?); Workshop Of The Sarachi

This vessel has an ovate bowl with six gadroons and a lobed mouth. The shaft is formed by a triple knop, the upper and lower ones covered by enamelled gold mounts and the central one carved out of the [+]

Heliotrope drinking vessel with cover and gold handles
Gold, Bloodstone, Enamel. Ca. 1610
Workshop Of The Miseroni
Heliotrope drinking vessel with cover and gold handles
Gold, Bloodstone, Enamel. Ca. 1610
Workshop Of The Miseroni

Vessel made up of three pieces of hardstone and five enamelled gold mounts. The body, with an oval mouth and irregular semicircular profile, undulates across six broad gadroons. So too does the cover, [+]

Heliotrope jug with spout
Gold, Silver gilt, Brass, Gilt-copper, Bloodstone, Pearls, Enamel. Ca. 1610
Workshop Of The Miseroni
Heliotrope jug with spout
Gold, Silver gilt, Brass, Gilt-copper, Bloodstone, Pearls, Enamel. Ca. 1610
Workshop Of The Miseroni

This piece, which belongs to a set of two ewers with basins (O24 to O27), is a jug with a bell-shaped body and deep, hemispherical base, from which a spout with a sloping upper plane emerges. The moun [+]

Agate urn with masks
Gold, Agate, Ruby, Diamond, Enamel. 1550 - 1600
Miseroni, Gasparo (?)
Agate urn with masks
Gold, Agate, Ruby, Diamond, Enamel. 1550 - 1600
Miseroni, Gasparo (?)

The vessel is a flask in the form of an antique urn made up of three pieces of agate and two gold mounts with diamonds and rubies. The handles, two monolithic volutes, emerge from two bearded masks, p [+]

Fluted goblet with a tall stem and rubies
Gold, Ruby, Moss agate, Bloodstone, Enamel. Ca. 1600
Anonymous
Fluted goblet with a tall stem and rubies
Gold, Ruby, Moss agate, Bloodstone, Enamel. Ca. 1600
Anonymous

Goblet comprising three pieces of heliotrope and two adornments. The body has eight fluted grooves making up a rounded, multi-lobed mouth. The baluster stem is also decorated with convex flutes, but i [+]

Boat-shaped agate cup with two masks and cover
Gold, Agate, Enamel. Ca. 1590
Miseroni, Ottavio; Vermeyen, Jan
Boat-shaped agate cup with two masks and cover
Gold, Agate, Enamel. Ca. 1590
Miseroni, Ottavio; Vermeyen, Jan

Vessel made up of five pieces of agate, and six mounts and an appliqué of enamelled gold. The boat-shaped bowl has an oval mouth and, like the lid, a diminished arch profile. On it, a ring moun [+]

Heliotrope cup in the form of a shell with handles
Gold, Bloodstone, Enamel. Ca. 1600
Miseroni, Ottavio; Vermeyen, Jan
Heliotrope cup in the form of a shell with handles
Gold, Bloodstone, Enamel. Ca. 1600
Miseroni, Ottavio; Vermeyen, Jan

The cup is made up of two pieces of stone and two enamelled gold mounts. The bowl consists of a scallop shell on which two transversal handles are carved in the same block, forming simple circles that [+]

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