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In 1625, Archduchess Isabel Clara Eugenia commissioned Rubens to design a series of twenty tapestries for the Monastery of the Descalzas Reales in Madrid. The subject was the Eucharist, a leading Cath [+]
Painted in Venice, the painting is part of the series of eight scenes from the Passion of Christ comprising works P00355 to P00362. They came from the Convent of San Felipe Neri in Madrid, from where [+]
The frieze arrangement of the figures places this work in the painter`s classical phase, which began in 1594, the same year as the date on this painting. In Van Thiel`s view, it could be the picture w [+]
The doubts that existed regarding the dating of this work were increased when the sitter was identified. He is documented from 1544 in the accounts of Prince Philip (later Philip II) as Pero Hern&aacu [+]
Bosch thus shows how man, irrespective of his social class or place of origin, is so possessed by the desire to enjoy and acquire material possessions that he allows himself to be deceived or seduced [+]
The Descent from the Cross was painted for the Chapel of Our Lady Outside the Walls at Leuven, which was founded in the fourteenth century by the Great Crossbowmen`s Guild, sold in 1798 and demolished [+]
The Virgin Mary holds the Christ Child, flanked on the right by an angel and, on the left, by Saint Matthew. The landscape in the background shows a scene from the Apocrypha (Proto-Gospel of Saint Jam [+]
This pagan scene shows the offer that the Bacchants, or followers of Bacchus, made to their god. In the center, a priest offers the sacrifice on an altar in front of the statue of the deity crowned wi [+]
The format and the dimensions of this picture and the high horizon line allow for rendition of a large landscape, which displays what are generally regarded as the defining characteristics of Patinir` [+]
This allegory accompanied others of Science (now lost), Commerce and Industry which decorated the staircase of Manuel Godoy´s palace. Ceres, goddess of Agriculture, is crowned with ears of corn. She i [+]
Dos madres se presentaron ante el rey Salomón con sendos niños, uno de ellos muerto. Ambas se disputaban al vivo, declarándose su madre legítima. El rey ordenó que dividieran en dos al niño vivo y die [+]
Painted in Venice, the painting is part of the series of eight scenes from the Passion of Christ comprising works P00355 to P00362. They came from the Convent of San Felipe Neri in Madrid, from where [+]
El primer palacio que existió en Aranjuez, población cercana a Madrid, situada en un fértil paraje entre los ríos Tajo y Jarama, fue mandado construir en 1387 por don Lorenzo Suárez de Figueroa, Gran [+]
Traditionally, this work was considered a preparatory sketch for the frescoes on the dome of the collegiate church at La Granja. In 1768 Charles III initiated the decoration of that church, and its do [+]
La miniatura principal representa una Última Cena, en una escena de considerables dimensiones para la miniatura española del período (116 x 148 mm). Sigue la iconografía habitual, dentro de un esquema [+]
The composition of the Prado drawing requires some explanation because of the smallness of scale of the numerous figures in relation to the overall size of the paper. Above ground level, in the left-h [+]
The Marquess of Salamanca offered for sale a work by Antonio Canova, Venus and Mars, to the Museo del Prado. Its authorship when acquired had been maintained for decades, but when Pavanello was catalo [+]
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]
