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The Death of Viriatus, Chief of the Lusitanians (preparatory sketch)
Oil on canvas. Ca. 1807
Madrazo y Agudo, José de
The Death of Viriatus, Chief of the Lusitanians (preparatory sketch)
Oil on canvas. Ca. 1807
Madrazo y Agudo, José de

This preparatory sketch for the large-scale canvas painted by Madrazo in Rome (also on display in this room) reveals various differences with respect to the final composition. Madrazo gave more space [+]

The Burial of the Count of Orgaz
Oil on canvas. 1734
Meléndez, Miguel Jacinto
The Burial of the Count of Orgaz
Oil on canvas. 1734
Meléndez, Miguel Jacinto

The Count of Orgaz died in 1323. According to legend, Saint Augustine and Saint Stephen appeared during his burial in the church of Santo Tomé in Toledo where, supporting the Count by the head [+]

The Siesta, or Pompeian Scene
Oil on canvas. 1868
Alma-Tadema, Sir Lawrence
The Siesta, or Pompeian Scene
Oil on canvas. 1868
Alma-Tadema, Sir Lawrence

A domestic scene set in classical antiquity. An old man and a youth recline on divans while an attractive young woman plays music on a double flute. Both the clothing and the setting suggest the Greek [+]

Women Gladiators
Oil on canvas. 1636
Ribera, Jusepe de, lo Spagnoletto
Women Gladiators
Oil on canvas. 1636
Ribera, Jusepe de, lo Spagnoletto

This painting shows the finale of a brutal encounter between two female fighters. The woman on the right has attained the upper hand over her opponent, who has fallen injured to the ground, and is abo [+]

Last Moments of Ferdinand IV the Summoned (sketch)
Oil on panel. 1860
Casado del Alisal, José
Last Moments of Ferdinand IV the Summoned (sketch)
Oil on panel. 1860
Casado del Alisal, José

This is the first rough sketch prior to the definitive preparatory piece (now at the Diputación de Palencia) of the picture held by the Museo del Prado (P5728). It shows the king Ferdinand IV o [+]

The Two Caudillos
Oil on canvas. 1866
Casado del Alisal, José
The Two Caudillos
Oil on canvas. 1866
Casado del Alisal, José

This painting was presented at the National Exhibition of Fine Arts in 1866. It depicts the Great Captain´s encounter with the body of his adversary after the famous battle for the control of the King [+]

Ferdinand I of Castile welcoming Saint Dominic of Silos
Oil on panel. 1478 - 1479
Bernat, Martín; Bermejo, Bartolomé
Ferdinand I of Castile welcoming Saint Dominic of Silos
Oil on panel. 1478 - 1479
Bernat, Martín; Bermejo, Bartolomé

This work formed part of the altar piece of the church of Santo Domingo de Silos in Daroca (Zaragoza) together with Bermejo’s Saint Dominic of Silos (P1323). It shows one of the two stories about the [+]

Last Moments of Ferdinand IV the Summoned
Oil on canvas. 1860
Casado del Alisal, José
Last Moments of Ferdinand IV the Summoned
Oil on canvas. 1860
Casado del Alisal, José

This painting shows the king Ferdinand IV of Castile on his deathbed, where he is confronted by the apparition of the brothers Juan and Pedro de Carvajal, unjustly executed by order of the monarch one [+]

Queen Joan on the Ramparts of the Castle of La Mota
Oil on canvas. 1873
Rosales Gallinas, Eduardo
Queen Joan on the Ramparts of the Castle of La Mota
Oil on canvas. 1873
Rosales Gallinas, Eduardo

This is Rosales’s last history painting, which was left unfinished on his death. It reveals his working method, which is relatively free in this case. The retinue of Joan of Castile, who is anxious to [+]

Doña Blanca of Navarre handed over to the Captal of Buch
Oil on canvas. 1869
Rosales Gallinas, Eduardo
Doña Blanca of Navarre handed over to the Captal of Buch
Oil on canvas. 1869
Rosales Gallinas, Eduardo

One of the most important works by Rosales to have remained in private hands, this canvas exemplifies the artist’s adaptation of history painting to a small format characteristic of the end of his sho [+]

Soldiers Sacking a City
Pencil, Pencil ground, Grey wash, Grey-brown ink on paper. Second half of the XVI century
Vecchi, Giovanni de
Soldiers Sacking a City
Pencil, Pencil ground, Grey wash, Grey-brown ink on paper. Second half of the XVI century
Vecchi, Giovanni de

The present, convincing attribution to the Roman Mannerist painter Giovanni de´ Vecchi, a late follower of the Zuccari is due to Florian Härb (2003). The unusual composition, with its over-abunda [+]

A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico
A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico

Gabriele Finaldi was the first to point out that the seated pope seems to be Pius V (Ghislieri), the Dominican, pro-Spanish pontiff who reigned from 1566 to 1572. As Cardinal Ghislieri, he held the of [+]

Nero and Seneca
Plaster. 1904
Barrón González, Eduardo
Nero and Seneca
Plaster. 1904
Barrón González, Eduardo

Nero and Seneca was awarded a first-prize medal at the National Fine Arts exhibition in Madrid in 1904. Barrón never produced a final version of it, in bronze or marble, making this preparatory [+]

Women Gladiators
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Women Gladiators
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Aunque la estampa está firmada por J. F. Taylor, esta litografía, que reproduce el óleo de José de Ribera (P01124), custodiado en el Museo Nacional del Prado, se atribuye a Isidore-Justine-Séverin Tay [+]

Women Gladiators
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Women Gladiators
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Aunque la estampa está firmada por J. F. Taylor, esta litografía, que reproduce el óleo de José de Ribera (P01124), custodiado en el Museo Nacional del Prado, se atribuye a Isidore-Justine-Séverin Tay [+]

Women Gladiators
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Women Gladiators
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Aunque la estampa está firmada por J. F. Taylor, esta litografía, que reproduce el óleo de José de Ribera (P01124), conservado en el Museo Nacional del Prado, se atribuye a Isidore-Justine-Séverin Tay [+]

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