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The Battle of San Quintín
Oil on canvas. After 1720
Anonymous
The Battle of San Quintín
Oil on canvas. After 1720
Anonymous

Los cuatro lienzos de esta serie (P186 a P189) fueron adquiridos por 1.500 pesetas a doña Pilar de la Torre el 21 de junio de 1876, en un lote de copias que forma la única serie completa conservada de [+]

Miracle of Saint Anthony of Padua
Oil on panel. Ca. 1500
Anonymous
Miracle of Saint Anthony of Padua
Oil on panel. Ca. 1500
Anonymous

This panel depicts a miracle of Saint Anthony: the conversion of a heretic when he realised that a hungry mule refrained from eating a basket of barley with a consecrated Host on it. Sculpture is used [+]

Coffered Ceiling
Polychromed, Carved. Ca. 1400
Anonymous
Coffered Ceiling
Polychromed, Carved. Ca. 1400
Anonymous

The principal beams are decorated with secular scenes, including dances, jousts or men fighting monsters, and with the coats-of-arms of Castile and León and those of the Luna and Rojas families [+]

The Aldobrandini Garden at Frascati
Oil on canvas. XVII century
Anonymous
The Aldobrandini Garden at Frascati
Oil on canvas. XVII century
Anonymous

The earliest documentary reference to this painting appears in the 1772 inventory of the Palace of the Buen Retiro, in which the setting is attributed to Viviano Codazzi (1603/4-1672) and the figures [+]

Sacred Heart
Gelatin / collodion on photographic paper. Ca. 1900
Anonymous
Sacred Heart
Gelatin / collodion on photographic paper. Ca. 1900
Anonymous

La fotografía reproduce una escultura del Sagrado Corazón de Jesús -de Juan Samsó y Lengly- que coincide en iconografía, actitud y composición con la versión del Sagrado Corazón de Jesús, del mismo au [+]

Apollo (?)
Black chalk on dark yellow paper. Early XVIII century
Anonymous
Apollo (?)
Black chalk on dark yellow paper. Early XVIII century
Anonymous

Figura masculina semidesnuda y apoyada en un pedestal, podría ser una representación de Apolo. El dibujo, que parece preparatorio para escultura es, tal vez, napolitano de principios del siglo XVIII ( [+]

Frieze with Centaurs Fighting Horseman and Warriors
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Frieze with Centaurs Fighting Horseman and Warriors
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

The composition appears to be copied from an Antique frieze, as the limbs of some of the figures are abruptly terminated, as if to show the breaks in a piece of ancient sculpture, for example the righ [+]

Allegory of the Arts
Pencil on brown paper. XVIII century
Anonymous
Allegory of the Arts
Pencil on brown paper. XVIII century
Anonymous

En el centro, en pie, la Pintura; a la derecha, sentada de perfil, con el compás y la escuadra, la Arquitectura; al fondo, la Escultura.Es apunte que enlaza con el estilo de Novelli, en el trazado de [+]

Christ crucified
Red chalk, White chalk on dark toned paper. XVIII century
Anonymous
Christ crucified
Red chalk, White chalk on dark toned paper. XVIII century
Anonymous

Dibujo en el que se representa a Cristo crucificado con la cabeza alzada, vuelta a la izquierda y tres clavos.Parece copia de escultura, a la que se ha suprimido la cruz. (Texto extractado de Pérez Sá [+]

Sappho
Marble. S XVI - XVII century
Anonymous
Sappho
Marble. S XVI - XVII century
Anonymous

Cabeza femenina con el pelo sujeto por una cinta y cubierto por un pañuelo. Por delante de las orejas caen dos pares de rizos sobre las mejillas. Este prototipo creado en Grecia fue tradicionalmente i [+]

Ganymede
White marble. 160 - 170
Anonymous
Ganymede
White marble. 160 - 170
Anonymous

This decorative roman work is based on Hellenistic iconography that arose in the third century B.C. It shows the moment before Zeus, who has taken the form of an eagle, abducts the mythical shepherd o [+]

Seated Muse
Marble. S XVII - XVIII century
Anonymous
Seated Muse
Marble. S XVII - XVIII century
Anonymous

This sculpture depicts one of Zeus’s nine daughters, considered in Greek mythology to protect and inspire the arts and sciences, including poetry, music, comedy, tragedy, dance and history. This Muse [+]

Ivory Christ on a Rock Crystal Cross
Silver gilt, Copper alloy, Rock crystal / hyaline quartz, Ivory. 1300 - 1330
Anonymous
Ivory Christ on a Rock Crystal Cross
Silver gilt, Copper alloy, Rock crystal / hyaline quartz, Ivory. 1300 - 1330
Anonymous

An ivory Christ with copper arms that were probably added at a later date. The cross consists of various pieces of rock crystal joined by metal rods covered with painted parchment. The clasps are of e [+]

Faun
Marble. XVII century
Anonymous
Faun
Marble. XVII century
Anonymous

Formaba parte de una serie de relieves decorativos todos ellos con cabezas de faunos o ménades. Algunos conservan una orla con racimos de uvas. En el álbum de la colección del marqués del Carpio, apar [+]

Dacian from Trajan’s Forum
Africano marble, Bigio antico, Marmo greco scritto. 120 - 130
Anonymous
Dacian from Trajan’s Forum
Africano marble, Bigio antico, Marmo greco scritto. 120 - 130
Anonymous

The present head, to which the bust was added in the eighteenth century, probably belonged to one of the statues of captured Dacians (from Dacia, the region to the West of the Black Sea) in Trajan’s F [+]

The Emperor Constantine the Great
White carrara marble. 312 - 325
Anonymous
The Emperor Constantine the Great
White carrara marble. 312 - 325
Anonymous

Numerous portraits of Constantine of this type were produced to mark his victory over Maxentius at the Battle of the Milvian Bridge in 312 A. D. Coins of the period depict him as invictus (unconquerab [+]

The Emperor Hadrian
Marble. 1600 - 1650
Anonymous
The Emperor Hadrian
Marble. 1600 - 1650
Anonymous

This portrait of Hadrian (117-138 AD) does not follow a specific classical model, freely interpreting elements such as the curls of his hair and his expression. It may have belonged to Queen Christina [+]

Peace and her Fruits
Ivory. XVIII century
Anonymous
Peace and her Fruits
Ivory. XVIII century
Anonymous

The goddess Eirene, bearing an olive branch, personifies Peace. She is surrounded by allegories of her bounty: prosperity, plenty, the progress of all the arts represented and the rejection of arms, t [+]

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