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This painting was purchased by Charles IV for his personal collection, but was later transferred to the royal collections. Its facture and composition are similar to those of the works of French paint [+]
Resting on a stone base, an openwork wicker basket full of flowers is the subject of this painting. The flowers represent an enormous variety of species, enabling a notably rich range of colours and f [+]
This type of allegorical representations of abundance or fecundity was very popular among cabinet paintings from this period. Artists such as Rubens, Jan Brueghel the Elder, Hendrick de Clerck and Hen [+]
Espinós structures his composition into three contrasting parts, including a mythological scene with two sculptural Olympian gods in the centre. They are surrounded by a large and colourful gar [+]
The fact that this painting and its pendant (P1058)—both of unknown origin—entered the Museo de la Trinidad in the 19th century suggests they may have belonged to a religious institution in or near Ma [+]
These four paintings of flowers and sumptuary objects (P250, P251, P252 and P3239) are part of those sent from Rome to Madrid by Mario Nuzzi and other artists for the decoration of the Buen Retiro Pal [+]
Flower painting experienced its greatest development in the Netherlands -there were both Flemish and Dutch schools- and in the different regions of Italy. Both Northern and Mediterranean artists produ [+]
Flower painting quickly became a sub-genre of still life painting in which several Spanish artists became specialists. Hiepes was an assiduous proponent throughout his career and he specialized in flo [+]
This flower painting brings to mind works the artist gave to the Prince of Asturias, Charles of Bourbon, in 1788. Shortly before he took the throne as King Charles IV. An early interest in art in gene [+]
Towards the edges of two moulded stone shelves rest two bronze vases with broad decorated bases and slender stems embraced, in one case by a group of tritons (P550) and, in the other by, a group of mi [+]
María Luisa de la Riva went to live in Paris in the late 1880s, attracted by the possibilities for training and the larger number of women artists in the French capital. From there she continue [+]
Dressed in blue, a Bourbon colour, Charles wears the Golden Fleece and the Order of the Saint-Esprit. The lily is a dynastic emblem while the jasmine, anemones, narcissi, pinks and roses are attribute [+]
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