The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
411 results
Diogenes searching for a Man
Oil on canvas. 1645 - 1655
Castiglione, Giovanni Benedetto
Diogenes searching for a Man
Oil on canvas. 1645 - 1655
Castiglione, Giovanni Benedetto

An inquiring and original artist, as well as an extraordinary draughtsman, Giovanni Benedetto Castiglione travelled throughout much of Italy (besides his native Genoa, he worked in Rome, Mantua, Venic [+]

The Siege of Aire-sur-la-Lys
Oil on canvas. 1653
Snayers, Peter
The Siege of Aire-sur-la-Lys
Oil on canvas. 1653
Snayers, Peter

As court painter to the Cardinal-Infante Ferdinand, Snayers’s compositions both document and glorify Spanish military activities. This painting represents the capture of Aire-sur-la-Lys from the Frenc [+]

The Tobacco Guards
Oil on canvas. 1780
Goya y Lucientes, Francisco de
The Tobacco Guards
Oil on canvas. 1780
Goya y Lucientes, Francisco de

In October 1777, Goya received a commission to paint 20 cartoons for tapestries intended to decorate the walls of the Prince and Princess of Asturias´s bedchamber and its anteroom in the palace of El [+]

The Death of the Virgin
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla
The Death of the Virgin
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla

This is by the same artist as The Presentation (P-1257), although it has a more Germanic character on account of it being almost a copy of an etching by Martin Schongauer (c. 1435/50-1491) of the same [+]

A Philosopher
Oil on panel. 1635
Koninck, Salomon
A Philosopher
Oil on panel. 1635
Koninck, Salomon

This painting enters the Museum as the work of Salomon Koninck, an attribution which remains valid until the 1963 catalogue, when, according to Valdivieso (1973), a proposal by Clotilde Brière- [+]

This man was told his face was indecent so he wore his breeches on his head
Pencil, Red wash, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
This man was told his face was indecent so he wore his breeches on his head
Pencil, Red wash, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 54, The shameful one (G02156) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for The Caprichos. Headed by [+]

Since I told him se moves nicely, he can't speak without wriggling
Black chalk, Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Since I told him se moves nicely, he can't speak without wriggling
Black chalk, Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 7, God forgive her: Even thus he cannot make her out (G02095) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the ba [+]

Idyll
Watercolour, Gouache / tempera on paper. 1868
Fortuny, Mariano
Idyll
Watercolour, Gouache / tempera on paper. 1868
Fortuny, Mariano

This watercolor offers a profile view -similar to a low relief- of a child or young faun sitting on a fragment of an Ionic entablature with egg-and-dart decorations above an astragal. The slender, nud [+]

She is ashamed that her Mother speaks to her in public, and she says, God forgive you
Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
She is ashamed that her Mother speaks to her in public, and she says, God forgive you
Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching of Capricho 16. For Heaven’s sake: And it was his Mother (G02104) is part of the Dreams series, which consists of twenty-six pen drawings that form the basis o [+]

Wild merchants
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Wild merchants
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 11, Lads Making Ready (G02099 / G00644) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. [+]

The Annunciation
Black chalk, Red chalk on dark yellow paper. Late XVI century
Cesi, Bartolomeo (Attributed To)
The Annunciation
Black chalk, Red chalk on dark yellow paper. Late XVI century
Cesi, Bartolomeo (Attributed To)

In her 1983 catalogue, Mena Marques rightly brought attention to the very high quality of this drawing and suggested the style could be Sienese, from the end of the sixteenth century and the beginning [+]

Sacrificing Interest
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Sacrificing Interest
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 14, What a Sacrifice! (G02102) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. Headed by [+]

Teacher witch giving lessons of bravery to her disciple on the latter’s first flight. Training witches
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Teacher witch giving lessons of bravery to her disciple on the latter’s first flight. Training witches
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 66, There it goes (G02102) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. Headed by Dr [+]

The Old Women are filled with laughter because they know he hasn’t a penny
Brush, Pencil, Indian ink wash, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
The Old Women are filled with laughter because they know he hasn’t a penny
Brush, Pencil, Indian ink wash, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 5, Two of a Kind (G02093) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos in the first st [+]

Masks of caricatures who stood out for their significance
Pencil, Iron gall ink, Red chalk on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Masks of caricatures who stood out for their significance
Pencil, Iron gall ink, Red chalk on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

A preparatory drawing for the etching, Capricho 57, The filiation (G02145). Together, the twenty-six pen-and-ink drawings that constitute the basis for The Caprichos are known as The Dreams. The first [+]

Witches’ dream. Agent in a stagecoach
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Witches’ dream. Agent in a stagecoach
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

A preparatory drawing for the etching, Capricho 68, Pretty teacher! (G02156). Together, the twenty-six pen-and-ink drawings that constitute the basis for The Caprichos are known as The Dreams. The fir [+]

Theatre set
Pencil, Grey wash on dark yellow paper. Early XVIII century
Galli Da Bibiena, Francesco
Theatre set
Pencil, Grey wash on dark yellow paper. Early XVIII century
Galli Da Bibiena, Francesco

The son of painter Giovanni Maria Galli da Bibiena and brother of Ferdinando Galli da Bibiena, Francesco was raised in a family of artists and took an early interest in architecture and set design. He [+]

Universal Language. The Author dreaming
Black chalk, Pencil, Iron gall ink on laid paper. 1797
Goya y Lucientes, Francisco de
Universal Language. The Author dreaming
Black chalk, Pencil, Iron gall ink on laid paper. 1797
Goya y Lucientes, Francisco de

International Language is the preparatory drawing for the well-known Capricho 43, The Sleep of Reason Produces Monsters, and it bears the marks of having been transferred to the copper plate. The fina [+]

Up