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The Evangelist Saints Matthew and Luke, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
The Evangelist Saints Matthew and Luke, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

Saint John the Evangelist
Oil on panel. XVI century
Anonymous
Saint John the Evangelist
Oil on panel. XVI century
Anonymous

The Evangelist Saint Mark and an Angel, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
The Evangelist Saint Mark and an Angel, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

The Guils Frontal
Tempera on panel. Late XIII century
Anonymous
The Guils Frontal
Tempera on panel. Late XIII century
Anonymous

At the centre, the Pantocrator (Christ in majesty) is shown in a mandorla surrounded by the Tetramorph, the symbols of the four Evangelists. At either side, the upper register shows scenes from the life of Saint Stephen -on the left, his stoning, and on the right his burial- while the lower register depicts two pairs of apostles. The frontal is from the church of San Esteban in Guils de Cerdanya (

Saint John the Evangelist
Oil on panel. Ca. 1500
Anonymous
Saint John the Evangelist
Oil on panel. Ca. 1500
Anonymous

Procedente de la iglesia parroquial de Erla (Zaragoza), esta tabla formaba parte de un retablo situado en una de las capillas del lateral izquierdo del edificio. Desconocemos el momento en que el retablo pasó a manos privadas, aunque en 1962, poco antes de su adquisición por el Museo del Prado estaba en una colección particular suiza. Sabemos, gracias a una descripción de Post, que el retablo se c

Saint John the Evangelist
Oil on panel. 1490 - 1495
Anonymous
Saint John the Evangelist
Oil on panel. 1490 - 1495
Anonymous

Plan for a tabernacle
Pencil, Grey-brown wash on yellow paper. Late XVI century
Anonymous
Plan for a tabernacle
Pencil, Grey-brown wash on yellow paper. Late XVI century
Anonymous

A plan for an architectural structure with a centralised floor finished with an ornamental dome, pierced with oculi and a roof lantern with a scaled dome. Angular columns are in a Composite order. The frontispiece is topped by a broken triangular pediment and carved tablet or shield with the dove of the Holy Spirit, and closed by doors with depictions of the four Evangelists. In the corners, on th

St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

Another directly corresponding School version of this drawing is in the Accademia, Venice (inv. no. 396). It is unclear from the clumsily drawn lines surrounding the figure whether or not St. John is in a landscape or on clouds in the sky, thought the latter would seem more likely.

The Virgin and Child seated in a landscape, adored by St. John the Evangelist
Black chalk, Red chalk on tinted paper. Second half of the XVI century
Anonymous
The Virgin and Child seated in a landscape, adored by St. John the Evangelist
Black chalk, Red chalk on tinted paper. Second half of the XVI century
Anonymous

As pointed out by Giuseppe Scavizzi in a note on the mount, this is a copy after Barocci´s so-called Madonna di S. Giovanni in the Galleria Nationale delle Marche, Urbino, carried out in c. 1565.

The Altarpiece of the Virgin
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Anonymous
The Altarpiece of the Virgin
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Anonymous

Dibujo en el que encontramos, en una hornacina central, la imagen de la Virgen sedente y coronada, con el Niño Jesús en pie sobre la rodilla izquierda. Está flanqueada por dos parejas de columnas corintias, que sostienen un entablamento; sobre él, ático cuadrado, con frontón curvo, y el emblema de María entre resplandores, ángeles adorantes sobre volutas, y a los lados de la mesa del altar, sobre

St. John the Evangelist seated on a cloud
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous
St. John the Evangelist seated on a cloud
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous

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