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This likeness of the Franciscan clergyman is a significant example of elongated bust portraits that are quiet customary in the Western figurative tradition. Such works allow a closer approach to the m [+]
While not absolutely certain, this is generally considered a self-portrait by Sánchez Coello, a pupil of Anthonis Mor and first court portraitist to Philip II. The artist deploys a detailed tec [+]
This is one of the Spanish Renaissance’s most emblematic depictions of a female figure and the best known of Yáñez de la Almedina’s works. Both considerations are due to the visibility t [+]
Like its companion (P7906), this piece was acquired by the Museo del Prado with an attribution to Fernández el Labrador (doc. 1629-1657), a painter specialized in depictions of grapes. However, [+]
This painting was intended to hang to the right of the Equestrian Portrait of Philip IV (P01178) and it depicts that monarch´s first wife, Elizabeth of Bourbon (1602-1644), whom he married in 1615. Th [+]
On 24 February 1882, Alfonso Roswag y Nogier, the son-in-law of Jean Laurent and his partner in the firm J. Laurent y Cía., filed a patent application for a device called "the Graphoscope or re [+]
Free-standing wax sculpture was a particularly important genre in 18th-century Bologna and artists aimed to produce impressively lifelike, almost hyper-realist effects. In order to do so they used rea [+]
Wax sculpture allowed for the creation of extremely precise technical details that produced an intense sensation of reality. Scandellari was one of the most important practitioners of this technique i [+]
This case takes the form of the pieces for which it was made, a Set of implements for cutting up game (O3498-O3511). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-mad [+]
This case takes the form of the vessel for which it was made, a Drinking vessel with six lobes and scroll-shaped handles (O88). The exquisite pieces from the Dauphin´s Treasure are complemented by the [+]
This case takes the form of the vessel for which it was made, a Boat-shaped agate cup with two masks and cover (O16). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-ma [+]
This case takes the form of the vessel for which it was made, a Heliotrope cup with diamonds and rubies (HF835/022). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-mad [+]
This case takes the form of the vessel for which it was made, a Boat-shaped agate cup with a winged siren (O6). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cas [+]
This case takes the form of the vessel for which it was made, a Agate urn with masks (O15). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the sh [+]
This case takes the form of the vessel for which it was made, an Heliotrope tazza with turquoises and rubies (O71). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made [+]
This case takes the form of the vessel for which it was made, an Egg-shaped agate vessel with cameos on the foot, stem and finial (O33). The exquisite pieces from the Dauphin´s Treasure are complement [+]
This case takes the form of the vessel for which it was made, a Fluted goblet with a tall stem and rubies (O20). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made ca [+]
This case takes the form of the vessel for which it was made, a Sardonyx ewer (O30). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of [+]
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