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Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was re [+]
A group of individuals appear in front of the stall of a seller who displays his vessels, furniture, used clothing and paintings. Others people visit the other stalls around the Plaza de la Cebada, wh [+]
A young woman seems to gaze dreamily at a canvas on an easel, over which a large cloth has been partially draped, and at a sheaf of prints on a stool. The Japanesestyle clothes, the bright colours and [+]
A portrait of the Duke of Osuna, Pedro Téllez Girón (1755-1807); his wife, the Countess-Duchess of Benavente, Josefa Alonso de Pimentel (1752-1834) and their four children: Francisco de [+]
Retrato de la segunda esposa del pintor Antonio Gonzalez Velázquez, Manuela María Teresa Cayetana Tolosa y Aviñón (Madrid, 11-7-1740 - Madrid, 7-12-1797), con quien casó el 8 de abril de 1745. De su m [+]
Mengs painted these portraits of the heirs to the Spanish throne -the prince and princess of Asturias, Carlos de Borbón and Maria Luisa of Parma- on the occasion of their wedding. As the daught [+]
A month after giving her approval to the portrait Goya had painted of her in a mantilla in September 1799, Queen Maria Luisa wrote to Manuel Godoy, “I want you to have a copy made by Esteve”. Indeed, [+]
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Born in 1507 after the death of her father, Felipe el Hermoso, the younger sister of Carlos V married Juan III of Portugal in 1525 and died in 1578. Gifted with an energetic character, she took on the [+]
Daughter of Charles III of Spain and Maria Amalia of Saxony, the sitter was born in Naples in 1745. In 1765 she married Leopold of Austria, Grand Duke of Tuscany, and bore sixteen children, including [+]
With its delicate, highly individual style, the work of Luis Paret y Alcázar, an artist whose family was of French origin, unambiguously represents the French Rococo in Spanish art. The career [+]
A handsome dandy gallantly offers fruit to a seated lady accompanied by her maid. This seductive, erotic gesture arouses the young woman’s emotions while in the background a cloaked majo jealously obs [+]
The sitter is seated in a landscape to which the artist has given a very prominent role. The artist, son of the painter Juan Antonio Ribera, along with his friend and rival, Federico de Madrazo, were [+]
The lady depicted here, around 50 years of age, is represented slightly greater than half-length, seated on a chair upholstered in green cloth, with a striking cashmere shawl of vivid colours lying on [+]
A cartoon painted in 1778 for a tapestry to hang over the dining room door at the el Pardo Palace. Preparatory drawings by the artist´s brother, Francisco Bayeu, are at the Biblioteca Nacional a [+]
The sitter, a leading figure in Parisian social circles, was the daughter of the Duke of Santoña (the origin of whose fortune came, above all, from the slave trade and real estate investments), [+]
La reina en pie, viste de traje gris con abanico en la mano izquierda; corona y cetro sobre un bufete. Doña María figura retratada de frente, mirando al espectador, ligeramente ladeado el rostro, apoy [+]
An enormously versatile painter, Palmaroli also produced the small-format paintings known as tableautins popular with collectors at this period. Following Fortuny, his numerous genre scenes deploy a b [+]
