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The Buffoon Francisco Bazán
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan
The Buffoon Francisco Bazán
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan

Francisco Bazán was a buffoon at the court of Charles II between 1676 and 1689. Carreño, who was reaching the end of his career when he painted this work, depicts the sitter as if delive [+]

The Pavilion of Charles V in the Gardens of the Alcázar of Seville
Oil on panel. 1868
Madrazo y Garreta, Raimundo de
The Pavilion of Charles V in the Gardens of the Alcázar of Seville
Oil on panel. 1868
Madrazo y Garreta, Raimundo de

In this popular scene, two people, one dressed in eighteenth century fashion, with a cape and two-cornered hat, are depicted in front of the Pavilion of Carlos V in the Gardens of the Alcázar o [+]

Still Life with a Maid
Oil on canvas. Ca. 1633
Snyders, Frans
Still Life with a Maid
Oil on canvas. Ca. 1633
Snyders, Frans

This opulent still-life scene typical of the Baroque Flemish school includes a human figure and two animals, as was common in the period, in accordance with the tastes of the clients, whose wealth and [+]

The Bivouac
Oil on panel. 1640 - 1650
Teniers The Younger, David
The Bivouac
Oil on panel. 1640 - 1650
Teniers The Younger, David

Of the artists who painted war scenes in the 17th century, none was as interested as David Teniers II in capturing images from behind the lines. With his customary tactile rigor, he depicts a plethora [+]

Earthly Paradise
Oil on panel. Ca. 1620
Brueghel el Joven, Jan
Earthly Paradise
Oil on panel. Ca. 1620
Brueghel el Joven, Jan

Como es habitual en Jan Brueghel el Joven, el modelo iconográfico para esta composición se encuentra en los paisajes de Adán y Eva en el Paraíso inventados por su padre, Jan Brueghel el Viejo, si bien [+]

Deucalion and Pyrrha
Oil on panel. 1636 - 1637
Rubens, Peter Paul
Deucalion and Pyrrha
Oil on panel. 1636 - 1637
Rubens, Peter Paul

Humanity´s rebirth after the flood is represented in Greek mythology through the story of Deucalion and Pyrrha. After surviving the disaster, they threw stones over their shoulders, each of which beca [+]

The Boy from Vallecas (Francisco Lezcano)
Oil on canvas. 1635 - 1645
Velázquez, Diego Rodríguez de Silva y
The Boy from Vallecas (Francisco Lezcano)
Oil on canvas. 1635 - 1645
Velázquez, Diego Rodríguez de Silva y

In the foreground of this canvas, a figure dressed in green holds in his hands what appears to be a pack of cards and looks directly at the viewer, as if to invite us to participate in the game. He is [+]

Jupiter and Lycaon
Oil on canvas. 1636 - 1638
Cossiers, Jan
Jupiter and Lycaon
Oil on canvas. 1636 - 1638
Cossiers, Jan

Licaón, un horrible gobernador de la Arcadia que sembraba el terror en su región, quiso comprobar la divinidad de Júpiter dándole de comer carne humana. Ovidio narra esta historia en el libro I de las [+]

The Clothed Maja
Oil on canvas. 1800 - 1807
Goya y Lucientes, Francisco de
The Clothed Maja
Oil on canvas. 1800 - 1807
Goya y Lucientes, Francisco de

An unidentified lady wearing delicate transparent clothing and a yellow jacket with black decorations lies on a green velvet divan with cushions and a spread. There has been a great variety of opinion [+]

The Burial of Saint Sebastian
Oil on canvas. 1877
Ferrant, Alejandro
The Burial of Saint Sebastian
Oil on canvas. 1877
Ferrant, Alejandro

Under the reign of Emperor Maximilian, Deacon Sebastian was tortured and finally dumped in Rome´s main sewer, the Cloaca Maxima. The Emperor hoped that he would never be found there by the Christians, [+]

A Rest during the Hunt
Oil on panel. 1901
Domingo Marqués, Francisco
A Rest during the Hunt
Oil on panel. 1901
Domingo Marqués, Francisco

Francisco Domingo approaches the work of Diego Velasquez (1500-1600) in a free reinterpretation of the human types painted by that artist from Seville. A group of hunters take a rest during a hunt. Al [+]

The Temptations of Saint Anthony
Oil on oak panel. 1550 - 1560
Bosch, Hieronymus (Follower Of)
The Temptations of Saint Anthony
Oil on oak panel. 1550 - 1560
Bosch, Hieronymus (Follower Of)

Apoyado sobre una roca con un libro entre las manos, el santo vuelve la cabeza hacia el espectador. En la mitad inferior se han representado extrañas y monstruosas figuras, mientras que en el ángulo d [+]

Diana
Black chalk, White chalk on green paper. Before 1769
Bayeu, Francisco
Diana
Black chalk, White chalk on green paper. Before 1769
Bayeu, Francisco

Figura femenina sentada en una nube con la cabeza de perfil derecho. Dibujo preparatorio para la figura correspondiente en la parte inferior izquierda del fresco de la Apoteosis de Hércules, pintado a [+]

The manner in which tha ancient Spaniards hunted bulls on horseback in the countryside
Red chalk on ivory laid paper. 1814 - 1816
Goya y Lucientes, Francisco de
The manner in which tha ancient Spaniards hunted bulls on horseback in the countryside
Red chalk on ivory laid paper. 1814 - 1816
Goya y Lucientes, Francisco de

The series begins with a scene alluding to the mythical origins of tauromachy, in which Goya depicts the bullfighting practices of the first Spanish settlers in a natural landscape where herds of wild [+]

Studies of Figures and Animals
Pencil, Grey-brown ink on brown paper. Late XVI - Primer cuarto del siglo XVII century
Villamena, Francesco (Attributed To)
Studies of Figures and Animals
Pencil, Grey-brown ink on brown paper. Late XVI - Primer cuarto del siglo XVII century
Villamena, Francesco (Attributed To)

This adn the following eight drawings appear to be by the same mediocre hand, by whom there are several other drawings in the Prado scattered throughout the collection under a number of different attr [+]

Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous
Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous

[+]

Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous
Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous

Formerly attributed to Bartolomeo Passerotti (1529-1592), presumably on account of the broad cross-hatching in pen, a technique that is characteristic of drawings by this artist. On the other hand, th [+]

Standing woman clothed in classical dress
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Standing woman clothed in classical dress
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

[+]

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