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Allegory of Dusk
Oil on canvas. 1819
Madrazo y Agudo, José de
Allegory of Dusk
Oil on canvas. 1819
Madrazo y Agudo, José de

The allegories, The Hours of the Day, were painted in 1819 by José de Madrazo in Rome just before his return to Spain, to be used in the decoration of the small palace in Madrid known as Casino [+]

The Cavalry Soldier Jean-Baptiste Poret-Dulongval
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de
The Cavalry Soldier Jean-Baptiste Poret-Dulongval
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de

A young French Officer, displaying the insignia of the Légion d’Honneur, rests beside his horse. In this portrait, which may have been painted in Rome during the Napoleonic occupation, the offi [+]

Jesus in the House of Annas
Oil on canvas. 1803
Madrazo y Agudo, José de
Jesus in the House of Annas
Oil on canvas. 1803
Madrazo y Agudo, José de

This religious scene with its life-size figures, is treated in the sober manner usually applied to scenes from Roman history. It was the first major painting produced by Madrazo whilst training in Par [+]

The Recapture of San Juan in Puerto Rico
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Recapture of San Juan in Puerto Rico
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Pierre-Jules Jollivet que reproduce uno de los lienzos de la serie de batallas del Salón de Reinos del palacio del Buen Retiro de Eugenio Cajés conservado en el Museo Nacional del [+]

The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?-después de 1860). Reproduce el lienzo, conservado en el Museo Nacional del Prado (P01411), de la conversión de san Huberto, cuya figura del santo fue [+]

The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?-después de 1860). Reproduce el lienzo, conservado en el Museo Nacional del Prado (P01411), de la conversión de san Huberto, cuya figura del santo fue [+]

The Vision of Saint Hubert
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Vision of Saint Hubert
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Andreas Pic de Leopold (1789?-después de 1860). Produce el lienzo, conservado en el Museo Nacional del Prado (P01411), de la conversión de san Huberto, cuya figura del santo fue p [+]

The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce un lienzo de Bernard van Orley (P01932) cuya autoría era desconocida en el siglo XIX tal y como figura en la e [+]

The Recapture of San Juan in Puerto Rico
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Recapture of San Juan in Puerto Rico
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Pierre-Jules Jollivet (1784-1871) que reproduce uno de los lienzos de la serie de batallas del Salón de Reinos del palacio del Buen Retiro de Eugenio Cajés conservado en el Museo [+]

The Recapture of San Juan in Puerto Rico
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Recapture of San Juan in Puerto Rico
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Pierre-Jules Jollivet (1784-1871) que reproduce uno de los lienzos de la serie de batallas del Salón de Reinos del palacio del Buen Retiro de Eugenio Cajés conservado en el Museo [+]

The Recapture of San Juan in Puerto Rico
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Recapture of San Juan in Puerto Rico
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Jollivet, Pierre-Jules -Lithographer- (After Cajés, Eugenio); Castello, Félix (The Original Work, According To Inscriptions, Attributed To); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Pierre-Jules Jollivet (1794-1871) que reproduce uno de los lienzos de la serie de batallas del Salón de Reinos del palacio del Buen Retiro de Eugenio Cajés conservado en el Museo [+]

The Vision of Saint Hubert
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Hubert
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?-después de 1860). Reproduce el lienzo, conservado en el Museo Nacional del Prado (P01411), de la conversión de san Huberto, cuya figura del santo fue [+]

The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on ivory paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on ivory paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce un lienzo de Bernard van Orley (P01932) cuya autoría era desconocida en el siglo XIX tal y como figura en la e [+]

Isabel II, as a child
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Amerigó y Morales, Ramón -Lithographer- (After Madrazo y Kuntz, Federico de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Isabel II, as a child
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Amerigó y Morales, Ramón -Lithographer- (After Madrazo y Kuntz, Federico de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Estampa encuadernada con el resto del volumen 3 (G04911-G40983), en holandesa, con cubierta y trasera forradas en papel de aguas y, en la piel del lomo, la inscripción en letras doradas COLECCION / DE [+]

Mary with Child
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Mary with Child
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce un lienzo de Bernard van Orley (P01932) cuya autoría era desconocida en el siglo XIX tal y como figura en la e [+]

Saint Matthew and Saint John the Evangelist
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco y Assensio, Alejandro -Lithographer- (The Original Work, According To Inscriptions, Attributed To Ribalta, Francisco); Ribalta, Juan (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint Matthew and Saint John the Evangelist
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco y Assensio, Alejandro -Lithographer- (The Original Work, According To Inscriptions, Attributed To Ribalta, Francisco); Ribalta, Juan (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Matthew and Saint John the Evangelist
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco y Assensio, Alejandro -Lithographer- (The Original Work, According To Inscriptions, Attributed To Ribalta, Francisco); Ribalta, Juan (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Matthew and Saint John the Evangelist
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco y Assensio, Alejandro -Lithographer- (The Original Work, According To Inscriptions, Attributed To Ribalta, Francisco); Ribalta, Juan (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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