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Queen María Cristina and her Daughter, Isabel II, reviewing the Artillery Batteries defending Madrid in 1837
Oil on canvas. Ca. 1866
Fortuny, Mariano
Queen María Cristina and her Daughter, Isabel II, reviewing the Artillery Batteries defending Madrid in 1837
Oil on canvas. Ca. 1866
Fortuny, Mariano

This canvas was displayed on the ceiling of the Salon Rouge of the Duke and Duchess of Riánsares’ Paris mansion. The decoration of this hall, which was designed to receive visitors, glorified M [+]

Hollyhocks
Oil on canvas. 1872 - 1873
Fortuny, Mariano
Hollyhocks
Oil on canvas. 1872 - 1873
Fortuny, Mariano

Fortuny enjoyed painting flowers in bloom in his scenes. Attracted by their colours, he also made separate studies of them. His favourites were hollyhocks on account of their pleasing hues and the ele [+]

Nude Boy on the Beach at Portici
Oil on panel. 1874
Fortuny, Mariano
Nude Boy on the Beach at Portici
Oil on panel. 1874
Fortuny, Mariano

[+]

Chicken Coop
Oil on canvas. 1869
Fortuny, Mariano
Chicken Coop
Oil on canvas. 1869
Fortuny, Mariano

Fortuny featured groups of hens in a number of his compositions, as their dynamism, texture and luxuriant colours enriched and enlivened his works. This painting, however, is a study in its own right [+]

Morocans
Oil on panel. 1872 - 1874
Fortuny, Mariano
Morocans
Oil on panel. 1872 - 1874
Fortuny, Mariano

Fortuny’s predilection for beautifully colored and very carefully painted panels is perfectly exemplified by the present work, which reveals his mastery of tableautin, a type of painting that garnered [+]

The Garden of the Fortuny Residence
Oil on panel. 1872 - 1877
Fortuny, Mariano; Madrazo y Garreta, Raimundo de
The Garden of the Fortuny Residence
Oil on panel. 1872 - 1877
Fortuny, Mariano; Madrazo y Garreta, Raimundo de

This work bears exceptional witness to the concurrence of Fortuny’s painting with that of his close friend, Raimundo de Madrazo. Begun by the former, it was completed after his death by the latter wit [+]

Saint Andrew (copy after Ribera)
Oil on canvas. Ca. 1867
Fortuny, Mariano
Saint Andrew (copy after Ribera)
Oil on canvas. Ca. 1867
Fortuny, Mariano

Fortuny produces a faithful interpretation of Jusepe de Ribera’s painting in the Museo del Prado, though his attention is focused exclusively on capturing the effects of the light on an elderly man’s [+]

Bullfight
Oil on canvas. 1867 - 1868
Fortuny, Mariano
Bullfight
Oil on canvas. 1867 - 1868
Fortuny, Mariano

The sketch, almost schematic character of this composition makes this one of the most attractive bullfighting scenes ever painted by Fortuny. It offers a panoramic view of a bullring -probably in Madr [+]

The Battle of Wad-Rass
Oil on paper attached to cardboard. 1860 - 1861
Fortuny, Mariano
The Battle of Wad-Rass
Oil on paper attached to cardboard. 1860 - 1861
Fortuny, Mariano

Shortly before Mariano Fortuny concluded the second year of the pension he had received from the Regional Government of Barcelona in 1858 to complete his studies in Rome, that same institution commiss [+]

Neapolitan Landscape
Oil on canvas. 1874
Fortuny, Mariano
Neapolitan Landscape
Oil on canvas. 1874
Fortuny, Mariano

Visible behind the foreground rocks which attract the viewer’s attention are the bay of Naples in the distance and, closer at hand, the cluster of houses of the neighbouring town of Portici with the d [+]

Friar begging
Pencil, Watercolour on white paper. 1862 - 1867
Fortuny, Mariano
Friar begging
Pencil, Watercolour on white paper. 1862 - 1867
Fortuny, Mariano

Fortuny was particularly interested in the human types who were part of Rome’s urban landscape. Prominent among them were these Capuchin friars dressed in the characteristic brown tunic and long cloak [+]

Sea with Vesuvius in the Background
Watercolour on white paper. 1874
Fortuny, Mariano
Sea with Vesuvius in the Background
Watercolour on white paper. 1874
Fortuny, Mariano

In the summer of 1874, Fortuny found the Tyrrhenian sea to be a constant stimulus for painting outdoors. The cobalt-blue of the expanse of water is the predominant feature of this seascape, depicted f [+]

Idyll
Watercolour, Gouache / tempera on paper. 1868
Fortuny, Mariano
Idyll
Watercolour, Gouache / tempera on paper. 1868
Fortuny, Mariano

This watercolor offers a profile view -similar to a low relief- of a child or young faun sitting on a fragment of an Ionic entablature with egg-and-dart decorations above an astragal. The slender, nud [+]

María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny, Mariano
María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny, Mariano

This watercolour is part of a group of works Fortuny painted shortly before returning to Rome in 1868 using the people around him as models. María Teresa was the only child born of the marriage [+]

Lanscape at Portici
Watercolour, Gouache / tempera on paper. 1874
Fortuny, Mariano
Lanscape at Portici
Watercolour, Gouache / tempera on paper. 1874
Fortuny, Mariano

In the summer of 1874 Fortuny settled in a seaside villa in Portici, near Naples, where he painted several landscapes and seascapes that show his interest in the study of painting from life. This inte [+]

Menippus, detail (copy after Velázquez)
Watercolour, Gouache / tempera on paper. 1866 - 1868
Fortuny, Mariano (Copy After Velázquez, Diego Rodríguez de Silva y)
Menippus, detail (copy after Velázquez)
Watercolour, Gouache / tempera on paper. 1866 - 1868
Fortuny, Mariano (Copy After Velázquez, Diego Rodríguez de Silva y)

Fortuny made an ample number of copies of famous paintings, some as late as the end of the 1860s. They reveal his interest in deepening his knowledge of the painting of the great masters, especially V [+]

A Moroccan
Watercolour on paper. 1869
Fortuny, Mariano
A Moroccan
Watercolour on paper. 1869
Fortuny, Mariano

This work is a typical example of the watercolours Fortuny produced in his Roman studio during winter and early spring afternoons and evenings. In them he painted Arab subjects based on free interpret [+]

A Street in the Albaicín. Granada
Pencil, Pencil, Grey-brown ink, Wash on yellow paper. 1871 - 1872
Fortuny, Mariano
A Street in the Albaicín. Granada
Pencil, Pencil, Grey-brown ink, Wash on yellow paper. 1871 - 1872
Fortuny, Mariano

This drawing shows Fortuny’s fondness for the architecture and winding alleyways of the Albaicín, one of Granada’s landmark districts. The narrowness of the streets provided the painter with an [+]

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