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Nude Boy on the Beach at Portici
Oil on panel. 1874
Fortuny, Mariano
Nude Boy on the Beach at Portici
Oil on panel. 1874
Fortuny, Mariano

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Queen María Cristina and her Daughter, Isabel II, reviewing the Artillery Batteries defending Madrid in 1837
Oil on canvas. Ca. 1866
Fortuny, Mariano
Queen María Cristina and her Daughter, Isabel II, reviewing the Artillery Batteries defending Madrid in 1837
Oil on canvas. Ca. 1866
Fortuny, Mariano

This canvas was displayed on the ceiling of the Salon Rouge of the Duke and Duchess of Riánsares’ Paris mansion. The decoration of this hall, which was designed to receive visitors, glorified M [+]

Chicken Coop
Oil on canvas. 1869
Fortuny, Mariano
Chicken Coop
Oil on canvas. 1869
Fortuny, Mariano

Fortuny featured groups of hens in a number of his compositions, as their dynamism, texture and luxuriant colours enriched and enlivened his works. This painting, however, is a study in its own right [+]

Bullfight
Oil on canvas. 1867 - 1868
Fortuny, Mariano
Bullfight
Oil on canvas. 1867 - 1868
Fortuny, Mariano

The sketch, almost schematic character of this composition makes this one of the most attractive bullfighting scenes ever painted by Fortuny. It offers a panoramic view of a bullring -probably in Madr [+]

Idyll
Watercolour, Gouache / tempera on paper. 1868
Fortuny, Mariano
Idyll
Watercolour, Gouache / tempera on paper. 1868
Fortuny, Mariano

This watercolor offers a profile view -similar to a low relief- of a child or young faun sitting on a fragment of an Ionic entablature with egg-and-dart decorations above an astragal. The slender, nud [+]

María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny, Mariano
María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny, Mariano

This watercolour is part of a group of works Fortuny painted shortly before returning to Rome in 1868 using the people around him as models. María Teresa was the only child born of the marriage [+]

Lanscape at Portici
Watercolour, Gouache / tempera on paper. 1874
Fortuny, Mariano
Lanscape at Portici
Watercolour, Gouache / tempera on paper. 1874
Fortuny, Mariano

In the summer of 1874 Fortuny settled in a seaside villa in Portici, near Naples, where he painted several landscapes and seascapes that show his interest in the study of painting from life. This inte [+]

Menippus, detail (copy after Velázquez)
Watercolour, Gouache / tempera on paper. 1866 - 1868
Fortuny, Mariano (Copy After Velázquez, Diego Rodríguez de Silva y)
Menippus, detail (copy after Velázquez)
Watercolour, Gouache / tempera on paper. 1866 - 1868
Fortuny, Mariano (Copy After Velázquez, Diego Rodríguez de Silva y)

Fortuny made an ample number of copies of famous paintings, some as late as the end of the 1860s. They reveal his interest in deepening his knowledge of the painting of the great masters, especially V [+]

A Moroccan
Watercolour on paper. 1869
Fortuny, Mariano
A Moroccan
Watercolour on paper. 1869
Fortuny, Mariano

This work is a typical example of the watercolours Fortuny produced in his Roman studio during winter and early spring afternoons and evenings. In them he painted Arab subjects based on free interpret [+]

Standing male nude facing front, with left hand leaning on a stone block
Conté crayon, White chalk on laid paper. Ca. 1861
Fortuny, Mariano
Standing male nude facing front, with left hand leaning on a stone block
Conté crayon, White chalk on laid paper. Ca. 1861
Fortuny, Mariano

Executed as an exercise in anatomy, this drawing dates from the end of the painter’s formative period in Rome and displays the firm, well-defined strokes of a more mature artist. The light, artificial [+]

A Street in the Albaicín. Granada
Pencil, Pencil, Grey-brown ink, Wash on yellow paper. 1871 - 1872
Fortuny, Mariano
A Street in the Albaicín. Granada
Pencil, Pencil, Grey-brown ink, Wash on yellow paper. 1871 - 1872
Fortuny, Mariano

This drawing shows Fortuny’s fondness for the architecture and winding alleyways of the Albaicín, one of Granada’s landmark districts. The narrowness of the streets provided the painter with an [+]

Sand with Mountain Line. Morocco
Pencil strokes, Watercolour on white paper. Ca. 1860
Fortuny, Mariano
Sand with Mountain Line. Morocco
Pencil strokes, Watercolour on white paper. Ca. 1860
Fortuny, Mariano

The Provincial Council of Barcelona sent Fortuny to Morocco to compile graphic information for subsequent paintings on the most notable achievements in the Spanish-Moroccan War, in which Catalan volun [+]

Perfume Bottle
Brush, Pencil, Black wash on yellow paper. 1870 - 1872
Fortuny, Mariano
Perfume Bottle
Brush, Pencil, Black wash on yellow paper. 1870 - 1872
Fortuny, Mariano

El objeto representado en este dibujo, que en algún momento debió de atraer el interés de Fortuny, ha de valorarse en el contexto de su faceta coleccionista. Aunque no aparezca en la testamentaría ni [+]

Sea with Vesuvius in the Background
Watercolour on white paper. 1874
Fortuny, Mariano
Sea with Vesuvius in the Background
Watercolour on white paper. 1874
Fortuny, Mariano

In the summer of 1874, Fortuny found the Tyrrhenian sea to be a constant stimulus for painting outdoors. The cobalt-blue of the expanse of water is the predominant feature of this seascape, depicted f [+]

Friar begging
Pencil, Watercolour on white paper. 1862 - 1867
Fortuny, Mariano
Friar begging
Pencil, Watercolour on white paper. 1862 - 1867
Fortuny, Mariano

Fortuny was particularly interested in the human types who were part of Rome’s urban landscape. Prominent among them were these Capuchin friars dressed in the characteristic brown tunic and long cloak [+]

The Painter Mariano Fortuny
Bronze. 1874
Gemito, Vicenzo
The Painter Mariano Fortuny
Bronze. 1874
Gemito, Vicenzo

During his stay at Portici, Fortuny became good friends with the Neapolitan sculptor Gemito, who made a terra cotta portrait of him. Taking as a basis this striking, highly lifelike work, the French f [+]

Anchorite
Etching, Aquatint, Burnisher on paper. 1916
Fortuny, Mariano
Anchorite
Etching, Aquatint, Burnisher on paper. 1916
Fortuny, Mariano

Fortuny was exceptionally skilled in printmaking techniques. Following his initial use of lithography in 1857, in the 1860s he produced a remarkable series of etchings that can be considered one of hi [+]

Anchorite. Fourth state
Etching, Aquatint, Burnisher on paper. 1869
Fortuny, Mariano
Anchorite. Fourth state
Etching, Aquatint, Burnisher on paper. 1869
Fortuny, Mariano

Fortuny was exceptionally skilled in printmaking techniques. Following his initial use of lithography in 1857, in the 1860s he produced a remarkable series of etchings that can be considered one of hi [+]

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