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Pietro Maria Rossi, Count of San Secondo
Oil on panel. 1535 - 1538
Parmigianino. Girolamo Francesco Maria Mazzola
Pietro Maria Rossi, Count of San Secondo
Oil on panel. 1535 - 1538
Parmigianino. Girolamo Francesco Maria Mazzola

Educated as a young man in France and Florence, in 1527 Pier Maria Rossi (1504-1547), Seventh Count of San Secondo, was in the service of Clement VII but that same year entered the employment of Charl [+]

Roman Gladiators with Wooden Swords
Oil on canvas. 1635 - 1639
Romanelli, Giovanni Francesco
Roman Gladiators with Wooden Swords
Oil on canvas. 1635 - 1639
Romanelli, Giovanni Francesco

Until 1956, this painting was attributed to Pietro da Cortona, an understandable mistake, given how close Romanelli’s style was to that of his teacher. In fact, it appears as such in Charles II’s will [+]

Noli me tangere
Oil on panel transferred to canvas. Ca. 1525
Correggio (Antonio Allegri)
Noli me tangere
Oil on panel transferred to canvas. Ca. 1525
Correggio (Antonio Allegri)

Antonio Correggio’s stay in Rome between 1518 and 1519 powerfully affected his late work, which reflects that of late Raphael and the Michelangelo of the Sistine Chapel. Without ever abandoning Andrea [+]

An Open Right Hand, Fragment from the Tapestry Cartoon The Continence of Scipio
Oil, Wash on paper. First half of the XVI century
Romano, Giulio (Giovanni Francesco Penni) (Attributed To)
An Open Right Hand, Fragment from the Tapestry Cartoon The Continence of Scipio
Oil, Wash on paper. First half of the XVI century
Romano, Giulio (Giovanni Francesco Penni) (Attributed To)

The hand and forearm correspond, in reverse, to that of the Roman general Scipio Africanus in a composition of the Continence of Scipio, the appearance of which is recorded in an old copy in the Louvr [+]

St. Sebastian
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous
St. Sebastian
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous

The old attribution to Francesco Raibolini, called Francia (c. 1450-1517), is clearly fanciful. The drawing is surely later, possibly from the second half of the sixteenth century, and it is possible [+]

Rock crystal gondola with an enamelled mask on the prow
Gold, Rock crystal / hyaline quartz, Enamel. Ca. 1600
Delabarre, Pierre (Circle Of); Anonymous
Rock crystal gondola with an enamelled mask on the prow
Gold, Rock crystal / hyaline quartz, Enamel. Ca. 1600
Delabarre, Pierre (Circle Of); Anonymous

A vessel made up of three pieces of rock crystal and three enamelled gold mounts. The body is formed by a boat-shaped piece with a figurehead on the prow consisting of a mask with pointed ears and ram [+]

Hunting Vase
Rock crystal / hyaline quartz. 1550 - 1575
Tortorino, Francesco
Hunting Vase
Rock crystal / hyaline quartz. 1550 - 1575
Tortorino, Francesco

A vessel comprising three pieces of rock crystal. The body takes the form of an ancient urn of circular cross-section with two winged female busts, sculpted from the body itself, emerging by way of ha [+]

Vase with scenes from Genesis and Exodus
Gold, Ruby, Rock crystal / hyaline quartz, Enamel. 1550 - 1560
Tortorino, Francesco (Workshop Of); Vangrol, Jean
Vase with scenes from Genesis and Exodus
Gold, Ruby, Rock crystal / hyaline quartz, Enamel. 1550 - 1560
Tortorino, Francesco (Workshop Of); Vangrol, Jean

This vessel in the form of an urn, recently attributed by Arbeteta to Tortorino’s workshop, is a piece of special interest owing to the beauty of its carving and the delicacy of some of its mounts, wh [+]

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