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This painting was purchased by Charles IV for his personal collection, but was later transferred to the royal collections. Its facture and composition are similar to those of the works of French paint [+]
Está retratado hasta las rodillas a sus sesenta y nueve años, sentado en un sillón. Viste traje y corbata negros, chaleco marfil y un bello broche en la pechera de la camisa. En la solapa luce la vene [+]
In the immediate foreground, six dead birds arranged on a table that runs parallel to the picture plane stand out against a dark ground. These are, from right to left, three greenfinches, a goldfinch [+]
This triptych was executed for the church of Saint Gudule in Brussels. According to Carel van Mander (1604) it was subsequently sold "for a very high price to Spain". Philip II sent it to El Escorial [+]
On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]
This work and its companion (P6413) belonged to Jean de Croy, Count of Solre and captain of the Flemish Royal Guard of Archers, of which Van der Hamen was a member. Unframed, the two paintings hung in [+]
The sitter, whose identity is not fully confirmed, is depicted in a fine interior, wearing an elegant frockcoat. He holds a print and a portfolio for prints. These objects, as well as the Greek amphor [+]
This highly original still life presents various oysters in the fore and middle grounds—a relatively infrequent element in Meléndez’s paintings. The foreground is completed by some cloves of ga [+]
In 1865 the Government of Isabel II commissioned Valeriano Domínguez Bécquer to capture the customs and costumes of Spain´s provinces. This work is part of that project whose anthropolog [+]
The panel shows three different scenes: in the distance on the left Salome’s dance, and on the right Salome is giving Herodias the Baptist’s head. In the foreground the beheading has already taken pla [+]
This is one of Meifrén’s views of Paris, where he spent various periods from the late 1870s onwards. It depicts a café on the Place de Clichy near Montmartre. It predates the depictions [+]
Preparatory sketch for a work possibly intended for the private chapel of the Infante Don Antonio Pascual in the Royal Palace of Aranjuez. The composition is very similar to the Last Supper in the Roy [+]
A portrait of Ignacio, the artist´s youngest son and one of his favorite models, shown here at the age of eleven. The profusion of child portraits by Pinazo is based on his capacity to capture the fre [+]
Daughter of Charles III of Spain and Maria Amalia of Saxony, the sitter was born in Naples in 1745. In 1765 she married Leopold of Austria, Grand Duke of Tuscany, and bore sixteen children, including [+]
Mariana of Austria, Queen Consort between 1665 and 1675, talks to the Jesuit priest Nithard, her confessor and confidant, in the presence of her son Charles II, still a minor. The scene takes place in [+]
The Evangelist, identified by the chalice he holds in his hand, protects four female donors dressed in plain devotional habits. In the background, Coecke provides a vision of Hell that reflects the st [+]
On a table partially covered by a green tablecloth, the painter has placed a white cloth, delicate gold-worked jars and glasses that reflect the light, a dish with ham, bread and a large basket of pea [+]
Painted for the base of the main altarpiece of San Esteban in Valencia (P00838, P00839, P00840, P00841 and P00842), Inspired by Leonardo, both in the definition of the space and in the eloquent expres [+]
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