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The Virgin nursing the Child
Mixed method on panel. Ca. 1490
Master Bartolomé
The Virgin nursing the Child
Mixed method on panel. Ca. 1490
Master Bartolomé

This is the only panel signed by this painter, who worked with Fernando Gallego on the former high altar of the cathedral of Ciudad Rodrigo (University of Arizona Museum of Art, Tucson, Arizona). It i [+]

Christ Blessing
Mixed method on panel. 1494 - 1496
Gallego, Fernando
Christ Blessing
Mixed method on panel. 1494 - 1496
Gallego, Fernando

On his throne, wearing a red tunic and holding the globe of the World in his left hand, Christ offers his blessing with his right. He is flanked by figures representing the Church and the Synagogue an [+]

Contemporary Poets. A Reading by Zorilla in the Painter's Studio
Oil on canvas. 1846
Esquivel, Antonio María
Contemporary Poets. A Reading by Zorilla in the Painter's Studio
Oil on canvas. 1846
Esquivel, Antonio María

The most famous of Esquivel´s pieces and a leading work of Spanish Romanticism. Considered the maximum graphical testimony to the intellectual atmosphere during the reign of Isabel II (1830 - 1904), t [+]

Pietà
Mixed method on pine panel. 1465 - 1470
Gallego, Fernando
Pietà
Mixed method on pine panel. 1465 - 1470
Gallego, Fernando

By all indications, this panel at the Museo del Prado with the signature FERNA[N]DO GALLEG[U]S is the earliest surviving work by that painter from Salamanca. While some scholars think he must have mad [+]

The Virgin of the Catholic Monarchs
Mixed method on panel. 1491 - 1493
Master Of The Virgin Of The Catholic Monarchs
The Virgin of the Catholic Monarchs
Mixed method on panel. 1491 - 1493
Master Of The Virgin Of The Catholic Monarchs

The Virgin Mary, with the Christ Child on her lap, is worshiped by the Catholic Kings, Isabel (1451-1504) and Fernando (1452-1516), two of their children, and others. On the right of the composition, [+]

The Crucified Christ
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y
The Crucified Christ
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y

Stylistically, this work appears to have been made in the early 1630s -soon after the artist returned from Italy- and most authors date it from around 1632. The Apollonian perfection of the anatomy an [+]

Vulcan's Forge
Oil on canvas. 1630
Velázquez, Diego Rodríguez de Silva y
Vulcan's Forge
Oil on canvas. 1630
Velázquez, Diego Rodríguez de Silva y

A figure suddenly appears on the left in a forge where various blacksmiths are working, dressed in an orange robe and wearing a laurel wreath, with rays of light emerging from his head. This is Apollo [+]

The Martyrdom of Saint Catherine
Oil on panel. Ca. 1500
Gallego, Fernando (Circle Of)
The Martyrdom of Saint Catherine
Oil on panel. Ca. 1500
Gallego, Fernando (Circle Of)

The panel shows the moment when several angels shatter the spiked wheels on which Catherine of Alexandria was to have been torn into pieces after having rejected the advances of Emperor Maxentius and [+]

Queen Margaret of Austria on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Queen Margaret of Austria on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Regardless of the concrete origin of the equestrian portraits for the Hall of Realms, the location for which each was painted, or their sequence, they clearly present a series of formal and iconograph [+]

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