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María Luisa of Parma, Princess of Asturias
Oil on canvas. Ca. 1765
Mengs, Anton Raphael
María Luisa of Parma, Princess of Asturias
Oil on canvas. Ca. 1765
Mengs, Anton Raphael

Mengs painted these portraits of the heirs to the Spanish throne -the prince and princess of Asturias, Carlos de Borbón and Maria Luisa of Parma- on the occasion of their wedding. As the daught [+]

The Drawing Studio
Oil on canvas. 1780
Castillo, José del
The Drawing Studio
Oil on canvas. 1780
Castillo, José del

A childhood scene located on a terrace beside a garden. Three elegantly clothed boys play with a cat. The academic drawing in the background, along with the portfolio and brush belonging to one of the [+]

Landscape with a Carthusian (Saint Bruno?)
Oil on canvas. 1636 - 1638
Swanevelt, Herman Van
Landscape with a Carthusian (Saint Bruno?)
Oil on canvas. 1636 - 1638
Swanevelt, Herman Van

The painting entered the Museum holdings as an original work by Jan Both. In 1959 Blunt identifies it as the landscape listed in the 1701 inventory of the Palace of the Buen Retiro and maintains the a [+]

The Fountain of the Tritons in the Island Garden, Aranjuez
Oil on canvas. 1657
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
The Fountain of the Tritons in the Island Garden, Aranjuez
Oil on canvas. 1657
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

[+]

Mariano San Juan y Pinedo, Future Count Consort of La Cimera
Oil on canvas. Ca. 1813
Esteve, Agustín
Mariano San Juan y Pinedo, Future Count Consort of La Cimera
Oil on canvas. Ca. 1813
Esteve, Agustín

Born in 1803, the boy wears the cadet’s uniform of the naval college. The whiteness of the suit and the painstaking detail of the embroidery on the jacket and cap afford the portrait its characteristi [+]

Agony in the Garden
Oil on panel. Second half of the XVI - Primer tercio del siglo XVII century
Macip Comes, Vicente Juan; Juanes, Juan de (Vicente Juan Masip)
Agony in the Garden
Oil on panel. Second half of the XVI - Primer tercio del siglo XVII century
Macip Comes, Vicente Juan; Juanes, Juan de (Vicente Juan Masip)

Christ kneels with his arms raised, looking to the heavens where a angel holds attributes of his passion: a chalice and a cross. The sleeping apostles appear in the middle ground, behind Christ to the [+]

Still Life with Fruit and Vegetables
Oil on canvas. 1625
Hamen y León, Juan Van Der
Still Life with Fruit and Vegetables
Oil on canvas. 1625
Hamen y León, Juan Van Der

Juan van der Hamen y León attained notable fame as a painter of still lifes in the court in Madrid. His early death in 1631 explains the concentration of his works from the 1620s, a brief perio [+]

Table of the Seven Deadly Sins
Oil on poplar panel. 1505 - 1510
Bosch, Hieronymus
Table of the Seven Deadly Sins
Oil on poplar panel. 1505 - 1510
Bosch, Hieronymus

Two banderoles, one above and the other below the central circle, contain Latin texts from Deuteronomy (32: 28-29 and 20), warning against the wages of sin. The upper banderole, between the tondos of [+]

The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de
The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de

Documents at Palencia Cathedral cast light on this Crucifixion’s original location -the central row of the main altarpiece at that cathedral- and its author: Juan de Flandes (doc. 1496-1519). They als [+]

Tile Factories on Príncipe Pío Hill
Oil on canvas. Ca. 1872
Haes, Carlos de
Tile Factories on Príncipe Pío Hill
Oil on canvas. Ca. 1872
Haes, Carlos de

The ruins of an old Tile Factory and the adjacent constuction on Príncipe Pío Hill at the Royal Seat of La Florida, Madrid. This enclave was one of the most visited by Haes and his disci [+]

Triptych of the Redemption: Last Judgement
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: Last Judgement
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. When open the triptych [+]

Gathering in a Garden
Oil on canvas. Mid-XVIIIcentury
Flipart, Charles-Joseph
Gathering in a Garden
Oil on canvas. Mid-XVIIIcentury
Flipart, Charles-Joseph

A group of youth play, accompanied by music in a garden setting. Two of them begin to dance, while others form small scenes of gallantry around them. This elegant courtly composition is completed by t [+]

Triptych of the Adoration of the Magi
Grisaille, Oil on oak panel. Ca. 1494
Bosch, Hieronymus
Triptych of the Adoration of the Magi
Grisaille, Oil on oak panel. Ca. 1494
Bosch, Hieronymus

The theme of this triptych is the advent of salvation -a message about the universality of Redemption. The Eucharistic meaning inherent in the theme of Saint Gregory’s Mass is also found in The Adorat [+]

Saint Francis supported by an Angel
Oil on canvas. Ca. 1607
Gentileschi, Orazio
Saint Francis supported by an Angel
Oil on canvas. Ca. 1607
Gentileschi, Orazio

The subject of the angelic consolation of Saint Francis became popular in the second half of the sixteenth century as a result of the Catholic Church´s renewed appreciation of his mystical experiences [+]

Zechariah
Grisaille, Oil on oak panel. Ca. 1510
Provost, Jan
Zechariah
Grisaille, Oil on oak panel. Ca. 1510
Provost, Jan

This is the right wing of the Genealogy of the Virgin altarpiece which the Count of Barajas donated to Philip II, according to the inventory of the Alcazar of Madrid of 1600. On the reverse, Saint Ber [+]

Triptych of the Redemption: Tribute to Caesar
Grisaille, Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: Tribute to Caesar
Grisaille, Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. When open the triptych [+]

Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Of the equestrian portraits painted for the Hall of Realms, this is the only one with a declaration of authorship. The lower left corner has been a customary place throughout the history of painting f [+]

The Agony in the Garden
Oil on pine panel. 1514 - 1519
Flandes, Juan de
The Agony in the Garden
Oil on pine panel. 1514 - 1519
Flandes, Juan de

In keeping with the Gospel according to Saint Luke (22: 39-46), Christ, far from the disciples, kneels down with his hands separated and prays to the Father to take away the cup of suffering he must d [+]

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