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The Descent from the Cross
Oil on canvas. Ca. 1754
Giaquinto, Corrado
The Descent from the Cross
Oil on canvas. Ca. 1754
Giaquinto, Corrado

A group of sorrowful figures is illuminated by the rays of divine light which pierce the darkness that fell with the death of Christ, shown lying in his mother’s lap and anointed by Mary Magdalene. Th [+]

Saint Teresa of Avila in Glory
Oil on canvas. 1760 - 1770
Bayeu, Francisco
Saint Teresa of Avila in Glory
Oil on canvas. 1760 - 1770
Bayeu, Francisco

This is a preparatory sketch for a mural of Saint Teresa on clouds, accompanied by other Carmelite nuns. The saint is received by the Virgin, who points to the Holy Trinity. The composition reflects t [+]

The Trinity
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Trinity
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Supported by an angel and accompanied by a youthful angel holding the crown of thorns, the dead Christ lies on the orb of the world before God the Father and the dove of the Holy Spirit. The expressiv [+]

Allegory of Justice and Peace
Oil on canvas. 1753 - 1754
Giaquinto, Corrado
Allegory of Justice and Peace
Oil on canvas. 1753 - 1754
Giaquinto, Corrado

This allegorical work, signed on the column lying on the ground in the centre of the composition, shows two women in Roman garb sitting on clouds. Representing Justice and Peace, they embrace and seem [+]

Allegory of the Donation of the Casino to Queen Maria Isabel of Braganza by the Municipality of Madrid
Tempera on canvas. 1818
López Portaña, Vicente
Allegory of the Donation of the Casino to Queen Maria Isabel of Braganza by the Municipality of Madrid
Tempera on canvas. 1818
López Portaña, Vicente

An allegorical image that alludes to the City Government of Madrid´s gift of the mansion called the “Queen´s Casino” to Queen Isabel de Braganza on the occasion of her wedding to King Fernando VII (17 [+]

Wisdom
Oil on canvas. 1770
Castillo, José del
Wisdom
Oil on canvas. 1770
Castillo, José del

Paired with P07726, P07727 y P07729. These are sketches for cartoons for tapestries intended to adorn the King’s Antechamber known as the “Pieza de Conversación” in the Royal Palace of Madrid. [+]

The Battle of Clavijo
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Battle of Clavijo
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Mounted on a white steed and flanked by an angel bearing a flag, Saint James gallops over a multitude of fallen Moors and horses. The battle scene occupies a rocky landscape in the middle ground. This [+]

Chastity
Oil on canvas. 1770 - 1771
Castillo, José del
Chastity
Oil on canvas. 1770 - 1771
Castillo, José del

Paired with (P07726, P07727 y P07728). These are sketches for cartoons for tapestries intended to adorn the King’s Antechamber known as the “Pieza de Conversación” in the Royal Palace of Madrid [+]

Saint Anne, the Virgin and the Christ Child
Oil on canvas. 1760 - 1770
Ramírez de Arellano, Juan
Saint Anne, the Virgin and the Christ Child
Oil on canvas. 1760 - 1770
Ramírez de Arellano, Juan

This is a preparatory sketch for a larger canvas in the Museo del Romanticismo (Madrid). It depicts the seated Virgin with the Christ Child between her knees. Behind them, Saint Anne looks up to heave [+]

The Painter Antonio González Velázquez
Oil on canvas. 1785 - 1788
González Velázquez, Zacarías
The Painter Antonio González Velázquez
Oil on canvas. 1785 - 1788
González Velázquez, Zacarías

Son of the sculptor Pablo González Velázquez, a number of Antonio’s children also became artists. He trained in Rome with Corrado Giaquinto (1703-1766), achieving a notable command of fr [+]

The Meadow of San Isidro
Oil on canvas. 1785
Castillo, José del
The Meadow of San Isidro
Oil on canvas. 1785
Castillo, José del

This work is a preparatory sketch for a tapestry of extraordinary dimensions -nearly eight metres in length and over three metres tall- intended for the bedchamber of the Prince and Princess of Asturi [+]

Christ before Pilate
Oil on canvas. Ca. 1754
Giaquinto, Corrado
Christ before Pilate
Oil on canvas. Ca. 1754
Giaquinto, Corrado

Shortly after his arrival in Spain in 1753, Giaquinto embarked on a series of eight canvases on scenes from the Passion for the King’s Oratory in the Buen Retiro Palace in Madrid. The series also incl [+]

The Sacrifice of Iphigenia
Oil on canvas. 1759 - 1760
Giaquinto, Corrado
The Sacrifice of Iphigenia
Oil on canvas. 1759 - 1760
Giaquinto, Corrado

This is a preliminary study for a scene from the Trojan War, painted for an unknown decorative scheme in the Royal Palace or another royal residence in Madrid. Agamemnon is about to sacrifice his daug [+]

The Glory of Saints
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Glory of Saints
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Standing on clouds at the center of the composition, Moses points toward the sunbeams shining down from the sky. Beneath him, Abraham and Isaac are accompanied by the sacrificial lamb. To the left of [+]

The Brazen Serpent
Oil on canvas. 1743 - 1744
Giaquinto, Corrado
The Brazen Serpent
Oil on canvas. 1743 - 1744
Giaquinto, Corrado

Moses Striking Water from the Rock and The Bronze Serpent are related to frescos on the same subjects in the apse of the basilica of Santa Croce in Gerusalemme in Rome. Those decorations commissioned [+]

The Attributes of the Virgin
Oil on canvas. Ca. 1778
Bayeu, Francisco
The Attributes of the Virgin
Oil on canvas. Ca. 1778
Bayeu, Francisco

These are sketches for the frescoes adorning the main altar of the chapel in the Palace of Aranjuez. The brilliant, highly detailed technique reveals the lingering influence of the Italian, Corrado Gi [+]

The Birth of the Sun and the Triumph of Bacchus
Oil on canvas. 1761
Giaquinto, Corrado
The Birth of the Sun and the Triumph of Bacchus
Oil on canvas. 1761
Giaquinto, Corrado

This is a sketch of the fresco that Corrado Giaquinto painted in the former stairway at the Madrid’s Royal Palace, which is now the Hall of Columns. That fresco, his last work at the Royal Palace, is [+]

Paradise
Oil on canvas. 1754 - 1757
Giaquinto, Corrado
Paradise
Oil on canvas. 1754 - 1757
Giaquinto, Corrado

Corrado Giaquinto had frequent contacts with Spain as of 1735 or earlier. But the death of Jacopo Amigoni in 1752 led to his being summoned to Madrid the next year. During his stay in the Spanish Cour [+]

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