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Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz
Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz

In addition to the Roemer goblet, other glasses common in this kind of monochrome still life presented here include the Berkemeyer, in this case tipped over and broken, and the delicate Façon-d [+]

Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. The triptych belonged t [+]

The Dance. Folk Traditions from the Province of Soria
Oil on canvas. 1866
Domínguez Bécquer, Valeriano
The Dance. Folk Traditions from the Province of Soria
Oil on canvas. 1866
Domínguez Bécquer, Valeriano

In 1865 the Government of Isabel II commissioned Valeriano Domínguez Bécquer to capture the customs and costumes of Spain´s provinces. This work is part of that project whose anthropolog [+]

The Beheading of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores
The Beheading of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores

The panel shows three different scenes: in the distance on the left Salome’s dance, and on the right Salome is giving Herodias the Baptist’s head. In the foreground the beheading has already taken pla [+]

Table
Oil on canvas. 1636 - 1650
Benedetti, Andries
Table
Oil on canvas. 1636 - 1650
Benedetti, Andries

On a table partially covered by a green tablecloth, the painter has placed a white cloth, delicate gold-worked jars and glasses that reflect the light, a dish with ham, bread and a large basket of pea [+]

Cats fighting in a Larder
Oil on canvas. 1630 - 1640
Vos, Paul de
Cats fighting in a Larder
Oil on canvas. 1630 - 1640
Vos, Paul de

With the owners or house servants away, the animals sneak into the larder, giving free rein to their instincts. This leads to a fight. Scenes of animal fights in domestic settings were customary in mi [+]

The Calling of Saint Matthew
Oil on canvas. 1661
Pareja, Juan de
The Calling of Saint Matthew
Oil on canvas. 1661
Pareja, Juan de

Christ appears in the tax collector’s office and calls on Matthew to follow him. Matthew, depicted raising his right hand to his breast and with a star above his head, would become one of Christ’s mos [+]

Still Life with Watermelon, Pastries, Bread and Wine
Oil on canvas. 1770
Meléndez, Luis Egidio
Still Life with Watermelon, Pastries, Bread and Wine
Oil on canvas. 1770
Meléndez, Luis Egidio

Luis Meléndez distinguished himself as the greatest bodegón, or still-life, painter in late eighteenth-century Spain. By this time, the popularity of the genre had declined in Spain and [+]

Vase of Flowers
Oil on canvas. 1650 - 1700
Arellano, Juan de
Vase of Flowers
Oil on canvas. 1650 - 1700
Arellano, Juan de

In each of these paintings (P596, P597), the central motif around which the entire composition is organised is a glass flower vase, the base of which rests on a stone surface. The flask-shaped vessel [+]

The Worship of Venus
Oil on canvas. 1518 - 1519
Titian (Tiziano Vecellio)
The Worship of Venus
Oil on canvas. 1518 - 1519
Titian (Tiziano Vecellio)

Titian´s first contribution to the Camerino d´Alabastro was prompted by the death in October 1587 of Fra Bartolommeo from whom Alfonso d´Este had commissioned a Worship of Venus one year previously an [+]

Still Life with a silver tazza, a roemer and oysters
Oil on panel. 1632
Heda, Willem Claesz
Still Life with a silver tazza, a roemer and oysters
Oil on panel. 1632
Heda, Willem Claesz

The painting belongs to the type of still life designated by Vroom as monochrome banketjes, pieces first executed by Heda towards the end of the 1620s that became very popular in the Netherlands and a [+]

The Adoration of the Magi
Oil on panel. 1565 - 1570
Morales, Luis de
The Adoration of the Magi
Oil on panel. 1565 - 1570
Morales, Luis de

It is extremely likely that these two panels, -The Adoration of the Magi and The Adoration of the Shepherds-, similar in format, measurements and style, belonged to the predella of the same altarpiece [+]

Miracle of Saint Anthony of Padua
Oil on panel. Ca. 1500
Anonymous
Miracle of Saint Anthony of Padua
Oil on panel. Ca. 1500
Anonymous

This panel depicts a miracle of Saint Anthony: the conversion of a heretic when he realised that a hungry mule refrained from eating a basket of barley with a consecrated Host on it. Sculpture is used [+]

The Adoration of the Magi
Oil on canvas. 1631
Núñez del Valle, Pedro
The Adoration of the Magi
Oil on canvas. 1631
Núñez del Valle, Pedro

Within Núñez del Valle’s relatively small surviving output, this composition, which is one of his most typical and best known, reveals both his affinities with Caravaggio’s tenebrist sty [+]

Atropos or The Fates
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Atropos or The Fates
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

The Death of the Virgin
Oil on panel. Ca. 1470
Master Of Sopetrán
The Death of the Virgin
Oil on panel. Ca. 1470
Master Of Sopetrán

Of the four paintings commissioned by the Duke of Infantado, The Nativity is the one that is least influenced by Netherlandish models, particularly the structure of the architecture. In The Death of t [+]

The Annunciation
Oil on panel. Ca. 1470
Master Of Sopetrán
The Annunciation
Oil on panel. Ca. 1470
Master Of Sopetrán

The painter, linked to the Mendoza family, patrons of this work, was familiar with Netherlandish painting as shown in the Annunciation, similar to Van der Weyden. The kneeling donor is thought to be t [+]

Diego Hurtado de Mendoza y Figueroa, 1st Duke of Infantado
Oil on panel. Ca. 1470
Master Of Sopetrán
Diego Hurtado de Mendoza y Figueroa, 1st Duke of Infantado
Oil on panel. Ca. 1470
Master Of Sopetrán

The painter, linked to the Mendoza family, patrons of this work, was familiar with Netherlandish painting as shown in the Annunciation, similar to Van der Weyden. The kneeling donor is thought to be t [+]

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