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In addition to the Roemer goblet, other glasses common in this kind of monochrome still life presented here include the Berkemeyer, in this case tipped over and broken, and the delicate Façon-d [+]
This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. The triptych belonged t [+]
In 1865 the Government of Isabel II commissioned Valeriano Domínguez Bécquer to capture the customs and costumes of Spain´s provinces. This work is part of that project whose anthropolog [+]
The panel shows three different scenes: in the distance on the left Salome’s dance, and on the right Salome is giving Herodias the Baptist’s head. In the foreground the beheading has already taken pla [+]
On a table partially covered by a green tablecloth, the painter has placed a white cloth, delicate gold-worked jars and glasses that reflect the light, a dish with ham, bread and a large basket of pea [+]
With the owners or house servants away, the animals sneak into the larder, giving free rein to their instincts. This leads to a fight. Scenes of animal fights in domestic settings were customary in mi [+]
Christ appears in the tax collector’s office and calls on Matthew to follow him. Matthew, depicted raising his right hand to his breast and with a star above his head, would become one of Christ’s mos [+]
Luis Meléndez distinguished himself as the greatest bodegón, or still-life, painter in late eighteenth-century Spain. By this time, the popularity of the genre had declined in Spain and [+]
In each of these paintings (P596, P597), the central motif around which the entire composition is organised is a glass flower vase, the base of which rests on a stone surface. The flask-shaped vessel [+]
Titian´s first contribution to the Camerino d´Alabastro was prompted by the death in October 1587 of Fra Bartolommeo from whom Alfonso d´Este had commissioned a Worship of Venus one year previously an [+]
The painting belongs to the type of still life designated by Vroom as monochrome banketjes, pieces first executed by Heda towards the end of the 1620s that became very popular in the Netherlands and a [+]
It is extremely likely that these two panels, -The Adoration of the Magi and The Adoration of the Shepherds-, similar in format, measurements and style, belonged to the predella of the same altarpiece [+]
This panel depicts a miracle of Saint Anthony: the conversion of a heretic when he realised that a hungry mule refrained from eating a basket of barley with a consecrated Host on it. Sculpture is used [+]
Within Núñez del Valle’s relatively small surviving output, this composition, which is one of his most typical and best known, reveals both his affinities with Caravaggio’s tenebrist sty [+]
The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]
Of the four paintings commissioned by the Duke of Infantado, The Nativity is the one that is least influenced by Netherlandish models, particularly the structure of the architecture. In The Death of t [+]
The painter, linked to the Mendoza family, patrons of this work, was familiar with Netherlandish painting as shown in the Annunciation, similar to Van der Weyden. The kneeling donor is thought to be t [+]
The painter, linked to the Mendoza family, patrons of this work, was familiar with Netherlandish painting as shown in the Annunciation, similar to Van der Weyden. The kneeling donor is thought to be t [+]
