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Portrait of a Gentleman
Albumen, Gouache / tempera, Photomechanical reproduction on photographic paper. Second half of the XIX century
Anonymous
Portrait of a Gentleman
Albumen, Gouache / tempera, Photomechanical reproduction on photographic paper. Second half of the XIX century
Anonymous

Esta fotografía se había identificado erróneamente como un autorretrato del pintor Carlos Luis de Ribera (1815-1891) a la acuarela y como tal fue publicado en 1983. Previamente, la obra había formado [+]

Prayer in the Garden
Gouache / tempera on paper. Late XVI - Primer tercio del siglo XVII century
Tintoretto, Domenico
Prayer in the Garden
Gouache / tempera on paper. Late XVI - Primer tercio del siglo XVII century
Tintoretto, Domenico

As Anna Forlani has observed in a note on the museum mount (1980), this drawing is a typical work of the son of Jacopo Tintoretto (1519-1594), Domenico, who was taught by his father and assited him in [+]

The Beach at Chipiona
Gouache / tempera on paper. 1899
Jiménez Aranda, José
The Beach at Chipiona
Gouache / tempera on paper. 1899
Jiménez Aranda, José

A view of Las Canteras Beach in Chipiona with the city’s bell tower in the background, the pebble beach in the foreground and figures walking by the ocean. This work belongs to a series that Jim&eacut [+]

The Holy Family of the Oak Tree
Gouache / tempera on wove paper. 1821
Eusebi, Luis
The Holy Family of the Oak Tree
Gouache / tempera on wove paper. 1821
Eusebi, Luis

This is one of the first copies made after the Museum opened in 1819 and reveals the popularity of the original Italian painting among artists at that time. Of extremely high quality, it furthers our [+]

Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]

The Last Supper
Gouache / tempera on parchment. Ca. 1500
Alexandre, Ruperto (Attributed To)
The Last Supper
Gouache / tempera on parchment. Ca. 1500
Alexandre, Ruperto (Attributed To)

La miniatura principal representa una Última Cena, en una escena de considerables dimensiones para la miniatura española del período (116 x 148 mm). Sigue la iconografía habitual, dentro de un esquema [+]

Idyll
Watercolour, Gouache / tempera on paper. 1868
Fortuny, Mariano
Idyll
Watercolour, Gouache / tempera on paper. 1868
Fortuny, Mariano

This watercolor offers a profile view -similar to a low relief- of a child or young faun sitting on a fragment of an Ionic entablature with egg-and-dart decorations above an astragal. The slender, nud [+]

Old Tree Trunk
Gouache / tempera on paper. 1886
Jiménez Aranda, José
Old Tree Trunk
Gouache / tempera on paper. 1886
Jiménez Aranda, José

An old tree trunk attracted Jiménez Aranda’s attention during his walks in the outskirts of Paris, and he devoted this painting from life to it, in which he represents in extraordinary detail its roug [+]

View of Venetian Lagoon with boats
Black chalk, Pencil, Gouache / tempera on dark yellow paper. Early XIX century
Bison, Giuseppe Bernardino
View of Venetian Lagoon with boats
Black chalk, Pencil, Gouache / tempera on dark yellow paper. Early XIX century
Bison, Giuseppe Bernardino

En el primer término varios barcos y góndolas, y al fondo, muy ligeramente apuntada, la isla de San Giorgio con la silueta de la iglesia de Palladio. Es dibujo, que ya a principios del siglo XIX, sigu [+]

Lanscape at Portici
Watercolour, Gouache / tempera on paper. 1874
Fortuny, Mariano
Lanscape at Portici
Watercolour, Gouache / tempera on paper. 1874
Fortuny, Mariano

In the summer of 1874 Fortuny settled in a seaside villa in Portici, near Naples, where he painted several landscapes and seascapes that show his interest in the study of painting from life. This inte [+]

Menippus, detail (copy after Velázquez)
Watercolour, Gouache / tempera on paper. 1866 - 1868
Fortuny, Mariano
Menippus, detail (copy after Velázquez)
Watercolour, Gouache / tempera on paper. 1866 - 1868
Fortuny, Mariano

Fortuny made an ample number of copies of famous paintings, some as late as the end of the 1860s. They reveal his interest in deepening his knowledge of the painting of the great masters, especially V [+]

Landscape
Gouache / tempera on paper. XVII century
Uden, Lucas Van
Landscape
Gouache / tempera on paper. XVII century
Uden, Lucas Van

[+]

Self-portrait
Ca. 1770
Paret y Alcázar, Luis
Self-portrait
Ca. 1770
Paret y Alcázar, Luis

The features of the model in Paret’s only known miniature recall those seen in other self-portraits by the artist. The style and form of the wig and the youthful face indicate a period around 1770. No [+]

Kindness
Ivory. 1806
Valencia y Codallos, Marcela de
Kindness
Ivory. 1806
Valencia y Codallos, Marcela de

La autora, Condesa de Casa Valencia, hija de Francisco de Valencia y Sáenz del Pontón, conde de Casa Valencia y de María Josefa Codallos, cultivó la miniatura de la misma forma que algunas otras damas [+]

Female Portrait
1804
Ducker, Guillermo
Female Portrait
1804
Ducker, Guillermo

Busto prolongado, con el cuerpo hacia la izquierda y la cabeza de frente, vuelta hacia la derecha, mirando al espectador. Tiene el cabello castaño con ricitos en la frente y pañuelo blanco colocado en [+]

Female Portrait
1771
Lefévre D'orgeval, André Claude Martin
Female Portrait
1771
Lefévre D'orgeval, André Claude Martin

La dama retratada aparece como Pomona, diosa de la fruta, de los árboles frutales, los jardines y huertos de la mitología romana que también se asocia a la alegoría de la Abundancia. Esta iconografía, [+]

Female Portrait
Ca. 1810
Anonymous
Female Portrait
Ca. 1810
Anonymous

Retrato de señora con vestido blanco, línea imperio, con cinta de raso y lazo, cadena con medalla. [+]

Female Portrait
Ca. 1850
Anonymous
Female Portrait
Ca. 1850
Anonymous

La composición está inspirada en el retrato al óleo y fotográfico del momento. La gama de color y su aplicación recuerdan la de las miniaturas de Ángel María Sastre, activo durante el segundo tercio d [+]

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