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Portrait of Queen María Luisa
Oil on unlined canvas. 1790
Goya y Lucientes, Francisco de (Copy)
Portrait of Queen María Luisa
Oil on unlined canvas. 1790
Goya y Lucientes, Francisco de (Copy)

Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was re [+]

Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)
Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)

Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was re [+]

Portrait of King Charles IV as Prince of Asturias
Oil on canvas. Ca. 1765
Mengs, Anton Raphael (Replica)
Portrait of King Charles IV as Prince of Asturias
Oil on canvas. Ca. 1765
Mengs, Anton Raphael (Replica)

Mengs had a profound influence on the younger generation of Spanish painters, notably on the Bayeus, Maella, Inza, Goya and Vicente López Portaña. His Neoclassical style was diametricall [+]

Handcuffed by the roadside
Pencil on laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Handcuffed by the roadside
Pencil on laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Here, Goya used a black crayon containing grease, thus providing greater plasticity. He began by gently sketching the background, and then added layers, as he did in paintings. Applying only the sligh [+]

Monks in procession
Pencil on laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Monks in procession
Pencil on laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Processions are a frequent element in Goya´s last works, and are always depicted with a noticeably dark tone, such as I the The San Isidro Pilgrimage, one of his Black Paintings. Here the monks hide t [+]

Time Devouring Men
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de
Time Devouring Men
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de

Red chalk over a preliminary outline drawing in black chalk, on laid paper. The figure in this drawing has traditionally been identified as the god Saturn -in Greek mythology, Kronos, or Time-who devo [+]

Still life with Game: a hare and birds
Oil on canvas. 1786 - 1787
Nani, Mariano
Still life with Game: a hare and birds
Oil on canvas. 1786 - 1787
Nani, Mariano

According to Nani himself, this still life depicts: a “rest during the hunt with a hat on the ground” and the hunter’s bagged game. The dead animals are shown in different states: the hare still bleed [+]

Still life with Game: partridge, duck and other birds
Oil on canvas. 1786 - 1787
Nani, Mariano
Still life with Game: partridge, duck and other birds
Oil on canvas. 1786 - 1787
Nani, Mariano

Nani depicts a partridge and a female duck tied to a tree, a thrush and two quails, one of them already plucked and skinned in preparation for cooking. While the birds’ different states refer to vario [+]

Against the Common Weal
Etching, Burnisher on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de
Against the Common Weal
Etching, Burnisher on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de

The interpretation of the Emphatic Caprices focuses on different aspects of the repression and the return to absolutism that followed King Ferdinand VII’s return to Spain. These are clearly set out in [+]

María Teresa Moret
Oil on canvas. 1901
Sorolla y Bastida, Joaquín
María Teresa Moret
Oil on canvas. 1901
Sorolla y Bastida, Joaquín

Representative of Sorolla’s fully mature period, this work is also one of the finest female portraits he ever executed. The artist knew the sitter very well, as she was the wife of one of his closest [+]

Kitchen Still Life
Oil on canvas. Ca. 1664
Cerezo, Mateo
Kitchen Still Life
Oil on canvas. Ca. 1664
Cerezo, Mateo

A profusion of cooking utensils and hearty meats -game birds fresh from the hunt and not yet dressed, a recently-killed lamb, a calf’s head, and other cuts- are laid out on a work surface, as if the p [+]

The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de
The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de

An image of a young milkmaid with an apron, a shawl on her shoulders and a scarf holding back her hair. There is a milk jug behind her, to the left. The bottom-to-top perspective seems intended to giv [+]

Judith at the Banquet of Holofernes
Oil on canvas. 1634
Rembrandt (Rembrandt Harmensz. Van Rijn)
Judith at the Banquet of Holofernes
Oil on canvas. 1634
Rembrandt (Rembrandt Harmensz. Van Rijn)

In the past various authors have expressed their scepticism about the attribution of the painting to Rembrandt. However, the Rembrandt Research Project includes it in the Corpus of 1986 as an original [+]

Francisco Pacheco
Oil on canvas. Ca. 1620
Velázquez, Diego Rodríguez de Silva y
Francisco Pacheco
Oil on canvas. Ca. 1620
Velázquez, Diego Rodríguez de Silva y

The second half of the 16th century and the first decades of the 17th saw the rise in Spain of male bust portraits in which the model normally appears against a neutral background with no elements to [+]

Still Life with Watermelon, Pastries, Bread and Wine
Oil on canvas. 1770
Meléndez, Luis Egidio
Still Life with Watermelon, Pastries, Bread and Wine
Oil on canvas. 1770
Meléndez, Luis Egidio

Luis Meléndez distinguished himself as the greatest bodegón, or still-life, painter in late eighteenth-century Spain. By this time, the popularity of the genre had declined in Spain and [+]

The Pottery Vendor
Oil on canvas. 1778 - 1779
Goya y Lucientes, Francisco de
The Pottery Vendor
Oil on canvas. 1778 - 1779
Goya y Lucientes, Francisco de

This canvas belongs to the series of 20 cartoons for tapestries commissioned from Goya by Anton Raphael Mengs in October 1777. They depict scenes from contemporary life and were designed for the bedch [+]

The Drowning Dog
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
The Drowning Dog
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Reading
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Reading
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

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