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Portrait of Queen María Luisa
Oil on unlined canvas. 1790
Goya y Lucientes, Francisco de (Copy)
Portrait of Queen María Luisa
Oil on unlined canvas. 1790
Goya y Lucientes, Francisco de (Copy)

Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was re [+]

Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)
Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)

Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was re [+]

Handcuffed by the roadside
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Handcuffed by the roadside
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Here, Goya used a black crayon containing grease, thus providing greater plasticity. He began by gently sketching the background, and then added layers, as he did in paintings. Applying only the sligh [+]

Monks in procession
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Monks in procession
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Processions are a frequent element in Goya´s last works, and are always depicted with a noticeably dark tone, such as I the The San Isidro Pilgrimage, one of his Black Paintings. Here the monks hide t [+]

Against the Common Weal
Etching, Burnisher on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de
Against the Common Weal
Etching, Burnisher on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de

The interpretation of the Emphatic Caprices focuses on different aspects of the repression and the return to absolutism that followed King Ferdinand VII’s return to Spain. These are clearly set out in [+]

The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de
The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de

An image of a young milkmaid with an apron, a shawl on her shoulders and a scarf holding back her hair. There is a milk jug behind her, to the left. The bottom-to-top perspective seems intended to giv [+]

The Pottery Vendor
Oil on canvas. 1778 - 1779
Goya y Lucientes, Francisco de
The Pottery Vendor
Oil on canvas. 1778 - 1779
Goya y Lucientes, Francisco de

This canvas belongs to the series of 20 cartoons for tapestries commissioned from Goya by Anton Raphael Mengs in October 1777. They depict scenes from contemporary life and were designed for the bedch [+]

The Drowning Dog
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
The Drowning Dog
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Reading
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Reading
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Two Women and a Man
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Two Women and a Man
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Judith and Holofernes
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Judith and Holofernes
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Saturn
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Saturn
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Two Old Men eating
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Two Old Men eating
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks [+]

Witches' Sabbath, or the Great He-Goat
Oil on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Witches' Sabbath, or the Great He-Goat
Oil on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

The Pilgrimage to San Isidro
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
The Pilgrimage to San Isidro
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Two Old Men
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Two Old Men
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Duel with Cudgels, or Fight to the Death with Clubs
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Duel with Cudgels, or Fight to the Death with Clubs
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Atropos or The Fates
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Atropos or The Fates
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

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