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The Inquisition
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
The Inquisition
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Boys picking Fruit
Oil on canvas. 1778
Goya y Lucientes, Francisco de
Boys picking Fruit
Oil on canvas. 1778
Goya y Lucientes, Francisco de

A boy steps on another's back as he attempts to climb a tree and pick its fruit, while two others watch expectantly, hoping to receive some. This is one of Goya's cartoons for the tapestries intended [+]

Christ Crucified
Oil on canvas. 1780
Goya y Lucientes, Francisco de
Christ Crucified
Oil on canvas. 1780
Goya y Lucientes, Francisco de

The figure of Christ is depicted following the tradition of seventeenth-century Spanish religious painting, although the classical concept of beauty disseminated in Spain by Mengs and Bayeu is also ev [+]

Witches' Sabbath, or the Great He-Goat
Oil on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Witches' Sabbath, or the Great He-Goat
Oil on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

The Game of Horse and Rider
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de
The Game of Horse and Rider
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de

Five boys play at riding on each other´s shoulders in the game called “Chicken Fights” or “Horse and Rider” in a setting of hills and woods. This work is one of the cartoons for a series of gay, [+]

Asmodea
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Asmodea
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Reading
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Reading
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Saturn
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Saturn
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Self-Portrait
Oil on canvas. 1884
Domingo Marqués, Francisco
Self-Portrait
Oil on canvas. 1884
Domingo Marqués, Francisco

From an early age, Domingo displayed considerable skill as a portraitist. In this self-portrait, he is seated in profile, standing out against a dark background. In contrast to the intimate, introspec [+]

Ferdinand VII in Court Dress
Oil on canvas. 1814 - 1815
Goya y Lucientes, Francisco de
Ferdinand VII in Court Dress
Oil on canvas. 1814 - 1815
Goya y Lucientes, Francisco de

Born in 1784 in El Escorial, Fernando VII was Carlos IV eldest son by Maria Luisa. In 1815, after abolishing the Constitution, he reined as an absolute monarch. He appears wearing the symbols of his r [+]

Manuela Goicoechea y Galarza
Oil on copperplate. 1805
Goya y Lucientes, Francisco de
Manuela Goicoechea y Galarza
Oil on copperplate. 1805
Goya y Lucientes, Francisco de

This portrait belongs to a series of seven miniatures painted on copper. Unique within Goya’s oeuvre, they depict his son Javier and his relatives by marriage on the occasion of Javier’s marriage to G [+]

Queen María Luisa in a Dress with hooped Skirt
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de
Queen María Luisa in a Dress with hooped Skirt
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de

A full-length portrait of Queen María Luis de Parma (1751-1819), wife of King Carlos IV (1748-1819), wearing a large feathered hat and French lace, with a seventeenth-century style bustle and t [+]

Hunting Party
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Hunting Party
Oil on canvas. 1775
Goya y Lucientes, Francisco de

Goya uses a single work to present two types of hunting —on foot and on horseback— and various types of individuals. In the foreground, one hunter shoots quail while another follows his dog, which sme [+]

The Colossus
Oil on canvas. 1818 - 1825
Goya y Lucientes, Francisco de
The Colossus
Oil on canvas. 1818 - 1825
Goya y Lucientes, Francisco de

Attributed to Goya until 2008, new art historical and technical studies led to a reconsideration of the painting’s attribution, particularly following the tentative reading of the marks in the lower l [+]

The Picnic
Oil on canvas. 1776
Goya y Lucientes, Francisco de
The Picnic
Oil on canvas. 1776
Goya y Lucientes, Francisco de

This tapestry cartoon represents a popular scene of Majos and Majas on the banks of Madrid´s Manzanares River. The Hermitage of the Virgin of the Port is just visible behind a group of trees on [+]

The Grape Harvest or Autumn
Oil on canvas. 1786
Goya y Lucientes, Francisco de
The Grape Harvest or Autumn
Oil on canvas. 1786
Goya y Lucientes, Francisco de

Dressed in yellow clothes that symbolize autumn, a young man sitting on a stone offers a cluster of black grapes to a lady. A boy is eager to reach the offered fruit, which is reserved for the adults. [+]

The Holy Family
Oil on canvas. Ca. 1787
Goya y Lucientes, Francisco de
The Holy Family
Oil on canvas. Ca. 1787
Goya y Lucientes, Francisco de

Goya expresses the greater importance of this composition through the larger size of the figures, compared to its companion work, Tobias and the Angel (P07856). The wood shavings on the floor indicate [+]

Commerce
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de
Commerce
Tempera on canvas. 1804 - 1806
Goya y Lucientes, Francisco de

Two Eastern merchants go over their accounts, leaning over a table illuminated by light flooding through a window on the left of the composition. Under their plank table are two full sacks. Two women [+]

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