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Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous
Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous

This is a good facsimile copy of a drawing formerly in the collection of Prof. Van Regteren Altena, Amsterdam. Another copy of the Amsterdam drawing is in the British Royal Collection, Windsor Castle.The Prado copy has a distinct flavor of Agostino Carracci about it, and the copyist could have been from within the Carracci circle.

The Virgin and Child
Black chalk on green paper. XVII century
Anonymous
The Virgin and Child
Black chalk on green paper. XVII century
Anonymous

Dibujo en el que se representa a la Virgen que sostiene al Niño en los brazos e inclina sobre el la cabeza, cubierta con un tocado oriental.En el reverso del dibujo hay otra composición de la Sagrada Familia con San Juanito y ángeles y una figura masculina arrodillada ante ellos con una corona a los pies, tal vez un Rey. La obra está en estrecha relación con el estilo de Giulio Cesare Procaccini

Noah and the animals entering the ark
Pencil, Grey-brown wash, White lead on green paper. XVIII century
Anonymous
Noah and the animals entering the ark
Pencil, Grey-brown wash, White lead on green paper. XVIII century
Anonymous

On the right, the Ark. On the left, Noah and his sons lead the animal pairs, which occupy most of the composition, towards her. Copy of an original drawing by the 17th century Genoese artist Giovanni Benedetto Castiglione, of which several versions are known.

The deposition of Christ
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The deposition of Christ
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

The sheet is pasted down onto an early nineteenth-century French mount, with the border colored in light green and pink. A number of drawings of this composition, or close variants, are known. This is a particularly feeble example by a member or Cambiaso´s later following.

Life study
Red chalk, White chalk on green paper. First half of the XVIII century
Anonymous
Life study
Red chalk, White chalk on green paper. First half of the XVIII century
Anonymous

El modelo, tendido boca abajo y visto de escorzo. Tal vez romano o boloñés de la primera mitad del siglo XVIII. En el reverso, Neptuno con una figura femenina que le lleva el tridente. (Texto extractado de Mena Marqués, M.: Catálogo de dibujos. VII. Dibujos italianos del siglo XVIII y del siglo XIX, Museo del Prado, 1990, p. 197).

Pocket tool case
Copper alloy. Third quarter of the XVIII century
Anonymous
Pocket tool case
Copper alloy. Third quarter of the XVIII century
Anonymous

This sort of English painted enamel object was first made around 1725, but little is known of the early production, in part because this was a very modest craft. It reached its zenith between 1753 and 1756, when such pieces were manufactured by a London firm in Battersea that even employed decorative artists from the nearby Chelsea porcelain factory. This firm declared bankruptcy in 1756 and its m

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