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Formerly classified as anonymous Italian. The style brings to mind some aspects of Bellini´s pen-and-wash drawings, especially the large, almost grotesque hands with stubby fingers-with only three on [+]
This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]
The traditional attribution to Castello, which appears in an old inscription on the reverse of the mount, needs to be taken seriously. Not only is the pen work reminiscent of Castello´s handling of th [+]
Farinati was one of the most prolific draftsmen active in Verona in the second half of the sixteenth century. His pictorial approach to drawing -many of his studies are carried out largely with the br [+]
Traditionally attributed to Nicolò dell´Abate (c. 1512-1571). In the elegantly classical arrangement of the composition, the drawing shows knowledge of the work of Giuseppe Porta, called Salvia [+]
The old attribution CORREGIO, in which both Brun (?) and Fernández Durán may have believed, is not correct. The drawing displays some stylistic traits associable with Bernardino India, t [+]
As J.A. Gere pointed out in 1981 (pencil note on the modern museum mount), the composition is taken from Polidoro´s facade decoration of the Palazzo Milesi, Rome. Judging from the style, the cop [+]
This is an entirely characteristic work of Giovanni de´ Vecchi. The two imprese, in the panel´s lower center, which might otherwise provide evidence as to the church decoration here designed, are alas [+]
When the Virgin Mary was three years old her parents, Anna and Joachim, led her to the Temple of Jerusalem. There the young Virgin, without the assistance of her parents, climbed the staircase leading [+]
In spite of the traditional attribution to Lorenzo Sabbatini (ca. 1530-1576), this drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]
Florian Harb (2004), was the first to make the convincing suggestion, on stylistic grounds, that this drawing could be by Poccetti. [+]
This adn the following eight drawings appear to be by the same mediocre hand, by whom there are several other drawings in the Prado scattered throughout the collection under a number of different attr [+]
It looks like an artist from central Italy between the mid to late 16th century. [+]
Since this drawing was believed in the past to be a work of Michelangelo (1475-1564), it was clearly much revered by at least two of its previous owners, Céan Bermudez adn Brun (?), in spite of [+]
Allegorical Female from a Fresco in the Sala Constantino in the Vatican. [+]
This is a sixteenth-century copy after Parmigianino’s fresco of Moses in the Steccata at Parma [+]
The composition shows the following episodes from the first floor of the painted frieze on the facade of the Palazzo Ricci, Rome: Mucius Scaevola crossing the Tiber to take the Etruscan camp of King L [+]
This drawing may possibly be by Cambiaso himself, though stains and other damages to the sheet impair assessment of its quality. A studio version of the composition, in reverse and in pen and brown in [+]
