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And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous
And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso
The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso

La Virgen se encuentra sentada sobre unas nubes, en la parte superior derecha, y el Niño se aleja de su madre para dirigirse hacia San Félix, cuyos brazos abiertos esperan al pequeño que ha sido confi [+]

Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1807, Standing warrior, resting his foot on the head of a dragon, are companions and have remained together from at least as long ago as the late eighteenth century, when they we [+]

The presentation of the Virgin at the Temple
Black chalk, Ink, Grey-brown wash on laid paper. Ca. 1697
Giordano, Luca
The presentation of the Virgin at the Temple
Black chalk, Ink, Grey-brown wash on laid paper. Ca. 1697
Giordano, Luca

When the Virgin Mary was three years old her parents, Anna and Joachim, led her to the Temple of Jerusalem. There the young Virgin, without the assistance of her parents, climbed the staircase leading [+]

No one has seen us
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous
No one has seen us
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

The Virgin and Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVII century
Cano, Alonso
The Virgin and Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVII century
Cano, Alonso

Vemos a la Virgen en una longitud de tres cuartos, vuelta ligeramente hacia la izquierda y sosteniendo al Niño Jesús. Un velo le cubre parte de la cabeza, y los pliegues voluminosos de esta misma pren [+]

God commanding Abraham to sacrifice
Black chalk, Grey-brown wash on white paper. 1694 - 1696
Giordano, Luca
God commanding Abraham to sacrifice
Black chalk, Grey-brown wash on white paper. 1694 - 1696
Giordano, Luca

The drawing is in effect one of many by the Neapolitan painter Luca Giordano executed during the course of his decade-long activity in Spain. The corresponding painting, from which this study differs [+]

Might not the pupil know more?
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous
Might not the pupil know more?
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Three Virtues Accompanying a Young Man (Giovanni Battista Albani)
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Aliense (Attributed To)
Three Virtues Accompanying a Young Man (Giovanni Battista Albani)
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Aliense (Attributed To)

In the oval panel at the center of the escutcheon is an impresa. This shows a column crowned by a star, with a figure, appartently in a boat, approaching the column; there are two towers in the distan [+]

All will fall
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous
All will fall
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Tantalo
Pencil, Pencil, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous
Tantalo
Pencil, Pencil, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis

San Francisco se representa arrodillado con los brazos abiertos, eleva los ojos a un ángel niño que le muestra una esfera. En primer término una roca, y en ella una cruz de leño y libros. Fondo de pai [+]

Standing Angel
Pencil, Grey-brown wash on yellow laid paper. 1630
Cano, Alonso
Standing Angel
Pencil, Grey-brown wash on yellow laid paper. 1630
Cano, Alonso

Sánchez Cantón thought the inscription on the banner was by the artist himself and added that this may have been the design for an ex-libris or a frontispiece. The Museo del Prado’s 1857 [+]

Poor little things!
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous
Poor little things!
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Those specks of dusts
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous
Those specks of dusts
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Allegory of Time and Truth
Pencil, Grey-brown wash on laid paper. 1646 - 1647
Baciccia
Allegory of Time and Truth
Pencil, Grey-brown wash on laid paper. 1646 - 1647
Baciccia

The centuries-old reference to Gian Lorenzo Bernini, seen on the support of this drawing, was first accepted by Alfonso E. Pérez Sánchez, who identified the work as a preliminary study r [+]

Bouquets of Flowers
Black chalk, White chalk on grey laid paper. 1803
Espinós, Benito
Bouquets of Flowers
Black chalk, White chalk on grey laid paper. 1803
Espinós, Benito

Rosas, margaritas, narcisos. Compañero de la obra D00706. (Texto extractado de Pérez Sánchez, A. E.: Catálogo de Dibujos. Dibujos españoles s. XVIII (C-Z), Museo del Prado, 1977, p. 33). [+]

The Annunciation
Red chalk, Grey-brown wash, Squared-up, Charcoal on yellow laid paper. Ca. 1620
Cajés, Eugenio
The Annunciation
Red chalk, Grey-brown wash, Squared-up, Charcoal on yellow laid paper. Ca. 1620
Cajés, Eugenio

A la izquierda, la Virgen María arrodillada de frente, junto al reclinatorio que en parte cubre el manto. A la derecha, casi de perfil, el ángel arrodillado con las manos cruzadas sobre el pecho.Prepa [+]

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