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War (Album H, 15)
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
War (Album H, 15)
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

The last of the albums produced in Bordeaux offers a succession of untitled scenes in which an apparent representation of reality is combined with fantasy. This woman, covered with a mantle, armed wit [+]

Saint John the Evangelist
Black chalk, Grey-brown wash on yellow laid paper. XVIII century
Maella, Mariano Salvador
Saint John the Evangelist
Black chalk, Grey-brown wash on yellow laid paper. XVIII century
Maella, Mariano Salvador

Dibujo preparatorio para una pechina muy ancha, de forma trapezoidal. En él se representa a San Juan Evangelista sentado sobre una nube en actitud de escribir sobre un libro que apoya en sus rodillas, [+]

Saint Leocadia before the Praetor
Black chalk, Grey-brown wash on yellow laid paper. 1775
Maella, Mariano Salvador
Saint Leocadia before the Praetor
Black chalk, Grey-brown wash on yellow laid paper. 1775
Maella, Mariano Salvador

Dibujo rematado en medio punto. En él nos encontramos a la derecha, sobre dos gradas, junto a una gran columna, el magistrado en su solio. Ante él, Santa Leocadia rechaza el sacrificio, a que la invit [+]

The Immaculate Conception
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. First third of the XVIII century
Anonymous
The Immaculate Conception
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. First third of the XVIII century
Anonymous

Dibujo en el que se representa a la Virgen Inmaculada en pie, sobre el creciente de la luna, con las manos juntas y la cabeza inclinada; a su derecha, un ángel niño con espada flamígera, acosa al drag [+]

''El pelado'' from Ybides
Grey-brown wash on laid paper. 1812 - 1823
Goya y Lucientes, Francisco de
''El pelado'' from Ybides
Grey-brown wash on laid paper. 1812 - 1823
Goya y Lucientes, Francisco de

Manuel Millán, nicknamed El pelado from Ybides or Ibdes, a village in the Calatayud region, was a bloodthirsty Aragonese bandit from the second half of the seventeenth century. He was famous du [+]

They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Several drawings in these albums predominantly feature clergymen, all of which have a satirical tone. In this case, a friar laboriously prepares to relieve himself, consequentially, as Goya´s title su [+]

And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous
And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso
The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso

La Virgen se encuentra sentada sobre unas nubes, en la parte superior derecha, y el Niño se aleja de su madre para dirigirse hacia San Félix, cuyos brazos abiertos esperan al pequeño que ha sido confi [+]

Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1807, Standing warrior, resting his foot on the head of a dragon, are companions and have remained together from at least as long ago as the late eighteenth century, when they we [+]

The presentation of the Virgin at the Temple
Black chalk, Ink, Grey-brown wash on laid paper. Ca. 1697
Giordano, Luca
The presentation of the Virgin at the Temple
Black chalk, Ink, Grey-brown wash on laid paper. Ca. 1697
Giordano, Luca

When the Virgin Mary was three years old her parents, Anna and Joachim, led her to the Temple of Jerusalem. There the young Virgin, without the assistance of her parents, climbed the staircase leading [+]

No one has seen us
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous
No one has seen us
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

The Virgin and Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVII century
Cano, Alonso
The Virgin and Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVII century
Cano, Alonso

Vemos a la Virgen en una longitud de tres cuartos, vuelta ligeramente hacia la izquierda y sosteniendo al Niño Jesús. Un velo le cubre parte de la cabeza, y los pliegues voluminosos de esta misma pren [+]

God commanding Abraham to sacrifice
Black chalk, Grey-brown wash on white paper. 1694 - 1696
Giordano, Luca
God commanding Abraham to sacrifice
Black chalk, Grey-brown wash on white paper. 1694 - 1696
Giordano, Luca

The drawing is in effect one of many by the Neapolitan painter Luca Giordano executed during the course of his decade-long activity in Spain. The corresponding painting, from which this study differs [+]

Appeals are in vain
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Appeals are in vain
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 54, Appeals are in vain. In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spani [+]

There is no one to help them
Red chalk on grey laid paper. Ca. 1813
Goya y Lucientes, Francisco de
There is no one to help them
Red chalk on grey laid paper. Ca. 1813
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 60, There is no one to help them.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the [+]

Might not the pupil know more?
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous
Might not the pupil know more?
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Alegoría del Comercio
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la
Alegoría del Comercio
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la

Ante un paisaje de ciudad clásica, con pórticos, cúpulas y obeliscos, una figura femenina alada, vuela con espigas en la mano izquierda. En primer término, en el suelo, varios niños juegan con libros [+]

Three Virtues Accompanying a Young Man (Giovanni Battista Albani)
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Aliense (Attributed To)
Three Virtues Accompanying a Young Man (Giovanni Battista Albani)
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Aliense (Attributed To)

In the oval panel at the center of the escutcheon is an impresa. This shows a column crowned by a star, with a figure, appartently in a boat, approaching the column; there are two towers in the distan [+]

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