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Saint Nicholas of Bari
Pencil ground, Grey-brown wash, Squared-up, White lead on yellow laid paper. First third of the XVII century
Carducho, Vicente
Saint Nicholas of Bari
Pencil ground, Grey-brown wash, Squared-up, White lead on yellow laid paper. First third of the XVII century
Carducho, Vicente

One of the venerated saints in the city of Madrid was Saint Nicholas of Bari. It is precisely within the devotional context of this saint that this drawing by Vicente Carducho should be studied. In the drawing, Saint Nicholas appears full-length, dressed in pontifical vestments and displaying all the elements of his position as ecclesiastical dignitary: the chasuble, the staff and the mitre. At hi

The Holy Family with Saint Joachim, Saint Anne, Zechariah, Saint Elizabeth, and the Infant Saint John the Baptist
Pencil ground, Grey-brown wash, White lead on yellow laid paper. 1630 - 1638
Carducho, Vicente
The Holy Family with Saint Joachim, Saint Anne, Zechariah, Saint Elizabeth, and the Infant Saint John the Baptist
Pencil ground, Grey-brown wash, White lead on yellow laid paper. 1630 - 1638
Carducho, Vicente

Preparatory drawing for a painting of the same subject, now held in a private collection in London but previously in Madrid at the end of the 19th century in the possession of the general Quesada. In this work, the Child sleeps on the lap of his mother, who holds him tenderly. The Virgin is depicted alongside Saint Joseph, with Saint Joachim and Saint Anne completing the scene to the left. Zechari

Saint Peter of Alcántara giving Communion to Saint Teresa of Jesus
Pencil, Pencil ground, Grey-brown wash, Squared-up, White lead on yellow laid paper. 1620 - 1630
Carducho, Vicente
Saint Peter of Alcántara giving Communion to Saint Teresa of Jesus
Pencil, Pencil ground, Grey-brown wash, Squared-up, White lead on yellow laid paper. 1620 - 1630
Carducho, Vicente

This drawing depicts a religious scene inside a temple, with a powerful arch that serves as a frame for the main group of figures. A kneeling nun is about to receive communion from the hands of a priest dressed in pontifical vestments. The priest is flanked by two acolytes, also kneeling, each one holding an altar candle. This scene has been traditionally interpreted as the communion of a saintly

Saint Anselm
Black chalk, Pencil, Grey-brown wash, Squared-up, White lead on paper attached to canvas, yellow laid paper. 1620 - 1634
Carducho, Vicente
Saint Anselm
Black chalk, Pencil, Grey-brown wash, Squared-up, White lead on paper attached to canvas, yellow laid paper. 1620 - 1634
Carducho, Vicente

Dressed in a cape and adorned with staff and mitre, he holds a book between his hands. Angulo and Pérez Sánchez suggested the possibility that it could be Saint Augustine. However, he more closely resembles the bishop Saint Anselm of Canterbury (1033–1109), who defended the Immaculate Conception of the Virgin in his writings. When compared to the painting by Angelo Nardi Saint Anselm

Saint Gregory the Great
Black chalk, Grey-brown wash, Squared-up, White lead on paper attached to canvas, yellow laid paper. 1620 - 1634
Carducho, Vicente
Saint Gregory the Great
Black chalk, Grey-brown wash, Squared-up, White lead on paper attached to canvas, yellow laid paper. 1620 - 1634
Carducho, Vicente

This drawing belongs to a set of five different drawings of Saint Gregory the Great that are divided among the Museo del Prado (D84 and D5989) and the National Library in addition to one that appeared on the Parisian art market. It is difficult to determine which one of them can be considered the head of the series, mostly because none of them display the high technical quality of Saint Augustine

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