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Infante Don Carlos
Oil on canvas. 1626 - 1627
Velázquez, Diego Rodríguez de Silva y
Infante Don Carlos
Oil on canvas. 1626 - 1627
Velázquez, Diego Rodríguez de Silva y

Following his appointment as painter to the King in 1623, Velázquez`s principal task was that of portraying the monarch and his circle. In order to do so he primarily made use of two different [+]

Head of Old Men
Oil on paper attached to panel. 1618 - 1620
Dyck, Anthony Van
Head of Old Men
Oil on paper attached to panel. 1618 - 1620
Dyck, Anthony Van

A bearded, grey-haired old man turns his head to the left over a black background. This is similar to another head by the same artist (P1491) and is probably a sketch or model for a larger work, inten [+]

Pietà
Black chalk, White chalk on grey paper. XVIII century
Bayeu, Francisco
Pietà
Black chalk, White chalk on grey paper. XVIII century
Bayeu, Francisco

Estudio de La Piedad en el que se representa a Cristo sentado en el suelo, apoyando el cuerpo sobre la pierna derecha de la Virgen. (Texto extractado de Arnáez, R.: Catálogo de Dibujos. II. Dibujos Es [+]

St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Bellini, Filippo (Attributed To)
St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Bellini, Filippo (Attributed To)

Formerly classified as anonymous Italian. The style brings to mind some aspects of Bellini´s pen-and-wash drawings, especially the large, almost grotesque hands with stubby fingers-with only three on [+]

The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea
The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea

Es apunte preparatorio para el óvalo del mismo tema que realizó Procaccini sobre la puerta de la sacristía nueva de Santa Maria dell Orto. En la Academia de San Fernando de Madrid se conserva una seri [+]

Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio
Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio

La figura en pie en el centro lleva en la mano una espada flameante, y en la izquierda, el escudo; en la parte baja, las figuras de los demonios, desnudos y contorsionados, ofrecen resistencia al arcá [+]

Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous
Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous

Dibujo en el que se representa a Judith, ricamente vestida, que sostiene la cabeza de Holofernes con la mano izquierda. Al fondo aparece la sirvienta. Se relaciona con la técnica de la xilografía al c [+]

Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco
Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco

The traditional attribution to Castello, which appears in an old inscription on the reverse of the mount, needs to be taken seriously. Not only is the pen work reminiscent of Castello´s handling of th [+]

God the Father with Angels Appearing among Clouds
Pencil ground, Grey-brown ink, White lead, Wash on green paper. Second half of the XVI century
Farinati, Paolo
God the Father with Angels Appearing among Clouds
Pencil ground, Grey-brown ink, White lead, Wash on green paper. Second half of the XVI century
Farinati, Paolo

Farinati was one of the most prolific draftsmen active in Verona in the second half of the sixteenth century. His pictorial approach to drawing -many of his studies are carried out largely with the br [+]

Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous
Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous

The old attribution CORREGIO, in which both Brun (?) and Fernández Durán may have believed, is not correct. The drawing displays some stylistic traits associable with Bernardino India, t [+]

Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous
Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous

As J.A. Gere pointed out in 1981 (pencil note on the modern museum mount), the composition is taken from Polidoro´s facade decoration of the Palazzo Milesi, Rome. Judging from the style, the cop [+]

Architectural Elevation of an Interior, with Two Clerestory Windows and Part of a Vaulted Ceiling, Putti Supporting Swags of Fruit and Effigies of St. Michael and the Annunciate Virgin
Pencil, Grey-brown ink, Grey-brown wash, White lead, Yellow wash on paper. Second half of the XVI century
Vecchi, Giovanni de
Architectural Elevation of an Interior, with Two Clerestory Windows and Part of a Vaulted Ceiling, Putti Supporting Swags of Fruit and Effigies of St. Michael and the Annunciate Virgin
Pencil, Grey-brown ink, Grey-brown wash, White lead, Yellow wash on paper. Second half of the XVI century
Vecchi, Giovanni de

This is an entirely characteristic work of Giovanni de´ Vecchi. The two imprese, in the panel´s lower center, which might otherwise provide evidence as to the church decoration here designed, are alas [+]

The presentation of the Virgin at the Temple
Black chalk, Ink, Grey-brown wash on laid paper. Ca. 1697
Giordano, Luca
The presentation of the Virgin at the Temple
Black chalk, Ink, Grey-brown wash on laid paper. Ca. 1697
Giordano, Luca

When the Virgin Mary was three years old her parents, Anna and Joachim, led her to the Temple of Jerusalem. There the young Virgin, without the assistance of her parents, climbed the staircase leading [+]

St. Margaret
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous
St. Margaret
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous

In spite of the traditional attribution to Lorenzo Sabbatini (ca. 1530-1576), this drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]

Presentation in the Temple
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Segunda mitad del siglo XVI - XVII century
Poccetti, Bernardino Barbatelli (Attributed To)
Presentation in the Temple
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Segunda mitad del siglo XVI - XVII century
Poccetti, Bernardino Barbatelli (Attributed To)

Florian Harb (2004), was the first to make the convincing suggestion, on stylistic grounds, that this drawing could be by Poccetti. [+]

Life study
Black chalk, White chalk on grey paper. 1704
Conchillos y Falcó, Juan
Life study
Black chalk, White chalk on grey paper. 1704
Conchillos y Falcó, Juan

Estudio en el que se representa una figura masculina de pie, de espaldas, con los brazos alzados en actitud de golpear algo. (Texto extractado de Pérez Sánchez, A. E., Catálogo de dibujos. I. Dibujos [+]

Saint Gregory the Great
Black chalk, Grey-brown wash on dark yellow paper. 1620 - 1634
Carducho, Vicente
Saint Gregory the Great
Black chalk, Grey-brown wash on dark yellow paper. 1620 - 1634
Carducho, Vicente

Perteneciente a un conjunto de cinco dibujos distintos de san Gregorio Magno; repartidos entre el Museo del Prado (D84 y D5989), la Biblioteca Nacional y uno que apareció en el mercado del arte parisi [+]

Studies of Figures and Animals
Pencil, Grey-brown ink on brown paper. Late XVI - Primer cuarto del siglo XVII century
Villamena, Francesco (Attributed To)
Studies of Figures and Animals
Pencil, Grey-brown ink on brown paper. Late XVI - Primer cuarto del siglo XVII century
Villamena, Francesco (Attributed To)

This adn the following eight drawings appear to be by the same mediocre hand, by whom there are several other drawings in the Prado scattered throughout the collection under a number of different attr [+]

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